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WEEKLY WEIRD NETFLIX PARTY: IS THIS OFFICIALLY A THING?

Our second Netflix watch party (April and the Extraordinary World) was as well attended as the first. This might just be a quarantine thing, or it may turn into a regular feature of the site, but we’re going to go for number three.

We have had requests to move the time back to accommodate viewers who must put small children to bed, so we’re going to suggest starting next week’s showing at 10:30 PM EST, although we’ll consider different suggestions if mentioned in the comments.

Do note that next week’s April 11 showing will be the night before Easter and plan accordingly. (Maybe we can even find a weird Easter-themed movie to watch?)

Just like previous weeks, we’ll open it up to reader suggestions for a day, then put up a poll to vote on which movie to screen. Only films in Netflix’s catalog are eligible. We don’t have to watch a Canonically Weird movie together, but just for your convenience, we’re reasonably sure these are all the ones available on the service at the moment: Enemy (2013), The Lobster (2015), Neon Genesis Evangelion: The End of Evangelion (1997), Pan’s Labyrinth (2006), Scott Pilgrim vs. the World (2010), A Serious Man (2009), Sin City (2005), Skins [Pieles] (2017), Swiss Army Man (2016), Under the Skin (2013), and The Wicker Man (1973). Feel free to nominate any of these, or ignore them in favor of other selections.

Giles Edwards will host; G. Smalley is not 100% sure he’ll be able to attend this one.

To join, you’ll need a U.S. Netflix account, a Chrome-based browser (Brave works) and the Netflix Party extension.

Make your nominations in the comments below. You have 24 hours.

2020 MARCH MAD MOVIE MADNESS: THE WINNER IS…

And the winner is… not a surprise. Robert Eggers‘ salty historical horror The Lighthouse (2019) blew away the competition, winning each of its head-to-head match-ups handily. The runner-up was  ‘s kaiju mockumentary Big Man Japan (2007), which was valiant in defeat. The Lighthouse will now be officially added to our Apocryphally Weird list (although you may not see the write-up appear immediately, trust us, it’s lurking out there, waiting to strike…)

The Lighthouse (2019)

The results of the entire tournament can be seen here.

366’S NETFLIX PARTY, “APRIL AND THE EXTRAORDINARY WORLD,” STARTS IN 10 MINUTES

As the title states, our second Netflix Party—April and the Extraordinary World—starts in 10 minutes.

Please install the Netflix Party extension if you haven’t already. You must have a U.S. Nextflix account (we think) and a Chrome-based browser (including Brave) to participate.

There will be no pausing or rewinding except for technical reasons.

We are offering no technical support, so help each other out if needed.

Here is the link to join: https://www.netflix.com/watch/80062096?npSessionId=3c34811a5b818025&npServerId=s7

Be sure to click on the red Netflix Party icon to sync up and join the chat room.

WEIRD HORIZON FOR THE WEEK OF 4/3/2020

366 Weird Movies may earn commissions from purchases made through product links.

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs and Blu-rays (and hot off the server VODs), and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

NEW RELEASE (STREAMING):

The Other Lamb (2019): A member of an all-female cult (led by a man, of course) begins having visions which lead her to question the only reality she has ever known. With no theaters open, many releases have been pushed back; distributors not overly anxious to debut their movies on VOD may be forced to do so anyway. Times are tough. Rent The Other Lamb.

FILM FESTIVALS – South by Southwest Film Festival (SXSW) (Online, April-May):

After floating the idea, South by Southwest has decided to go through with it: they’re holding their film festival (canceled in March) online. Amazon will host it for ten days. Filmmakers will be invited to participate and given compensation, but we don’t know which films will be available or even the exact dates yet (their aiming for April). The good news: it will be free to view. We weren’t extremely excited about this year’s lineup, with the possible exception of St. Vincent’s Nowhere Inn, but there always could be a surprise or two hiding there, and this format will allow all of us to search for those hidden gems together: no credentials or costly badge needed. More details when available; meanwhile, you can read the announcement on SWSX’s homepage.

