Tag Archives: Explicit sex

LIST CANDIDATE: ANTICHRIST (2009)

Antichrist has been promoted to the List of the 366 weirdest movies of all time. This page is left here for archival reasons. Pelase go to 72. Antichrist for more in-depth coverage of the film and to make comments.

DIRECTED BY: Lars von Trier

FEATURING: William Dafoe, Charlotte Gainsbourg

PLOT: After the death of their only child, a therapist takes his grieving and anxiety-ridden wife to a retreat in the woods to face her irrational fears; when they arrive, nature itself seems determined to drive them both mad.

Still from Antichrist (2009)

WHY IT’S ON THE BORDERLINE:  Actually, von Trier’s troubled and troubling Antichrist is almost a shoo-in to make the List of the 366 Best Weird Movies.  Though the graphic torture-porn (and plain old-fashioned porn) elements have stolen the headlines and alienated viewers, at bottom this is von Trier’s spookiest and most mysterious film, a trip deep into the heart of darkness, and one the viewer may have as difficult a time returning home from intact as the characters do.  The irrational horror of von Trier’s vision is only magnified by the sense that you aren’t so much watching a filmic depiction of madness as watching a director going insane in real time, before your very eyes: he seems to lose control of his story as it progresses, turning the climax over to his internal demons for script-doctoring, before reasserting some measure of control of his material in a surreal epilogue.  While worthy of consideration, Antichrist finds itself in the same situation as the Coen brothers A Serious Man; we’re not going to officially certify it for the List until it receives its home video debut and we have a chance to scrutinize it more closely than is possible in a cinema.

COMMENTS: Lars von Trier desreves to be roundly criticized for burdening Antichrist with approximately four transgressive, shocking scenes: not because such sights should never be shown, but because these tasteless displays dominate our experience and force every viewer (and reviewer) to deal with them first and foremost.  Their sole artistic function are to serve as obstacles to appreciating the grim beauty of the remaining film.  Whether their inclusion is a calculated act by a prankster director, or a lapse in judgment resulting from psychological impairment (von Trier claims to have written the script as self-therapy to help him deal with a crippling bout of depression much like the one suffered by Charlotte Continue reading LIST CANDIDATE: ANTICHRIST (2009)

BORDERLINE WEIRD: SEX AND LUCIA [LUCIA Y EL SEXO] (2001)

DIRECTED BY: Julio Medem

FEATURING: Paz Vega, Tristán Ulloa, Najwa Nimri

PLOT:  Lucia, a waitress, falls in love with Lorenzo, a young novelist with a secret in his past; their passionate love story is intertwined with dramatized scenes from Lorenzo’s novel, with it left to the viewer to decide what is “real” and what is “fiction.”

sex_and_lucia


WHY IT WON’T MAKE THE LISTSex and Lucia‘s fractured narrative is more confusing than weird.  It’s meta-narrative conceits call to mind Adaptation, another movie that ultimately felt too much like an intellectual exercise to be extremely weird. Sex and Lucia treats it’s fiction-within-a-fiction structure with more subtlety and ambiguity, though Charlie Kauffman’s screenplay exists on a satirical plane that in the end makes it the more centered and satisfying effort.

COMMENTS:  The best things about Sex and Lucia are sex (important enough to get its own paragraph!) and Lucia (Paz Vega, whose acting is as naked as her body). While counting its plusses, we should also mention the cinematography, done on a digital camera, with the scenes on the Mediterranean isle bleached like a seashell in the sun.  The story is another matter.  Many viewers find it frustrating that Medem riddles his script with narrative wormholes which shuttle the story back in time or to an alternate resolution, then demands the viewer assist in the construction by choosing what is part of the “real” story and what is in Lorenzo’s imagination. The bigger problem may be that none of the possibilities he offers have a tremendous emotional resonance.  The movie is arty and self-conscious throughout, with multiple obviously significant shots of the moon. Symbolism is pervasive and tends to make sense, but adds up to little in the way of genuine insight.  While these difficulties make Sex and Lucia less than it might have been, it’s still beautiful enough to be lightly intoxicating, like a Mediterranean vacation or a one-nighter with a beautiful woman.

The sex scenes, especially those between the gorgeous and unselfconscious Vega and Ulloa, are undoubtedly a major attraction.  The lovers’ exploration of their bodies and sexual tastes during their whirlwind courtship is erotic and tasteful; the scenes are arousing, but are also beautifully constructed to create a sense of true intimacy between the characters.  The sex is front-loaded; after the middle of the film, when a sordid and pornographic but equally erotic fantasy occurs, sex leaves Lucia and Lorenzo’s relationship, replaced by tragedy and arguments.  Medem refused to let the sexier parts of the film be cut for distribution, but the scenes of tumescent male nudity and fellatio are so brief that they are unnecessary and reek of gimmickry; it’s difficult to rationalize the director’s passionate defense of the artistic necessity of erections.  The film may be purchased in either a unrated cut or in an R-rated version; your enjoyment of the movie is unlikely to be affected by which version you choose (I can’t determine if there’s a difference in runtime between the two versions).

WHAT THE CRITICS SAY:

“At its best, Sex and Lucia works literally like a dream, like David Lynch’s Mulholland Drive or Hayao Miyazaki’s Spirited Away — the narrative is fractured and oblique, the meaning suppressed. It will infuriate a lot of moviegoers, perhaps especially those looking for a high class dirty movie.”–Phillip Martin, Arkansas Democrat-Gazette (DVD)