Asatte no Mori
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FEATURING: , , Yoji Tanaka,
PLOT: Nine people are vacationing at a Japanese hot springs resort; some of them have disappeared for three days and reappeared without explanation. In an alternate universe, these nine pursue an existence in a village inside magical forest of sexualized fruit, miniature people, and brothels stocked with nipple-sucking creatures. The alter-egos supplicate before a monolith in the forest, seeking for a way to warp their dreams and find a happier existence.
- Funky Forest: The First Contact (2005) was a surreal anthology film from three directors ( ) with no real plot, although it was themed around the idea of alien contact. This spiritual sequel was made by , whose monstrous, -on-laughing-gas creature designs were arguably the most memorable part of the original.
- Although Miki has a segment in another anthology film and some TV episodes to his credit, this is his sole solo feature. He mostly directs commercials; he saved the money he made over the years and spent his entire life savings to fund this film himself.
- The Warped Forest only had a short festival run and was never released to cinemas in Japan or elsewhere. In 2022 it was released as the co-feature in the Funky Forest Blu-ray set.
INDELIBLE IMAGE: Cute-as-a-button Fumi Nikaidô holding an ornately carved rifle, which charges up with an advancing series of lights and a crescendo of whirs when she grasps it and, when fully operational, flips the compartment in the barrel to reveal… a tiny wiener, which emits a thin stream of white fluid.
TWO WEIRD THINGS: Hypertech jizz gun; genital fruit
WHAT MAKES IT WEIRD: melds the weirdly organic and the comically absurd into a singular pocket of dreamspace, presenting a completely personal and unduplicatable vision that is simultaneously shocking, angularly erotic, and heartwarming.
Original trailer for The Warped Forest (2011)
COMMENTS: In 2011,
A decade later, The Warped Forest finally shows up on Blu-ray—and it has been well worth the wait. The movie is every bit as warped as the trailer promised. Most Funky Forest viewers feel that Miki’s segments were that film’s highlights, a fact reinforced by the popularity of the still from his “Wanna go for a drink?”—you know, the one with the schoolgirl hooked by her navel to a monitor housing an mysterious orifice, operated by a man in short pants and a bow tie assisted by a mutant Big Bird. Although Funky Forest was a true collaboration, if fans had been polled as to which of its three directors should make a followup in the same style, my suspicion is that Miki would have won in a landslide.
Miki’s work is unique due to his practical effects, realistic-looking monstrosities that are partly organic, often erotic, and—no matter how grotesque—always more amusing than frightening. Beyond the trailer’s sperm-rifle, The Warped Forest provides a cornucopia of such inventions: green and yellow fruits that come in multiple varieties, sometimes bearing one nipple-like bulb and sometimes two, sometimes with an orifice. Branches grow from the breasts of nude dryads, and ripening fruit hangs between their legs. A fuzzy creature sucks human nipples, stretching the skin several inches away from the chest. A shuffling pink monster is filled with amniotic sacs that contain furry hats. Besides all of this prop-based madness, there’s the fact some of the Forest’s inhabitants are tiny, only a foot tall (illusions accomplished via a combination of split screen, green screen, and meticulously miniaturized sets). There is a minor amount of CGI used for the monoliths (which also come in various flavors), but for the most part, the effects are practical: real things made out of silicone and rubber and fur, tangible items inhabiting this world’s uncanny reality.
Miki plops the viewer into The Warped Forest with no preparation, and things get strange fast. What is the triangular monolith floating above the forest like a moon? Why do The Warped Forest‘s youngsters pull nuts from their navels? What is the function of the large green pods seen in everyone’s homes? For what purpose does one woman collect river water in a beaker? For the patient viewer, all of these questions will be answered: there is a rigorous dream logic to every element. The Warped Forest is a self-contained universe with its own consistent ecology, economy, and sociology. There are three trios of main characters, all of whom are also seen in the black and white prologue set in the real world: three middle aged men, three young men, and three sisters of various ages. Although in the real world many are strangers to each other, in the Forest they have their own sets of relationships, including unrequited crushes, infidelities, and blackmail schemes. They are united by their desires—within what we viewers perceive as the “dream world,” mind you—to improve their lives and escape by manipulating their dreams. Inside the colorful world of the Forest, they dream happy dreams in black and white, implying, in a perverse inversion of the Wizard of Oz, that our “real world” is a wish-fulfillment fantasy of the Forest’s inhabitants. As befits the film’s inherently comic nature, everyone gets a happy ending.
