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PLOT: An offscreen interviewer asks questions of middle-aged Masaru Daisatô, who grows into the giant “Big Man Japan” to fight various monsters who plague the country, as part of a documentary on the superhero’s fading popularity. Far from being honored for protecting the nation from kaiju attacks, Masaru is suffering from low ratings in his late-night time slot, is going through a divorce, and his house is covered in graffiti and vandalized whenever he causes collateral damage. When he flees from one particularly tough monster, his reputation is further damaged, and his retired grandfather (a previous Big Man Japan) leaves the nursing home to take on the kaiju himself.
- Previously known in Japan as a comedian, Big Man Japan was Hitoshi Matsumoto’s first feature film.
- The film spent five years in development and took a year to shoot.
- Big Man Japan has frequently been suggested/recommended by readers over the years. Most recently, it was runner-up in our 2020 Apocrypha tournament.
INDELIBLE IMAGE: The endlessly inventive giant monsters—with creepy human faces pasted on them via the black magic of CGI—are Big Man Japan‘s key visual motif. The Stink Monster, who looks like a cross between a squid and a fleshy flower petal, doesn’t seem like the weirdest kaiju in the stable, until a second Stink Monster shows up to do a wild mating dance that makes him look like a spastic ballerina on speed trying to get lucky at the disco on Saturday night.
TWO WEIRD THINGS: Combover kaiju; Stink Monster mating dance
WHAT MAKES IT WEIRD: It plays like a genetically modified experiment in corssbreeding Spinal Tap with a late-era Godzilla monster mash, which is strange enough; Big Man Japan is not satisfied with it’s own oddness yet, however, so it takes another unanticipated turn into lunacy in the final act.
U.S. release trailer for Big Man Japan
COMMENTS: Thoroughly committed to its absurd premise, with Continue reading 8*. BIG MAN JAPAN (2007)