Four years has passed since we published “Rustam Khamdamov: Impossible to Be Great…” What has happened to Rustam Khamdamov since then? A new short film has appeared, Brilianty (Diamonds) [AKA Diamonds. Theft], the first film in a proposed “Jewelry” trilogy. It was presented at the 67th Venice International Film Festival in September 2010. The festival program describes the movie:
“This is a poetic film set in the times of Lenin’s NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it’s much harder to get than any diamond in the world.” ((http://www.labiennale.org/en/cinema/archive/67th-festival/lineup/off-sel/orizzonti/brilianty.html))
The Russian premiere of Diamonds was held on 15 July 2011 at the International Film Festival in St. Petersburg.
The film is inspired by the ballet La Bayadère by Marius Petipa. This picture is intended as part of a series of three shorts with the common title “The Jewels,” which the director wants to shoot with Anna Mikhalkov (“Emeralds. Murder”) and Tatiana Doronina (“Rubies. No Price”) ((http://renatalitvinova.ru/%D0%B1%D1%80%D0%B8%D0%BB%D0%BB%D0%B8%D0%B0%D0%BD%D1%82%D1%8B-2011/ [in Russian])).
In one of his interviews, Khamdamov said that the third movie will be dedicated to Russian piano genius Maria Yudina: “There was a woman named Yudina, a completely crazy woman, a great pianist who did not have either a piano or an apartment. She lived with cats and dogs on the street. She was homeless, a clochard.” Tatiana Doronina is to play the role. The action takes place in Tashkent, the director’s native city.
Here are Diamonds’ art director Dmitri Alekseev thoughts on the movie: “In general, the film consists of the personal experiences of Rustam about all that he has ever seen in his life. In the episode with Renata Litvinova, which opens the film, the decoration consists entirely of angles: a rectangular table covered with a white cloth, and on it the radio set, resembling the Empire State Building. Renata makes a nose out of a paper cup, it pierces the radio set, and ‘La Bayadere’ plays. Litvinova is immersed in the music, and the story with [actress Diana] Vishnevaya, the ballet dancer, begins. Renata brings together the entire movie, but she will have her own story. Hers we will also shoot in St. Petersburg, but it’s unclear when.”
Ballet critic Julia Yakovleva points out numerous ballet references ((http://seance.ru/blog/dance/ [in Russian])): for example, the name “Diamonds” is also the name of George Balanchine’s homage to Tchaikovsky, the third part of his triptych “Jewels,” and Vishnevaya’s character is reminiscent of Olga Spesivtseva – “a hungry diva of Petrograd, dilapidated, dangerous city of the 1920s, from which Balanchine fled to Europe.”
Lidia Maslova (from the journal “Kommersant”) described the film as “very mannered and drenched with symbolism,” in which “all members of the Continue reading RUSTAM KHAMDAMOV: IMPOSSIBLE TO BE GREAT – POSTSCRIPT – DIAMONDS AND ANNA KARAMAZOFF