Spiklenci Slasti
“Conspirators is actually a film about liberation, and about gaining a freedom.”–Jan Svankmajer explaining why he considered Conspirators his most Surrealistic film up to that point
DIRECTED BY: Jan Svankmajer
FEATURING: Petr Meissel, Gabriela Wilhelmová, Barbora Hrzánová, Anna Wetlinská, Jirí Lábus, Pavel Nový
PLOT: A man enters a newsstand and furtively buys a pornographic magazine as the owner nods conspiratorially at him. At home, he leafs through the pages but is interrupted by the postwoman, who has him sign for a letter that simply reads “on Sunday.” Over the next several days the man constructs an elaborate chicken costume; meanwhile, the postwoman, his next door neighbor, the newsstand owner, and another couple are all involved in their own strange, surreptitious projects.
BACKGROUND:
- Conspirators of Pleasure began life as a screenplay for a short written in 1970 but never filmed. That short would have told the parallel stories of the “chicken man” and his neighbor across the hall. Svankmajer resumed work on the project in 1996, thought of four more characters to include, and expanded the film to feature length.
- In 1975 Svankmajer wrote a (satirical?) essay entitled “The Future Belongs to Masturbation Machines.”
- Originally known for his stop-motion animated shorts, Conspirators was Svankmajer’s third feature film, and it continued a trend of having less and less animation in each successive film (there are only a few accent scenes here, which amount to about one minute of animation).
- The end credits list Sacher-Masoch, the Marquis de Sade, Freud, Luis Buñuel, and Bohuslav Brouk (a Czech psychoanalyst who wrote up a series of case studies about masturbatory practices) as having provided “professional expertise.”
- The Quay Brothers, animators who paid tribute to the Czech director with the 1984 film “The Cabinet of Jan Svankmajer,” are listed in the credits as “musical collaborators” (although the soundtrack is prerecorded classical music).
INDELIBLE IMAGE: The man in a chicken suit doing a ritualistic (and sometimes literally animated) dance in front of a doll-like effigy tied to a chair.
THREE WEIRD THINGS: Stop-motion submissive; dough-snorting; carp shrimping
WHAT MAKES IT WEIRD: We follow six people engaged in complicated, intensely personal fetishistic rituals; adding to the odd, voyeuristic atmosphere, there is no dialogue, other than what’s overheard in the background on television. Each of the conspirators crosses the others’ paths, but continue to work on their own private obsessions, until all of them appear to receive their ultimate gratification. Then, Jan Svankmajer launches us into a new stratosphere of strangeness at the finale, when the chickens come home to roost (so to speak).
Short clip from Conspirators of Pleasure
COMMENTS: Case study: a man, Eastern European, balding but fit Continue reading 226. CONSPIRATORS OF PLEASURE (1996)