“Oh, my God, and when you got up in the morning, there was the sun in the same position you saw it the day before—beginning to rise from the graveyard back of the street, as though its nightly custodians were the fleshless dead—seen through the town’s invariable smoke haze, it was a ruddy biscuit, round and red, when it just might as well have been square or shaped like a worm—anything might have been anything else and had just as much meaning to it…”–Tennessee Williams, The Malediction
DIRECTED BY: Jaco Van Dormael
FEATURING: , Toby Regbo, Sarah Polley, Natasha Little, , Juno Temple, Diane Kruger, Linh Dan Pham
PLOT: In 2092, after all disease has been conquered through cellular regeneration technology, 119-year old Nemo Nobody is the last mortal man left in the world. He recounts his life story to a psychiatrist and a reporter, but his memories are wildly inconsistent and incompatible, and at times fantastic and impossible. In his confused recollections he is married to three different women, with multiple outcomes depending on choices that he makes in the course of his life; but which is his real story?
- The genesis of this story came from Jaco Van Dormael’s 1982 short film “È pericoloso sporgersi,” about a boy who must make an “impossible” choice between living with his mother or with his father.
- According to Van Dormael the script took seven years to write, working about five and a half hours a day, every day.
- Van Dormael published the Mr. Nobodoy screenplay (in French) in 2006, one year before production began and three years before the film was completed.
- Despite being made in 2009, the movie was not released in the U.S. until 2013, and then only in an attempt to capitalize on the Oscar buzz surrounding Jared Leto’s performance in Dallas Buyers Club.
- Leto temporarily retired from acting after Mr. Nobody, spending the next four years focusing on his band Thirty Seconds to Mars.
- Mr. Nobody’s first name, Nemo, means “nobody” in Latin.
- The movie is full of visual tricks and illusions, some of which are so subtle that they’re easy to miss. For example, watch for a scene where Nemo enters a bathroom then focuses on his own image in a mirror. When he turns around and the camera follows him back out of the room, we now see the perspective as if we had passed through the mirror; the reflection seamlessly swaps places with the real world.
INDELIBLE IMAGE: Mr. Nobody‘s essential image is of branching, criss-crossing railroad tracks; if you want something with a little more surreal zip, however, check out the scenes of a fleet of helicopters delivering slices of ocean, slowly lowering them into place on the horizon.
WHAT MAKES IT WEIRD: Essentially an experimental narrative film disguised as a big-budget science fiction extravaganza, Mr. Nobody, an epic fantasia in which the protagonist lives a dozen different lives and a dozen different realities, was doomed to be a cult film from its inception. Even with a healthy dose of romantic sentimentality and whimsy a la Jean-Pierre Jeunet, it is far too rare and peculiar a dish for mainstream tastes. The opening is confusing, the moral ambiguous, and reality won’t sit still; it’s got unicorns, godlike children, helicopters delivering the ocean, a future world where everyone has their own genetic pig and psychiatrists are known by their facial tattoos, and a malformed sub-reality where everyone wears argyle sweaters. It’s unique, unforgettable, and utterly marvelous.
Original trailer for Mr Nobody
COMMENTS: One of the enigmatic Nemo Nobody’s many possible past identities is a TV science lecturer who explains such esoteric concepts as Continue reading 168. MR. NOBODY (2009)