Tag Archives: 2011

CAPSULE: LITTLE DEATHS (2011)

366 Weird Movies may earn commissions from purchases made through product links.

DIRECTED BY: Sean Hogan, Andrew Parkinson,

FEATURING: Jodie Jameson, Luke de Lacey, Siubhan Harrison, Holly Lucas, Tom Sawyer, Kate Braithwaite

PLOT: Three anthologized shorts: a wealthy couple toys with a homeless girl, an ex-junkie and ex-prostitute joins a pharmaceutical trial, and a young couple’s sadomasochistic relationship turns sour.

Still from Little Deaths (2011)

COMMENTS: For weird purposes, we can dispose of two of the three sexually-charged horrors that make up Little Deaths quickly. The opener, “House & Home,” is a well-produced but obvious R-rated “Twilight Zone” thing where a couple who exploit homeless women find the tables turned. Even though you might not guess the exact details, the twist is something less than a surprise when it arrives. The closer, “Bitch,” is a bit more involving because of its depiction of unusual fetishes (canine roleplay among them) in the context of a very dysfunctional S&M relationship, and its exceptionally cruel ending. It’s essentially sleazy sex life portraiture, though with a climax that’s equal parts troubling and ridiculous.

That leaves the middle segment, “Mutant Tool,” which is indeed about as weird as its title suggests. The central character is Jen, a recovering junkie and ex-prostitute who’s finding it hard to go straight. Her drug-dealing boyfriend enrolls her in an experimental pharmaceutical treatment with a major side effect: she hallucinates about a strange man (or monster) hanging in a cage. The plot gradually brings an old Nazi experiments and a develops a cyclical pharmaceutical ecosystem somewhat reminiscent of the one in Upstream Color (2013) (if less rigorously developed). The film is visually murky, with only brief glimpses of the dingy mutant behind a face shield and a shower curtain, though the restrained imagery can be effective—and there is one WTF closeup that is both creepy and sort of funny.  The exposition can be a bit clumsy: Jen keeps taking calls from her escort agency, even though she claims to be no longer working for them, just so we can sense the pressure she’s under. And there’s a crusty old caretaker character who keeps coming up with excuses to volunteer mutant backstory to a trainee. Plus, it seems like an awfully bad idea for Frank to refer Jen to Dr. Reese, considering the ghoulish nature of his prior dealings with the physician. Still, if you can overlook those narrative shortcuts, “Mutant Tool” has a strong and weird conceit, and also has the only likeable characters in the triptych—Jen and Frank are lowlifes, sure, but they’re at least trying to escape from the horror rather than hurtling into it like the others.

Although perversity abounds throughout, and “Mutant Tool” perks some interest for seekers of the eerie, none of Little Deaths offerings are essential shock-horror. But at thirty minutes each, none of them outstay their welcome, either.

Little Deaths has been accused of misogyny, and although there’s some basis for the charge (e.g. the uncomfortable verbal lingering over a rape scene), it’s overblown in general. In Little Deaths, people are simply cruel to one another, and males are victims as much as females. The one exception might be that final episode, Rumley’s provocatively-titled “Bitch,” which invites (though doesn’t demand) the misogyny-minded to identify with its emasculated antihero. To their credit, the directors do anticipate these charges and address them in a series of interviews included on the DVD—although Parkinson has nothing to answer for, and Rumley glibly dismisses the objection with a shrug.

WHAT THE CRITICS SAY:

“…three tales of the strange, the weird, and the fantastic… ‘Mutant Tool’ is Andrew Parkinson’s way-strange contribution… [‘Mutant Tool’] is some pretty weird and (to use the word yet again) ‘dark’ stuff, made all the more so by being played as straight drama…  LITTLE DEATHS as a whole is pleasantly unsettling and worth watching for horror fans on the lookout for something different.”–Porfle Popnecker, “HK and Cult Film News” (contemporaneous)

(This movie was nominated for review by “Donatien,” who qualified his recommendation: “i don’t think all three short films can be classified as weird, only the 3rd one.” Maybe he misremembered the order of the tales? Suggest a weird movie of your own here.)

334. IT’S SUCH A BEAUTIFUL DAY (2011)

“Before movies, memory unspooled differently in the mind, trailing off in dust-blasted fade-out rather than spliced-together flashback…”–Steve Erickson

Recommended

DIRECTED BY:

FEATURING: Don Hertzfeldt (narration)

PLOT: In the first chapter, “Everything Will Be OK,” delusions and hallucinations caused by an unspecified mental disorder impede the progress of stick figure Bill’s everyday life and leave him in and out of the hospital. Bill begins chapter 2, “I Am So Proud of You,” with flashbacks to his childhood, although his memories of his equally insane relatives are so strange that they may also be hallucinations. In chapter 3, “It’s Such a Beautiful Day,” Bill is again recuperating in the hospital, now with major memory loss, but with an impulse to visit an address he vaguely recalls.

Still from It's Such a Beautiful Day (2011)

BACKGROUND:

INDELIBLE IMAGE: The is movie is a continuous progression of images… most of them of black and white stick figures, although they are often grotesquely entertaining stick figures with monstrous fish heads growing out of their skulls. The most memorable effects mix Hertzfeldt’s line animation with real life photography. We picked one of Bill standing on a mesa gazing at a sunset, but you might prefer the scene of he and his stick girlfriend lying in the grass looking up at a canopy of leaves, or when he walks down the street and the pedestrians flicker back and forth between flesh and blood people and line figures. These sequences suggest inadequate fantasy wrestling with flawed perception, one of the movie’s major themes.

THREE WEIRD THINGS: Fishy brain tumor; snake-necked cosmic stickman; immortal schizophrenic

WHAT MAKES IT WEIRD: Humble stick figure animation mixes with advanced experimental film techniques in this chronicle of the life of a character suffering from an unspecified mental illness. It’s Such a Beautiful Day‘s juxtaposition of the mundane and the cosmic caused some critics to hail it as a less pretentious, less humorless answer to The Tree of Life. Don Hertzfeldt would continue to examine the themes introduced here—the prominence and arbitrariness of memory, the mixture of sadness and wonder that make up life—in his next piece, the Oscar-nominated World of Tomorrow. I believe Tomorrow goes down as Hertzfeldt’s masterpiece so far—at 41 years of age, he still has a long way to go—but It’s Such a Beautiful Day is nearly its equal, and is a better fit for this List due to its feature-length, surrealistic humor, and far-out hallucination scenes that suggest the final moments of 2001 reimagined by a team led by and Charles Schultz.


Trailer for It’s Such a Beautiful Day

COMMENTS: Although It’s Such a Beautiful Day is technically a compendium of three short films developed over a period of five years, it Continue reading 334. IT’S SUCH A BEAUTIFUL DAY (2011)