Aishiteru!
366 Weird Movies may earn commissions from purchases made through product links.
The sixth installment in the Pete’s Perverted Pix series
Safe Word is available for purchase or rental on-demand.
DIRECTED BY: Kōji Shiraishi
FEATURING: Kawase Chisako, Torinomi Nagisa
PLOT: Idol singer Misa is gets recruited by an adult club and becomes a professional dominatrix under the tutelage of a mistress.
COMMENTS: Ladies and gentlemen, and everyone on the spectrum, your humble hedonist has returned from a veritable safari of sex exploring weird movies on the BDSM circuit. Today’s movie, together with “TFTtTfDSHP” and Antiporno, are among the three nakedest and kinkiest films I’ve ever seen. In my quest for the weirdest of erotic fetish cinema, I have hiked through the valley of boobies, twin peaks marching like sand dunes to the horizon. I have seen every body part smacked, licked, tied, or splattered with paint. I have explored enough daddy issues and mommy issues to make Sigmund Freud choke on his cocaine. I’ve witnessed acts not even documented in the Urban Dictionary. In particular, I’ve snorkeled through oceans of estrogen, because the points of view with these movies have been overwhelmingly female. Girls dominate this genre! So far, the kinkiest male-focused erotic film I’ve seen has been directed by Kenneth Anger. Boys, you need to catch up! I’ll say it again, the first director to make a serious film about a male/male S&M relationship will have a name that lives in film infamy. The Yaois alone will carve your likeness into the sides of granite cliffs.
Today’s film, Safe Word (named for the actual BDSM practice of having an emergency signal in case the bottom can’t take it anymore) is almost too on-the-nose for the current project. I picked it after the previous entry based on my interest in diving deeper into Japanese “pinku” and “Roman Porno” cinema subcultures: Antiporno was a send-up of the genre, so let’s see a serious entry. Safe Word is indeed as pink as a cartoon panther alright, with kinks o’plenty paraded and bountiful flesh ahoy. It just isn’t all that weird, though quirky bits and scenes do provide enough strangeness to at least make for an unusual entry. The plot is basic and unadorned with psychedelic fluff. Misa (Kawase Chisako), a singer/celebrity with a tepid career, gets recruited by a mysterious adult club. She’s offered the role of house dominatrix, to be employed on the business end of a whip for high-priced clientele. At first she’s repulsed, until she finds out she can take her aggression out on smiling and willing masochists. Then she dives into the deep end of kink. (It’s clear she was at least curious about this BDSM business to start with.) The story sort of follows the template of Buñuel’s Belle De Jour (1967), with mild commentary on contemporary social and sexual mores, but Japanese hentai style.
Not that Misa gets to crack the whip on clients from day one, oh no… she has to be trained. Wink wink, cue the oft-written BDSM scenario known as “boot camp” where a harsh master/mistress collars a new slave and puts them through an obstacle course of pulse-pounding, edgy fetish activities for a month until the bottom “graduates” to topping. In this case, Misa’s mentor is the scene-dominating Kanon (Torinomi Nagisa), a statuesque femme fatale who instantly snaps a psychological chain around Misa’s neck from their first meeting and leads her though a series of painful, humiliating, or just orgasm-inducing experiences. Later Misa takes on her own clients, whom are satisfied with a standard beating/tie-up/nipple clips routine, for the most part. But what of her former (ongoing?) idol career? What about her public reputation? What can she say to her friends when she’s being paraded around town by Kanon with a remote-controlled vibrator down her pants? And is Misa in a relationship with Kanon, or is she merely the latest in a succession of Kanon’s human playthings? Mild tensions are set up, but there’s really not a heavy plot here so much as a showcase of perversions.
As for those quirks I promised: Safe Word takes itself as a mild comedy. The main running gag is that it’s a mockumentary, which means (despite the cinematography being professional) the cameraman is randomly acknowledged in-scene, sometimes by characters mildly alarmed that their big sadomasochist session is about to be recorded, or sometimes by characters who take the opportunity for a selfie pose. Sporadically Misa live-blogs on social media about her thoughts on her career, stardom, and sexuality. Small details stand out, such as the decor inside the adult club where most of the action takes place: a baroque, elaborately painted parlor whose walls are crisscrossed with knotted rope, as if the walls themselves were bound. That’s honestly the weirdest it gets, if you don’t count the near-constant acts of hedonistic excess playing throughout.
Safe Word is a well-crafted film which serves as a serious treatment of alternative sexuality every bit as deep and respectful as Secretary (2002), while becoming a near-nirvana for hentai/Asian erotica fans. Note the difference: every culture has practiced bondage, but only the Japanese raise it to its own recognized art form, shibari. Who can help but admire such dedication? Safe Word is not for the vanilla viewer, and barely vouched for as a watch for weirdophiles, but for loud and proud deviants everywhere it’s highly recommended, a leather-and-rubber-clad valentine to the modern civilized sadomasochist.
WHAT THE CRITICS SAY:
7/30: Recluse
The Leader
Never After Dark