WHAT’S IN THE PIPELINE

Just a reminder of what’s going on with the site…

First, we hope you liked the first in what we hope will be a long-running feature… the Saturday Short, where we plan to feature a new short film (usually by an up and coming filmmaker) weekly! Please welcome Cameron Jorgensen, who has graciously agreed to watch short weird movies and select the best for your enjoyment, to the 366weirdmovies team!

Hopefully, with the addition of this column we can begin to update 7 days a week, so you no longer have to wait through the weekend to start getting your weird movie fix again on Monday.

As for what’s coming up next week… reviews of the softcore surrealist flick Dr. Caligari and Chan-wook Park’s ultraviolent psychological epic Oldboy are definitely on tap, with a surprise or two (read: we haven’t decided exactly what to publish just yet.)

Don’t forget that you could win an A Clockwork Orange Blu-ray by writing a review for the site. As of now, we only have two entries (both of which will be published in the future), so your chances of winning aren’t too bad. The contest is open until September 3, 2009. Get all the details here.

We love to look at server logs (who doesn’t?) and check out the oddest search terms used to locate the site. Over the past few weeks we’ve seen “Coraline phallic” (missed that connection in our review of the children’s film), “amateur defecation movies” (weird indeed, but you’re not going to find what you’re looking for here), along with such odd requests as “busty zombie,” and “deadphallus.” But our favorite search term had a touch of honest bemusement to it: “What’s with these weird Japanese movies?” I’m not sure we can answer the question, but if anyone finds out the answer, please post it.

The reader suggested review queue looks like this: Dr. Caligari (upcoming this week), Nekromantic, UHF, Delicatessen, Pi, Angel’s Egg, Institute Benjamenta, Pan’s Labyrinth, Ex Drummer, Waking Life, Survive Style 5+, The Dark Backward, The Short Films of David Lynch, and Santa Sangre. We hope to knock off at least one of these per week, two on a good week. Some of those are out-of-print and difficult to locate, so they may be tackled in a different order than they were submitted.

Enjoy the upcoming week!

SATURDAY SHORT: “CROOKED (ORCUS) ROT”

“Saturday Short” (suggestions on a better title are welcome) is a new feature where we’ll be featuring a new (to us), full-length, weird short every Saturday.  Shorts are selected by our new “shorts editor” Cameron Jorgensen.

This stop-motion animation by David Firth is just over a year old.  David found a lot of the props he uses in this animation in his own backyard.  Beware, most of his shorts are very creepy, and “Crooked (Orcus) Rot” is no exception.  A lot of his work can be defined as dark humor while this would better fit under experimental.  Musical score written by Marcus Fjellstrom.

For more of Firth’s work be sure to visit his site:  http://www.fat-pie.com/

Filmmakers: if you have a short you’d like to see featured in this space, please contact us using the contact form.

WEIRD HORIZON FOR THE WEEK OF 8/21/09

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (WIDE RELEASE):

Inglourious Basterds:  Led by Brad Pitt, a group of Jewish soldier/vigilantes in World War II hunt and slaughter Nazis in this alternative history lesson from the irrepressible Quentin Tarantino.  Unlike to be more than mildly weird, but QT is always worth a gander.  Inglourious Basterds Official Site.

Shorts:  While Tarantino hogs the opening week spotlight, sometime collaborator and fellow offbeat auteur Robert (Sin City) Rodriguez quietly releases this kiddie fantasy about a rainbow-colored rock that grants wishes.  Critics describe it as hyperactive and unfocused: Toby Young of the Times goes so far as to say that it’s “[S]o structurally complicated that it almost qualifies as an experimental film.”  Shorts Official Site.

IN THEATERS (LIMITED RELEASE):

Confessionsofa Ex-Doofus-ItchyFooted Mutha:  If nothing else, now septuagenarian Melvin Van Peebles has given us the weirdest movie title since his own Sweet Sweetback’s Baadasssss Song with this semi-autobiographical, semi-allegorical piece of picaresque performance art adapted for the big screen.  Van Peebles plays a teenager and has a love scene with a gorilla: this one’s going to be weird (and self-indulgent), no doubt about it.  No official site (the work of the Man?)

The Headless Woman [La mujer sin cabeza] (2008): Argentinian film about a woman who experiences a mysterious form of amnesia after striking something—a dog, or a child?—with her car.  Described as head-scratching, slow and oblique.  The Headless Woman Official (?) site (French).

NEW ON DVD:

Absurdistan (2008): The title of this fantastic, magical-realist German about a mythical Muslim country where the women stage a “Lysistrata”-style sex strike until the men fix a broken water pipeline suggests that this movie is right up our alley. Buy from Amazon

Icons of Sci-Fi: The Toho Collection [Mothra (1961), The H-Man (1958), Battle in Outer Space (1959)]:  This three disc letterboxed (well, “Tohoscoped”) collection is big news for kaiju and Japanese sci-fi fans.  Mothra, featuring the giant moth-monster and his miniature princesses, is the chief draw;  The H-Man brings us radioactive slime creatures; and Battle in Outer Space is an “aliens attack the world” movie. All three features were directed by the talented Ishirô (Godzilla, Attack of the Mushroom People) Honda and have either been AWOL on DVD or available only in inferior full-frame versions until now. Buy from Amazon

Surveillance (2008): Jennifer (Boxing Helena, daughter of David) Lynch’s long delayed second feature is a psychological thriller about two FBI agents trying to solve a string of grisly killings with the help of three witnesses who tell conflicting stories. Brutal, perverse and likely (given her heritage) to be highly weird, Surveillance arrives on DVD after token theatrical release. But from Amazon

NEW ON BLU-RAY:

Play Time (1967): This nearly plotless comedy on the absurdity of then-modern life involves clown M. Hulot (director Jacques Tati) lost in a bizarre, futurist re-creation of Paris as he tries to make an appointment. Considered by many to be Tati’s masterpiece. The Criterion Collection issued this on DVD in 2006 and is getting around to upgrading their Blu-Ray versions. Buy from Amazon.

