A time-traveling rodent documents the life of a humanoid species that lives off of artificial light.
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DIRECTED BY: Julia Ducournau
FEATURING: Garance Marillier, Ella Rumpf, Rabah Nait Oufella
PLOT: A vegetarian girl develops an insatiable craving for meat after she eats a rabbit kidney as part of a veterinary school hazing ritual.
COMMENTS: As Justine, a veterinary whiz-kid, Garance Marillier seems to grow up before our eyes. She begins the film as a timid girl looking younger than her eighteen years, submissive to her parent’s cult-like adherence to a stern vegetarian creed (Mom raises holy hell when she finds a cafeteria worker has accidentally ladled a chunk of sausage into her daughters’ mashed potatoes). Later in the movie, after Justine has tasted organ meat and experienced college life, we see her gyrating drunkenly in front of a mirror in too much lipstick and a slutty dress, listening to a distaff rap about a gal who likes to “bang the dead.” A lot of people indulge in pleasures of the flesh when they go away to college, but Raw gets ridiculous.
Raw is rich with coming-of-age subtexts—sibling conflicts, youthful irresponsibility, conformity, social and intellectual insecurity, bullying, bodily changes, bulimia—all of them given an unnerving horror spin. Naturally, sex is the dominant subtext. Under peer pressure, Justine betrays her abstinence and, now conflicted, finds herself drawn towards her new carnal/carnivore nature, and the appetites and danger that comes with it.
The veterinary school setting allows Ducournau to include a lot of animalistic symbolism, which verges from the poetically frightening (a horse chained to a treadmill) to the disgusting (a cow rectum cleaned by hand). Raw‘s focus is on bodily functions—eating, puking, excreting, arousal—all of it serving to remind Justine that she, too, is an animal. There are even hints of bestiality, and at one point Justine roleplays as a dog.
Raw‘s story is told with more abstraction than is strictly necessary, making it into a somewhat dreamlike impression of the anxieties of experiencing adult freedom for the first time. The hazing rituals at veterinary college are exaggerated to a ridiculous degree: masked upperclassmen burst into freshman dorms like the secret police rounding up dissidents. The inductees are compliant, and a ritual that seems like victims being led to the gas chamber segues seamlessly into a kegger. The faculty allows students to attend class while soaked with blood. People react to severed fingers with less consternation that one might expect. A Lynchian old man playing with his dentures in the emergency room waiting area seems to be the only one in the movie who understand that something odd is going on. But you will notice. Raw is a thoroughly disturbing parable about discovering your own true nature.
After originally being released on a bare-bones DVD only, Shout! Factory gave Raw the deluxe Blu-ray treatment in 2021, complete with a director’s commentary track, interviews and Q&As, deleted scenes, and more.
WHAT THE CRITICS SAY:
“I’ll spare you the graphic details, which is more than this fearlessly bizarre film does, but ‘Raw’ takes on the politically incorrect subject of devouring females, and lends new meaning to giving someone the finger.”–Joe Morgenstern, The Wall Street Journal (contemporaneous)
(This movie was nominated for review by Sam Smith. Suggest a weird movie of your own here.)
DIRECTED BY: Terrisha Kearse
FEATURING: Farelle Walker, Jared Benjamin, Scott St. Patrick, Kiya Roberts, Jermaine Jercox, David Chattam, Gayla Johnson, Mia Sun
PLOT: Ahmed attends a dinner party with Corah, his fiancée, to meet his prospective in-laws. Did we mention that they live in Wonderland?
COMMENTS: “Down the rabbit-hole” is as apt a phrase to use with Small Talk—literally as well as figuratively—since the film is a very clever bounce off of Carroll’s “.” The original story has been adapted and interpreted as everything from social commentary to political allegory, but writer/actor Farelle Walker uses it as a pointed and even more surreal look at information overload, behavior defined by social media, and any “ism” (race, sex, class, etc.) that she can come up with—and that’s quite a lot.
It’s a chaotic package; quite a lot is thrown at the audience, and at “Alice,” in this instance represented by Ahmed Mogadam (Jared Benjamin) as the voice of reason. He (and we) are introduced to the Hamner Family, described in the opening statement as an “interesting family of strong opinions and disturbingly small-minded chatter.” There’s Corah (Farelle Walker), Ahmed’s fiancée, an African Goddess (we meet them as they’re listening to her podcast on her “Yanniverse”; she refers to Ahmed as a “Moor”) and a conspiracy believer (trying to avoid chemtrails as planes fly overhead). Her sister, Senna (Kiya Roberts) is “White” based, having ties to the “White Lives Matter” movement. Her husband, Edwardian ‘Eddie” Licenter (Scott St. Patrick) is a “White” rabbit (“Creole,” he insists). Brother Grant (Jermaine Jercox) is a sinister Army officer, describing himself as “the Black Man They can trust.” Poppa Hamner (David Chattam) is a pig who acts and talks as a stereotypical black patriarch, and matriarch Athyna Hamner (Gayla Johnson)—The Red Queen —is a pious Christian for White Jesus, who watches all via a portrait on the wall.
