Category Archives: Pod 366: A Weird Movies Podcast

Our weekly podcast of new and upcoming weird movie releases

POD 366, EP. 186: WE’RE NOT SICK OF CAT SICK BLUES’ DAVE JACKSON

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Discussed in this episode:

Cat Sick Blues (2015): explains his inspirations for this strange slasher about an Internet celebrity whose life revolves around her cat’s viral video performances and a fellow with a fetish for defiling and murdering women while dressed as a cat who meet at a pet-loss support group.

Bouchra (2024): A lesbian refugee coyote in America reconnects with her mother in Morocco; all the characters are animated anthropomorphic animals, and there’s a talking elevator shaft. Coincidentally, this was recommended in the reader-suggestion box just yesterday; it’s playing in select theaters starting this week. Fortunately, it’s also on Mubi or available to rent on VOD separately. Bouchra official site.

Fantastic Fest: Austin’s original Alamo Drafthouse hosts the last major festival event of the year. This year there are fewer repeats from Fantasia than in previous years, although they do have at least one repeat from Toronto’s TIFF. Here’s what we’ll be tracking in coming weeks and months.

    • The Face of Horror – ‘s Gothic horror throwback showed out well in Toronto, but might be campy (a term Biller disfavors) rather than weird. She did release a clip:

Fantastic Fest homepage.

Ghost in the Shell (1995): Read Gregory J. Smalley’s review. This seminal cyberpunk anime isn’t that weird, but it is essential animation that’s available in theaters this week. Ghost in the Shell at Fandango for theaters and showtimes.

The Master and Margarita (2024): An adaptation of the popular Mikhail Bulgakov novel about a banned novelist who loses touch with reality while writing his latest work. This film was censored in Russia and has been the subject of litigation here due to another set of filmmakers claiming exclusive rights; a couple of sources say this will nevertheless be in cinemas next week, but no reports as to where. Here’s an article on the film, and a legal dispute, announcing its supposed release.

WHAT’S IN THE PIPELINE:

No guest scheduled for next week’s Pod 366 (although we do have someone for the following week), but the gang will be back to discuss the week’s weird movie news and releases. In written content, Michael Diamades translates Themroc (1973) for you, Shane Wilson celebrates the late ‘s birthday with a look at a pair of his early experimental shorts, Enar Clarke reports on the restored version of 1994’s Nadja, and Gregory J. Smalley visits the microbudget absurdity Swollen Creek (2026, and already on Tubi if you want to get a head start). Onward and weirdward!

POD 366, EP. 185: A MILDLY WEIRD WEEK SAVED BY “KWAIDAN”

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Discussed in this episode:

Annihilation (2018): Read Gregory J. Smalley’s review. A lovely 4K UHD/Blu-ray steelbook edition of ‘s dreamy, pastel-colored feminine sci-fi feature. Buy Annihilation.

Backrooms 2 (est 202?): More fuel on the Backrooms 2 rumor fire, delivered with a high degree of confidence. And yes, of course director Kane Parsons wants the story to focus on Async.  We warned A24 not to push their luck. This sounds like a mistake: aesthetically, that is. It will probably make money. (Parsons apparently also has an original story in the works, under the tutelage of mentor : we’re more hopeful about that one.) Dread Central broke the news.

Helter Skelter (2012): Read Shane Wilson’s review. This somewhat obscure film, which is like an earlier, less-crazy Japanese version of The Substance, comes out in a limited edition from 88 Films in the UK. Besides new artwork and the limited edition number, it looks substantially similar to the US release from March of this year.  Buy Helter Skelter from the distributor (UK site).

I Want Your Sex (2026): A contemporary artist manipulates her naive assistant into a BDSM relationship that (naturally) spirals out of control. ‘s latest is an eccentric BDSM dramedy with rom-com beats, now available on VOD at premium pricing. Buy or rent I Want Your Sex.

Kwaidan (1964): Read the Canonically Weird entry! The stunningly lovely restored version of Japan’s most famous ghost story anthology opens in NYC this week, rolling out to other art-house-housing cities in the future. Expect a Criterion Collection 4K re-release in the near future. Kwaidan at Janus Films.

This Is Buzz (2026): Documentary about the short-lived, short-attention-span avant-garde MTV show “Buzz” from the early 90s. This roadshow release starts in various California cities next week; check the following link to see if it’s coming to a town near you. This Is Buzz at Antenna Releasing.

Vincent Must Die remake: Giles Edwards told us the French/Belgian original about a man everyone wants to kill was a weird movie, so Hollywood rushed to correct that. This English-language version will be the directorial debut of David Leslie Johnson-McGoldrick, whose previous work as a screenwriter and producer on Orphan, as well as Insidious and The Conjuring sequels, doesn’t arouse a great deal of confidence. Variety has the news.

