2017 saw a decrease in the number of truly great weird films released. Maybe it was because the year’s political climate was so bizarre that no surrealist could outweird reality: what screenwriter could come up with a character as absurd as “the Mooch“? Whatever the reason, we only saw two 2017 releases (so far, at least) attain the coveted “Certified Weird” status, versus five laureates in 2016. On the other hand, it was an excellent year for re-releases, with the Oedipal transvestites of Funeral Parade of Roses once again tramping across arthouse screens, and ‘s chicken-centric giallo Death Laid an Egg getting a clucking good restoration and subsequent Blu-ray debut. And any year which sees new films from a particularly fervid , a relatively restrained , and a steadily strange Yorgos Lanthimos can be called a loser—and that’s not even mentioning return to the small screen with the absolutely bizarre “Twin Peaks: The Return.” So let’s pay tribute to the weirdness of 2017 past: the eel transfusions, killer mermaid musicals, and rectum-faced women that strangened our screens, while we look forward to the oddness certain to come in this weird year of our Lord 2018.
As for the choice of movies, as always, I personally pick them using a secret proprietary formula that accounts for cinematic craftsmanship, the degree of surrealism/weirdness, and the perceived prestige in the weird movie community based on buzz and reader feedback, then I rank them in whatever arbitrary order I momentarily feel like without regard to any of that. As always, we list the films in random order—the weirdest of orders.
7. Slack Bay – Unexplained disappearances plague a seaside resort frequented by an odd bourgeois family. Slack Bay finds writer/director carrying over a number of themes and tropes from his hit television miniseries Lil’ Quinquin: the resort setting, bumbling gendarmes, and a mixture of absurdist comedy and dark metaphysical mystery. Our mused “The film goes all in on the oddness, contrasting over-the-top dramatics with an aggressively blasé attitude toward the more salacious elements of its story. Writer/director Bruno Dumont wants very badly to put you off your guard, mixing in livewire topics like cannibalism, incest, and gender confusion with characters who are carefully calculated to be ridiculous.”