Amongst all of this is the Asian housekeeper, Soon Yook (Mia Sun), who gives condescension as good as she gets it; and the constantly streaming “Wonderland News” with the Mad Hatter, Dormouse and Rabbit as news anchors in the background. It’s a dense package that might seem, at first glance, a mad cluster… but it’s a film that one needs to pay close attention to, especially the wordplay. It’s a film for smart people. Some of the banter may go over a lot of heads, especially as far as some specific cultural aspects are concerned, but for those willing to go on the ride down the hole, they’ll have a wild time.
“I set out with the intention of creating a mirror image of what I saw happening in my Social Media feed, while simultaneously shining a light into the dark corners of assimilation. As each minority group gains wealth, independence, and power there is a collective cheer amongst us. There is also a collective responsibility, which requires us to understand just how intricately racism, xenophobia, misogyny, and hatred of ‘others’ was woven into the structure of society. If we take note of how these concepts are interlaced we will start to understand why these ‘isms’ have not only outlasted their creators, but also started to be reflected in numerous people of color and minority groups. Recognition of our responsibility to be better should not make us kowtow to those that would oppress us; you will not hear a rally from me to turn the other cheek. Whether we find ourselves in opposition with a different ethnicity, opposite sex, or even a different religion; we must utilize our hard fought gains towards a higher standard in our approach to dealing with those we oppose. For if we act, problem solve and sound like those who oppressed us, are we really any different? ” – Farelle Walker
You can watch the 45 minute feature for free at www.flyrenegadeproductions.com or embedded below.
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FEATURING: , Sonja Kinski, Flula Borg, Honey Davis
PLOT: Mike Pinkney is an aspiring director living in East Hollywood, where he dreams of making his passion project: a remake of Carrie featuring an all-cat cast. No one is interested in his work, so he makes ends meet by working as a dog groomer, where he meets a beautiful woman who improbably agrees to go out on a date with him. Unfortunately, his run-down rental house suffers from a rat infestation that threatens to ruin his big chance with his dream girl.
- Director Michael Reich and star Mike Pinkney had previously worked as co-directors on music videos for Ryan Adams, the Shins, My Chemical Romance, Yuck, and other bands.
- Reich wrote the part explicitly for Pinkney. They took acting classes together to prepare, which is where they met Sonja (daughter of Nastassja, granddaughter of ) Kinski.
- The movie was shot in Reich’s own house and neighborhood. Honey Davis, who plays the landlord in the movie, was Reich’s landlord at the time.
- Parts of She’s Allergic to Cats were inspired by director’s Michael Reich’s work as a dog groomer in Hollywood, where he expressed the anal glands of pooches belonging to George Carlin and Jake Gyllenhal, among other celebrities.
- It took the movie four years from its film festival debut to finally be released on video-on-demand.
INDELIBLE IMAGE: Take your pick from two briefly glimpsed images from the climactic montage: a naked woman holding a bowl of rotting bananas while rats crawl over her, or a naked woman whose upper half is a banana. We’ll accept either answer. (If you’re looking for a non-nude pick, Sonja Kinski posing seductively with a DVD of Congo is your go to).
TWO WEIRD THINGS: Sensual dog grooming instructional video; anal gland expression
WHAT MAKES IT WEIRD: In She’s Allergic to Cats, dog groomer Mike Pinkney bashfully confesses to “making weird video art that nobody wants to watch.” He’s wrong. Somebody wants to watch this portrait of a pathetic artist struggling to make an all-cat version of Carrie while dealing with a rat infestation and an internal video monologue that consists of glitchy nightmares run through a circa 1989 public access AV board. That somebody is you.
Original trailer for She’s Allergic to Cats
COMMENTS: The old writer’s cliche is to “write what you know.” The danger of this advice, of course, is that, if every aspiring writer Continue reading 6*. SHE’S ALLERGIC TO CATS (2016)
Eddy Table’s curiosity leads him to a stranger with teeth on the back of her head.
CONTENT WARNING: This short contains artistic animated nudity.
This short begins at the conclusion of a fight between a man and a dragon. We’re sharing it here because of where it goes from there.
Contrary to the title, joy is not among the range of emotions this short captures. A young woman becomes the newest recruit for a somber group of truck stop prostitutes.
Content Warning: Although there is nothing graphic in this short, many viewers may find the subject matter disturbing.