Tag Archives: 2011

CHANNEL 366: DON’T HUG ME I’M SCARED (2011-2016, 2022)

DIRECTED BY: Becky Sloan, Joseph Pelling, Baker Terry

PLOT: Red Guy, Yellow Guy, and Duck find their days consistently interrupted by anthropomorphized objects in their home and uninvited guests who insist on teaching them lessons about life via song, dance, and increasingly unsettling interactions.

Still from "Don't Hug Me, I'm Scared"

COMMENTS: There’s a reason that children’s television is, on the whole, weird. After all, there are two competing, even contradictory goals at work: these shows often want to teach young people some valuable life lesson (the alphabet, how the mail is delivered, treating your friends with decency and respect), but hold the audience’s notoriously wandering attention while doing so. All those talking aardvarks and talking Blue Heelers and talking magical unicorns are handwaving determined to steal a child’s focus with any degree of strangeness necessary. Landmarks of the genre going back decades—“Captain Kangaroo,” “Kukla, Fran and Ollie,” “Pee-Wee’s Playhouse” —have all danced along the line where oddness tips over from charming to off-putting. Even the grand poobah of them all, “Sesame Street,” had to overcome initial concerns that its central conceit—humans and puppets living side-by-side—would be incomprehensible to children. Obviously, the kids figured it out.

Any success inspires parody, satire, and critique. Children’s TV has certainly earned its fair share, as can be seen in the stressful adulthood of the characters in Avenue Q, the aggressive surrealism of “Wonder Showzen,” and the oppressive nightmare of today’s subject, “Don’t Hug Me I’m Scared.” This British web-series-turned-TV-show is perfectly captures the way that just living in the world can feel like unavoidable oppression. The machinations of people who are venal, stupid, or both conspire against “Don’t Hug Me”‘s characters, through the lens of two puppets and a guy with a crimson mop for a head who just want to get through the day. For anyone who remembers childhood as an endless series of grownups trying to kill your fun with their wondrous tales of adulthood and education, this is a show that sees you clear as day.

“Don’t Hug Me” began as a web series, and it establishes its theme—the world is fundamentally cruel—right away. In the very first short, a singing sketchpad shows up to share the wonders of thinking with boundless imagination, and after engaging the trio, she immediately proceeds to shut down their creative efforts with helpful corrections like “Green is not a creative color.” And there’s always room for things to get worse. A collection of creatures trying to describe love pile on more and more parameters and qualifiers, culminating in the revelation that they worship a giant idol and feed it gravel. An interest in food spurs on a storm of questionable nutrition advice, recommending aspic and referring to vegetables as “soil food.” These Continue reading CHANNEL 366: DON’T HUG ME I’M SCARED (2011-2016, 2022)

67*. THE TRAGEDY OF MAN (2011)

Az ember tragédiája

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“Man’s greatest weakness is his love for life.”—Molière

DIRECTED BY:

FEATURING: Voices of Mátyás Usztics, Tamás Széles, Tibor Szilágyi, Ágnes Bertalan

PLOT: God creates the universe; Lucifer, the eternal spirit of negation, tells God that Man will inevitably revolt, and is allowed to tempt Adam and Eve in the Garden of Eden. After the Fall, guided by Lucifer in various guises, Adam watches his descendants slip into tyranny and debauchery in more than a dozen succeeding segments that run from the earliest cavemen to the last humans of the far future. Adam returns from his historical survey feeling suicidal.

Still from the tragedy of man (2011)

BACKGROUND:

  • Based on Imre Madách’s 1861 play “The Tragedy of Man.”
  • The same story was adapted to film in 1984 as The Annunciation, with the story enacted by a cast of children.
  • Although production began in 1988, it took Jankovics 23 years to complete this magnum opus. Since his state-backed financing ended with the fall of Communism in 1989, he animated individual segments one at a time as funding allowed.
  • Because the film took so many years to make, many additional voice actors had to be brought in, although Mátyás Usztics (Lucifer) and Tibor Szilágyi (God) were available for the entire production.

INDELIBLE IMAGE: In a nearly 3-hour animated film where each individual frame is a work of art, it’s a boggling process to try to pick a single image to represent the whole. Forced to pick, we’d have to go with something depicting Lucifer, the key figure driving the drama. The version of him as the red-eyed shadow with translucent wings, reminiscent of  Fantasia‘s Chernabog, works as well as any other.

TWO WEIRD THINGS: The French Revolution was just Johannes Kepler’s dream, Spaceship Adam

WHAT MAKES IT WEIRD: The literary source material might be dry, but Marcell Jankovics uses it as a launching pad for his constantly morphing, psychedelically-colored cosmic animations, transmuting the already complex story into a nearly-three-hour-long fever dream.

Blu-ray trailer for The Tragedy of Man 

COMMENTS: It seems that Marcell Jankovics can make nothing but Continue reading 67*. THE TRAGEDY OF MAN (2011)