In addition, all (we think) of the SWSX shorts have been made separately available free online through a partnership between e-mail marketer Mail Chimp and distributor Oscilloscope. If you spot anything cool in there, let us know in the comments. Watch SWSX shorts here.

IN DEVELOPMENT (pre-release):

She’s Allergic to Cats (2016): Read our festival review and listen to our interview. When G. Smalley’s opening line in his interview with the makers of this weird little video art comedy about an L.A. artist trying to recreate Carrie with cats and his improbable romance were: “please get this movie distribution.” Four years later, they finally heeded his advice. It will release on VOD next week, but we’re so excited we wanted to share the trailer with you now. We’ll pass along the rental link next week.

NEW ON HOME VIDEO:

Dead Hooker in a Trunk (2009): Read our review. The Soska Sister’s grindhouse-y, magical realist horror comedy was just re-released on DVD last year; now it’s on Blu-ray. Buy Dead Hooker in a Trunk.

CANONICALLY WEIRD (AND OTHER) REPERTORY SCREENINGS:

With everything shut down for the pandemic, a few repertory theaters have opened up “virtual screening rooms.” The Alamo Drafthouse chain, Row House Cinemas, San Francisco’s Roxie, The Frida, The Loft, and AFI Silver are examples.  Not ideal, and not that much of a better end-user experience than just watching Netflix or renting something off Amazon, but you will be supporting the theater. Your ticket purchase could—theoretically—be the difference between the venue reopening or declaring bankruptcy when this is all over. We do have one canonically weird online screening to mention:

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE:

The Voices (2014): Read our review (and ignore the bizarre comments). A serial killer () has a talking dog and cat who give him conflicting advice. Probably the best new weird arrival on YouTube’s free menu, which seems to be expanding lately in response to the pandemic. Watch The Voices free on YouTube.

WHAT’S IN THE PIPELINE: First off, you may notice a new logo, designed by . No offense to our old designer, Ubik Designs, who donated the old graphics at the beginning of his career and has since moved on to better things. We may even break it out again occasionally for nostalgia’s sake, especially if we can figure out how to do one of those “rotating banner” things. Anyway, if you like Joe’s art, more can be found at his Esty shop.

Also, we still have two user polls rolling along. Our poll for the movie to watch for our second Netflix Party closes tonight at midnight; at this time, it looks like April and the Extraordinary World is going to be the pick. The party starts at 9:30 PM EST tomorrow evening; watch this website, Facebook, or Twitter ten minutes before showtime for the link to join. Last time was a lot of fun.

And voting in the finals of our 2020 March Mad Movie Madness Official Apocrypha Candidate Tournament ends on Sunday at midnight. If you’ve been following it, you probably already know who the winner is going to be, although the challenger is giving the favorite a better run than any of the other contestants.

As far as next week’s reviews go, Giles Edwards will recap the sometimes nauseating Spanish capitalism allegory The Platform (the subject of our first Netflix Party). Pete Trbovich will take on the Exorcist rip-off Beyond the Door (1974) (and explains why he prefers it to its model). And G. Smalley is planning a trip into the long-neglected reader-suggested queue for a look at the anthropomorphic marsupial serial killer flick Executive Koala (2005), but reserves the option of substituting something more timely. With everyone stuck at home, we have nothing to do but order takeout, drink whiskey sours, and watch and write about weird movies. Onward and weirdward!

What are you looking forward to? If you have any weird movie leads that we have overlooked, feel free to leave them in the COMMENTS section.

SURPRISE CRITERION RELEASE: AFTER LAST SEASON (2009)

This announcement came as such a surprise, we thought it’s worthy of its own post.

The Criterion Collection just pre-announced that their latest addition to their catalog of “important classic and contemporary cinema from around the world” will be ‘s 2009 experimental thriller After Last Season, which has been out-of-print and highly sought after since the original DVD run sold out. (We spotted a copy on E-bay recently; the asking price was over $200).