WHAT’S IN THE PIPELINE:

, director of Cat Sick Blues, will be our guest on the next Pod 366 (this bizarre and disturbing shocker is currently free on Tubi, if you want to do your homework). In written content, Michael Diamades drinks in Australia’s boozy nightmare Wake in Fright (1971), Shane Wilson has intrusive thoughts about ‘ L’intrus (2004), Germán Biener stares at Flesh of the Void (2017) (starring “Man Without a Face” and “Dead Flesh”), and Gregory J. Smalley warns you whether the newly-resurrected Scarlet Warning 666 (1974) (AKA It Happened One Weekend, AKA Scarlet Love) is, as its box cover asks, “a lost cinematic masterpiece of a mad genius, or THE WORST MOVIE EVER MADE?” Onward and weirdward!

POD 366, EP. 184: FROM THE SHORES OF “LAKE AMERICA,” IT’S TIFF 2006!

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Discussed in this episode:

Don Hertzfeldt on Dropout: The complete works of fiercely independent Academy-Award-nominated animator (of the Canonically Weird It’s Such a Beautiful Day), which had previously been scattered about, are now available on the independent comedy subscription streaming service Dropout. Dropout is really excited about the acquisition. The Don Hertzfeldt Collection on Dropout.

Tekkonkinreet (2006): Read the Canonically Weird entry! As expected, the restoration and re-release of Tekonkinkreet results in a 4K UHD release (Blu-ray included) of the weird outsider anime set in pan-Asian “Treasure Town.” All extra features appear to be recycled, but the image should be stunning. Buy Tekonkinkreet.

Toronto International Film Festival (TIFF): The Venice Film Festival (Biennale) is running contemporaneously and, although it is older and more historically prestigious, it is far smaller and less important commercially (many films now play both festivals). The Toronto festival is huge—over 400 offerings this year—and a crucial market for upcoming films looking for distributors. Most TIFF films are reliably mainstream, but there will inevitably be some weird ones. Here are the ones we’ll be tracking in the coming months:

  • Anchors Aweigh -absurdist alt-comedy joint about an artist who decides to live on a sailboat after a breakup; described as “anxiety fester[ing] across a series of increasingly surreal vignettes.”
  • Bad Lieutenant: Tokyo – ‘s take on the now venerable pseudo-franchise will doubtlessly play up the brutality—and, hopefully, the grindhouse surrealism for which the director is famous. Neon has already scooped it up, so it will be seen, but no Stateside release date as of yet (it plays in Japan in late October).
  • Bucking Fastard – a surprise new movie (not his animated The Twilight World, which is still upcoming), but what looks like a magical realist piece about two sisters (Kate and ) who do everything (including speak) in concert. Despite the strange premise (and an uncanny clip) Indiewire says they are “hearing that this is perhaps Herzog’s most commercial title.“
  • There will, quite naturally, be a screening of the uncut version of The Devils. The unprepared better strap themselves in. Look for it in the US in late October.
  • The Face of Horror – Another lovely surprise: an technicolor, Hammer-style horror film. Last we heard Biller was having trouble raising funds for her “Bluebeard” adaptation, so she must have quietly pivoted to this campy Gothic project instead. Hopefully it will be strange and not merely a reverent homage, but there is nothing to go on besides a still.
  • Ladies and Gentlemen, Brian Mulroney – An experimental documentary from the fantastic about Canada’s 18the Prime Minister that, according to programmers, “distills historical record through savvy psychedelic abstraction and satirical irreverence.” Nothing else is known, but we are excited for this highly Canadian offering.

Toronto International Film Festival homepage.

WHAT’S IN THE PIPELINE:

No guest officially scheduled for next week’s Pod 366 (though we are trying), but the following week we will talk to of the sick slasher Cat Sick Blues (which is available free with ads on Tubi, if you want a head start.) In written content, Michael Diamades is wedded to The Celestial Wives of the Meadow Mari (2012), Shane Wilson gives birth to a The Thingy: Confessions of a Teenage Placenta (2013) review, Giles Edwards takes a gamble on the microbudget My Vegas Eyes (2026), and Gregory J. Smalley goes to a late summer Camp (2026) (off brand, not Miasma).

Onward and weirdward!

POD 366, EP. 183: SO MANY MOVIES, SUMMER 2026 EDITION

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Discussed in this episode:

Black Rabbit, White Rabbit (2025): Multiple storylines converge in this “surreal” Tajikistan-based film about the making of a film. Now on Blu-ray from Deaf Crocodile. Buy Black Rabbit, White Rabbit.