Compared to Funky Forest, The Warped Forest is more unified and cohesive. Rather than a series of unconnected sketches, it’s a genuine narrative—if one that takes some work to sort out, and one that leaves a few unanswered questions. It is, on balance, a better overall work than Funky Forest. In the supplemental material included on the Blu-ray, Miki explains that the film never saw a general release for several reasons. Firstly, he had some mental health issues soon after the film was completed that interfered with his ability to promote it. Secondly, the film was completely noncommercial, even by Japanese standards (which tend to be more forgiving towards the weird and grotesque). And thirdly, after completing the film, working entirely with his own money and beholden to no producers or financiers, he was satisfied simply to have brought the visions inside his head to fruition. He had little motivation to do the grunt work necessary to bring it to the wider world. That task was left to others, who recognized the work’s cult potential (even if only attached as a rider to a Funky Forest release) and tracked the film and its creator down. Miki appears genuinely grateful that there is now a small (and hopefully growing), appreciative audience for his labor of love. We should be even more grateful to him for gifting the world with this unique achievement in unreality. It’s a shame that circumstance and temperament make it unlikely that this director will ever make another feature film, but the fact that Miki is happy with his Warped Forest should make us happy, too.
WHAT THE CRITICS SAY:
“…instead of the out and out surreality of the low-key alien encounter fantasy ‘The Funky Forest,’ Miki goes for domestic comic situations that are just a little bit bizarre and often bittersweet.”–Charles Webb, MTV (festival screening)
“…a truly brilliant realization of a completely bizarre world… The Warped Forest is a comedy at heart, so it’s easy to just laugh it off when things get really weird…. At only 82 minutes, its short enough that the weirdness doesn’t overstay its welcome and long enough to feel like there never needs to be another one.”–Alec Kubas-Meyer, Flixist (festival screening)
IMDB LINK: The Warped Forest (2011)
OTHER LINKS OF INTEREST:
Fantasia 2012 – Warped Forest – Shunichiro Miki – Miki explains the film in a short introduction filmed for the 2021 Fantasia Film Festival
Short Cuts! – The Warped Forest – The programmer for NYC’s Japan Film Society describes the film in a unique video promo
Funky Forest & Warped Forest Official Trailer Limited Blu Ray Box Set Available December 27th – Trailer for the Funky Forest/Warped Forest Blu-ray release
The Warped Forest (2011) – Japanese Movie Review – YouTuber “the Asian Movie Enthusiast” reviews the film (no clips)
HOME VIDEO INFO:
The Warped Forest is only available on a dual release with Funky Forest: The First Contact (see that review for details of the Funky Forest review, “home video info” section). In the UK and Europe, the set was released in a region-free edition by Third Window Films (buy). It should play fine on most North American machines. Although the disc begins with an apology for the poor video quality of some of the supplements, the feature itself looks and sounds pristine. Extras include a short introduction from , a 20-minute interview from the same personage, the trailer, a behind-the-scenes/making of featurette, and “Wonderful Dwellers of Funky Forest,” another featurette devoted entirely to Miki’s creations from the first movie. Miki also supplies a commentary track which explains every aspect of the film in detail, revealing Warped secrets which would be difficult, if not impossible, to divine otherwise.
In the U.S. a slightly different limited edition set (which sold out quickly) came courtesy of Error 4444. If you can find an (expensive) used copy of that release, you’ll get all the features on the Third Window disk plus new artwork, two booklets, a collectible “art card,” stickers, and a “mystery disc” (spoiler: it’s the Funky Forest soundtrack, which is highly sought after in some quarters).
The Warped Forest is not currently available for streaming in the U.S., but can be rented via Vimeo in the U.K. (and possibly other territories).