The lone film by the reclusive Region, After Last Season may seem like a strange edition to the Criterion catalog, but the art-house label has recently added the transgressive early works of to their catalog as they expand their range from stodgy art movies and begin to include more culturally significant cult films with edgy, DIY aesthetics.

After Last Season Criterion Collection back

These photographs (leaked onto the Internet by an unknown Criterion insider) are early boxcover mockups, not the finished product (which won’t go on sale until July 2020 at the earliest). Thanks to El Rob Hubbard for bringing them to our attention. According to the Criterion Collection website, the final release will have the following special features:

  • New 4K digital restoration, not approved by Region
  • The original trailer that rocked the Internet
  • “Region Free”: a documentary attempting to track down the mysterious Mark Region (the name has long been suspected to be a pseudonym for or another established director)
  • “I’ve Never Been to That Town, but I’ve Been Through It”: a feature-length appreciation by
  • New interview with star
  • A free copy of the trial animation software used to compose the special effects sequences (works on Windows 95 systems only)
  • PLUS: An essay by IMDB entry Lloyd Nickell

After Last Season has been one of the rarest titles on our list of Canonically Weird movies, and we’re thrilled that the general public will finally get the chance to experience this… um… unusual film.

WHAT TO WATCH FOR 366’S SECOND WEIRD NETFLIX PARTY?

We’re going to go ahead with our second weird Netflix watch party, tentatively scheduled for this Saturday, Apr. 3, at 9:30 PM EST. First order of business: voting on the movie to watch. If you plan on virtually attending, please vote for the movie we’ll be watching below.

There are two sets of instructions: one for  the poll, and then the instructions for joining the Netflix Party.

POLL

Just vote for which movie you’d like us to watch from the selections below. We’ll screen the movie that gets the most votes. Your host, Gregory J. Smalley, will personally break any ties. Note that unlike our other polls, you can only vote once. Poll closes at midnight EST on Friday, Apr 3. You may vote for multiple movies, but not for every movie (because that would be pointless).

NETFLIX PARTY

You must have a subscription to Netflix and a browser running Chrome. You must install the Netflix Party extension (from this site).

We will not provide tech support; you’re on your own. Maybe someone will help you in the comments if you have questions or issues.

When the party is set to begin we’ll announce it in three places:

  • On this site (if you’ve signed up for regular email alerts via the sidebar you’ll also get a notice that way)
  • On our Facebook page
  • On Twitter

You will then receive the link to join the stream. Follow the instructions and be sure to have your Netflix Party extension active.

Once you join, you can customize your avatar and give yourself a screen name.

Now vote!


OUR FIRST NETFLIX PARTY WAS A SUCCESS! LET’S GO FOR NUMBER TWO

On March 28, 2020, at 9:30 PM EST time, history was made as a band of intrepid weird movie fanatics gathered in a virtual screening room to watch the Spanish capitalism allegory The Platform (review forthcoming?), making keen observations and tasteless wisecracks in equal measure.

A good time was had by all… at least, by all who spoke up. So we’re extending the experiment for one more week.

Just like last week, we’ll open it up to reader suggestions for a day, then  put up a poll to vote on which movie to screen. Only films in Netflix’s catalog are eligible. We don’t have to watch a Canonically Weird movie together, but just for your convenience, we’re reasonably sure these are all the ones available on the service at the moment: Enemy (2013), The Lobster (2015), Neon Genesis Evangelion: The End of Evangelion (1997), Pan’s Labyrinth (2006), Scott Pilgrim vs. the World (2010), A Serious Man (2009), Sin City (2005), Skins [Pieles] (2017), Swiss Army Man (2016), Under the Skin (2013), and The Wicker Man (1973). Feel free to nominate any of these, or ignore them in favor of other selections.

G. Smalley will throw out a personal suggestion of April and the Extraordinary World (2015), an Apocrypha Candidate he’d like to see again and get some opinions on.

We’ll keep the time at 9:30 PM EST this Saturday, April 4, unless anyone suggests a time change.

To join, you’ll need a U.S. Netflix account, a Chrome-based browser (Brave works) and the Netflix Party extension.

Make your nominations in the comments below. You have 24 hours.