FEATURING: Joe Dallesandro, Holly Woodlawn
PLOT: All the women (and the men dressed as women) want hunky Joe Dallesandro, but he’s impotent from shooting too much junk; he lives with a woman who furnishes their hovel with castoff items she finds left on Manhattan curbs for trash pickup, and the two dream of getting on welfare someday.
WHY IT WON’T MAKE THE LIST: Though Trash is about weird people and has its “off” moments, it’s not quite weird enough for the List. Trash was cutting-edge in style, concept and subject matter when it came out in 1970. But in the forty years since its debut, the sad lives of lowlife junkies and social outcasts have been tapped many times, and Trash‘s casual, near-documentary approach (accurately) makes a drug addict’s life seem painfully banal most of the time. Paul Morrissey and Andy Warhol have collaborated on weirder projects.
COMMENTS: Told in a pseudo-documentary style with partially improvised dialogue, on one level Trash is a gritty and realistic slice-of-life drama about deadbeat druggies on Manhattan’s lower east side. It glides from meaningless episode to meaningless episode; Joe Dallesandro searches for his next fix and can’t get an erection no matter how many ladies try to seduce him; Holly Woodlawn keeps searching through the neighbors’ trash for stuff she can use, but she never finds any hidden treasure. Their dreams are pathetically small but still far beyond their grasp, and by the end the conjoined losers end up exactly where they started. Fortunately for us, plenty of weirdos drift into their lives in the meantime—a go-go dancer, a rich girl looking for an acid connection, an out-of-his-depth high school student, Holly’s pregnant sister, a welfare bureaucrat. A few of these encounters are completely naturalistic, but most have an absurd edge to them. Trying to turn Joe on, the go-go dancer breaks into a song and dance number, backed by swinging strands of Christmas lights on the stripper’s stage she has in her living room. The welfare functionary can’t approve a junkie for the public dole, but he’s willing to strike a fairly Continue reading CASPULE: TRASH [ANDY WARHOL’S TRASH] (1970)