Surveillance (2008): See the DVD section above for description. Buy from Amazon.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

THE EXQUISITE CHAMBER WESTERNS OF BUDD BOETTICHER, PART TWO: THE TALL T (1957)

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Shot in a mere twelve days, The Tall T is one of the most remarkable westerns in a decade that unquestionably belonged to the western genre.  Burt Kennedy scripted a pure, taut, and crisp script from an Elmore Leonard short story.Still from The Tall T (1957)The Tall T is an actor’s film. The first surprise lies in Maureen O’Sullivan’s performance as homely, whimpering Doretta Mims; a performance that can almost be seen as a bookend to her far different, equally superb performance as the independent, strong-willed, sensual Jane of Tarzan and his Mate (1934). Here, she is the newly married, timid wife of unsympathetic louse John Hubbard. By film’s end she emerges from self-pity’s well, dress coming off shoulder, hair loosed down and radiating a fire akin to Prometheus unbound as she is pressed up against the pure, granite-hard, phallic form of .


Scott’s character is one of his most interesting and fully developed in the Boetticher cannon. The film opens with Scott visiting  friends at the Way Station.  Upon Scott’s departure, the young , amiable, grandson of the station manager gives the laconic cowboy a penny for some rock hard candy from the town store. Naturally, the good-natured Scott promises to do so.  However, on the way back to the station, Scott, more animated than normal, loses his horse in a bet in a scene evoking archetypal good old boy western humor.  The calm before the proverbial storm.

Taking a stagecoach on the way back to the station, Scott has a bit of camaraderie with old buddy and stagecoach driver Arthur Hunnicutt (a character favorite in dozens of westerns, he typified the grizzled sidekick) who is transporting newlyweds O’ Sullivan  and her louse husband;,John Hubbard (surprisingly, a standard stock coward, nowhere near as developed as Walter Continue reading THE EXQUISITE CHAMBER WESTERNS OF BUDD BOETTICHER, PART TWO: THE TALL T (1957)

34. STALKER (1979)

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“My dear, our world is hopelessly boring.  Therefore, there can be no telepathy, or apparitions, or flying saucers, nothing like that.  The world is ruled by cast-iron laws, and it’s insufferably boring.  Alas, those laws are never violated.  They don’t know how to be violated…. To live in the Middle Ages was interesting.  Every home had its house-spirit, and every church had its God.”–Writer, Stalker

Must See

DIRECTED BY:

FEATURING: Aleksandr Kaidanovsky, , Nikolai Grinko, Alisa Freindlich

PLOT:  A mysterious phenomenon known as the Zone arises in a small, unnamed country.  The military sent soldiers in and the troops never returned; they cordon off the Zone with barbed wire and armed guards, but rumors persist within the populace that inside the Zone is a room that will grant the innermost wish of anyone who enters it.  A Stalker, a man capable of evading both the police and the traps formed by the Zone itself, leads a writer and a scientist into the Zone in search of the mystical room.

Still from Stalker (1979)

BACKGROUND:

  • For information on director Tarkovsky, see the background section of the entry for Nostalghia.
  • Stalker is very loosely based on a science fiction novel with a title translating to “Roadside Picnic” written by two brothers, Boris and Arkady Strugatsky.
  • After shooting the outdoor scenes for over a year on an experimental film stock, the entire footage was lost when the film laboratory improperly developed the negatives.  All the scenes had to be re-shot using a different Director of Photography.  Tarkovsky and Georgy Rerberg, the first cinematographer, had feuded on the set, and Rerberg deserted the project after the disaster with the negatives.
  • Tarkovsky, his wife and assistant director Larisa, and another crew member all died of lung cancer.  Vladimir Sharun, who worked in the sound department, believed that the deaths were related to toxic waste the crew breathed in while filming downstream from a chemical plant.  He reported that the river was filled with a floating white foam that also floated through the air and gave several crew members allergic reactions.  A shot of the floating foam, which looks like snow falling in spring or summer, can be seen in the film.
  • The Chernobyl nuclear disaster happened seven years after the film was released.  The quarantined area around the disaster site is sometimes referred to by locals as “The Zone,” and guides who illegally and unwisely take tourists there as “Stalkers.”
  • A popular Russian video game named “S.T.A.L.K.E.R.: Shadow of Chernobyl” involves the player penetrating a “Zone” and evokes a similar visual sense as the movie.

INDELIBLE IMAGE:  Like most of Tarkovsky’s works, Stalker is a movie full of awe-inspiring visual poetry and splendor, making it hard to pick a single sequence.  One key scene that stands out is Stalker’s dream.  The film stock changes from color to sepia—but a very warm brown, almost golden—as the camera pans over a crystal clear stream.  A female voice whispers an apocalyptic verse and the mystical electronic flute theme plays as the camera roams over various objects lying under the water: abstract rock formations, tiles, springs, gears, a mirror clearly reflecting upside down trees, a gun, an Orthodox icon, a fishbowl with goldfish swimming in it.

WHAT MAKES IT WEIRD: Stalker is an ambiguous, but despairing, existential parable containing narrative non-sequiturs wrapped inside of strange and gorgeous visuals.


Scene from Stalker

COMMENTS: It’s not fair to the potential viewer unfamiliar with Tarkovsky to start a Continue reading 34. STALKER (1979)

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