L’écume des jours
“I like this way of seeing the world, the fact that everything is re-created and everything is possible in this world. It’s not from our time, it’s not the past or the future, it’s just sort of a science fiction of present day.”–Michel Gondry on Mood Indigo
FEATURING: Roamin Duris, Audrey Tautou, Omar Sy, Gad Elmaleh, Aïssa Maïga
PLOT: Colin, an independently wealthy inventor of gadgets like a piano that mixes a cocktail based on the tune played on it, meets the enchanting Chloe at a poodle’s birthday party, and the couple soon marry. His best friend Chick, meanwhile, is pursuing a romance of his own with his cook’s sister, while simultaneously battling an addiction to the work of celebrity philosopher Jean-Sol Partre. When Chloe falls victim to an unlikely infection—a water-lily grows in her lung—her medical bills bankrupt the couple, and Colin must take a job to pay for her treatment.
- Mood Indigo is an adaptation of polymath Boris Vian’s 1947 novel “L’Écume des jours” (translated as “Froth on the Daydream,” “The Foam of Days,” or “Foam of the Daze“). The novel was adapted for film in the 1968 French effort Spray of the Days and 2001’s Chloe (from Japan).
- Among other talents, Vian was a musician and jazz critic, and Duke Ellington was godfather to Vian’s daughter. The movie’s English title, “Mood Indigo,” comes from a famous Ellington number. Although Duke appears on the soundtrack and his ballad “Chloe” actually plays a part in the story, the song “Mood Indigo” is never heard or referenced in the film.
- Jean-Sol Partre, the writer to whose works Chick is addicted, is, of course, a reference to existentialist philosopher Jean-Paul Sartre. Sartre was a personal friend of Vian’s. (You have to be awed by anyone who counted both Duke Ellington and Jean-Paul Sartre among their close confidants).
- The original version of the film released in France ran 130 minutes. In the United States and Australia, the film was re-cut to run only 90 minutes.
INDELIBLE IMAGE: Trying to disguise the movie’s off-putting surrealism, Mood Indigo‘s U.S. marketers favored generic romantic comedy images of Tautou and Duris making lovey-eyes at each other (including one weirdish scene of them kissing underwater) to make it look like a quirky date movie. In fact, while Mood Indigo is sentimental at the beginning, it’s far more focused on handmade oddities (including a doorbell that scurries about like a beetle) and nonsense gimmicks than it is on romance, which is an afterthought and an excuse to root around in the director’s toy box. We think the most representative image is the inhaled spore that settles inside Chloe’s lung as she sleeps, covering her handmade heart with a coat of stop-motion frost.
WHAT MAKES IT WEIRD: Whimsical but weird, set in a peculiar Paris that could exists only in the dreaming mind, Mood Indigo is like Amelie on surrealistic steroids. If had suddenly gone soft-hearted and been given millions of dollars to make a romantic comedy, he might have come up with something like this.
U.S. trailer for Mood Indigo
COMMENTS: Unless you have a high tolerance for whimsical surrealistic excess, you may find yourself overstimulated by Mood Indigo Continue reading 186. MOOD INDIGO (2013)