Buddy (2026): Read Giles Edwards’ Apocrypha Candidate review and listen to Caspar Kelly’s Fantasia Festival Q&A. The insane horror parody about a killer unicorn who’s a children’s show host hits theaters everywhere this week; it’s been recommended to see it with an enthusiastic crowd (preferably at midnight). Buddy (Buddy the Unicorn) official Facebook page.

Buffet Froid (1979): Read the Apocryphally Weird Entry! would have killed to make ‘s cinematic ode to murder. Now out on 4K UHD in a luscious edition from Indicator. Buy Buffet Froid.

“The Duke Mitchell Collection”: Both of actor/director/lounge singer Duke Mitchell’s oddball gangster opuses—Massacre Mafia Style and Gone With the Pope–in a single edition from Grindhouse Releasing. Contains numerous, possibly painful extras like the lost soundtrack to Pope, home movies, and a complete Mitchell concert.  Buy “The Duke Mitchell Collection.”

Fantasy of the Deer Warrior (1961): Deer Warrior fights against Elk for the hand of Miss Deer, while wolves and foxes conspire against the peaceful woodland creatures. This Taiwanese fable, featuring actors dressed as animals, certainly looks like an oddity. Buy Fantasy of the Deer Warrior.

I Live Here Now (2025): Read Giles Edwards’ Apocrypha Candidate review. Julie (daughter of Al) Pacino’s directorial debut is a female-forward feature about a stressed young actress retreating to a surreal hotel. Now on Blu-ray, it’s also currently free on Amazon Prime. Buy I Live Here Now.

Tiki Tiki (1971): A group of (animated) monkeys make a (live action) movie (actually an old Soviet science fiction film) in this oddity from the director of Heavy Metal. A semi-lost film resurrected for Blu-ray by Canadian International Pictures (five short cartoons by director Potterson are among the extras). Buy Tiki Tiki.

Touch Me (2025): Read Gregory J. Smalley’s review. Alien heroin hentai stuff, previously available on VOD but now on Blu-ray with multiple commentary tracks and lots of cast and director interviews. Buy Touch Me.

WHAT’S IN THE PIPELINE:

No guest firmly scheduled on next week’s Pod 366 (we have one or two in the works, but no dates yet). In any case, Greg, Pete, and Giles will be back to discuss the week’s weird news and releases. In written content, Michael Diamades gets candid about non-mondo movie Mondo Candido (1975), Shane Wilson reconstructs the experimental narrative of The Tracey Fragments (2007), Pete Trbovich decides he really needs a Safe Word (2022) for his Pete’s Perverted Pix series, and Gregory J. Smalley visits a weird Hot Spot (2026). Onward and weirdward!

POD 366, EP. 182: IT ENDS GANDAHAR, THE WEIRD HOT CUCKOLD

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Discussed in this episode:

Gandahar (1987): The final film from , another psychedelic head trip in the vein of Fantastic Planet, had been hard to find, but has been restored and will be re-released via Janus Films. Opening August 28 (one week from today) at IFC Center, with future screenings presumed but not verified, and further presumption of a physical media release soon (likely as an official Criterion Collection selection). Gandahar at Janus Films.

The Good the Bad the Weird (2008): Read Alex Kittle’s review. The peculiar “Eastern,” with 3 characters (Korean takes on Eastwood, Van Cleef, and Wallach) in an uneasy collaboration as they use a map to try to find a hidden treasure, joins the 4K UHD ranks courtesy of Arrow. Buy The Good the Bad the Weird.

Hot Spot (2026): The Lure‘s returns to theaters with a dystopian story about a future society ruled by A.I. Reviews have been universally negative, but do use words like “trippy,” “strange,” “wacky,” “hallucinogenic,” and “incoherent.” Hot Spot official distributor site.

It Ends (2025): Read Giles Edwards’ capsule review. 20-somethings find themselves trapped in an endless road trip. Snapped up by Neon for a limited theatrical release. It Ends official site.

The Magnificent Cuckold (1964): Unfaithful dreams his wife Claudia Cardinale is cheating on him. Italian comedy of dubious weirdness, but some may find the dream sequences meaningfully strange. Buy The Magnificent Cuckold.

WHAT’S IN THE PIPELINE:

No guest scheduled for next week’s Pod 366, and Giles will be off, but Greg and Pete will be there to cover the week’s weird news and new releases. In written content, Michael Diamades looks back and gets salty with a full rendering of Lot in Sodom (1993),  it’s finally time for Shane Wilson to go to Late August at the Hotel Ozone (1967), new writer Germán Biener tracks down the Spanish rarity (rarity over here, at least) Amanece, Que No Es Poco , and Gregory J. Smalley again considers a Cure (wonder why)? Onward and weirdward!