Tag Archives: Music Video

Capsules

CAPSULE: THIS IS ME… NOW (2024)

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<em>This Is Me… Now streams exclusively on Amazon Prime.

DIRECTED BY: Dave Meyers

FEATURING:

PLOT: “The Artist” searches for a soul mate while discussing her past with her therapist as the Zodiacal pantheon oversees her difficulties.

Still from This Is me... Now: A Love Story (2024)
This Is Me… Now: A Love Story (2024)

COMMENTS: Having little experience with Jennifer Lopez until watching this film, her, now, is all I have to work with. Fortunately for J-Lo, and director Dave Meyers, I’m a sucker for vanity projects, music videos, and random experiences. This Is Me… Now dances energetically atop a certain floor of competence, jerkily zapping with defiance, then (jerkily) tilting into romantic melancholy. Ladies and germs, what we have here is a semi-operatic music video feature, likely to please any fan of the artiste behind the songs and dances.

For those not particularly interested in Ms. Lopez or her music, there are still a cache of fun little flourishes to keep you amused over the hour-long experience. The biggest rests amongst the stars—whence comes all life, light, and hope, as might be declared by none other than Neil DeGrasse Tyson, onscreen here as the Zodiacal sign of Taurus. No less impressive is , leading the team of star signs—proving she’s as fun and full as ever. (I’ll leave it you to check out the celebrity checklist for the other astrological persona, but it is a motley and… star-studded bunch.) , ever his woman’s fellow, dons a ridiculous hairpiece and a brash schmuckery as a nebulously right-wing TV personality. And I am told that Fat Joe is something of a heavy hitter, and his performance as Jennifer’s therapist makes me curious to explore his career further.

Perhaps more than any other film which has crossed my plate, This Is Me… Now plays to its audience; it is a loving gift from the singer-celebrity (evidenced in particular by her own personal outlay of some twenty million dollars to get it off the ground). From the opening steam-punk dystopian heart factory metaphor power ballad (gotta keep feeding petals into the core, lest that heart becomes broken), to the decent-to-impressive late era MTV-style set pieces (quirky-jerky dance routines featuring dozens), right through the closing maneuvers, This Is Me… Now delivers J-Lo on her own terms, and that was good (enough) for me.

WHAT THE CRITICS SAY:

“Please allow me to introduce you to the shiny and ambitious and strange and ludicrous and trippy and occasionally fantastic ‘This Is Me … Now.'”–Richard Roeper, Chicago Sun-Times (contemporaneous)

Capsules

CAPSULE: OPEN (2023)

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Open can be rented or purchased on-demand.

Recommended

DIRECTED BY: Miles Doleac

FEATURING: Lindsay Anne Williams, Miles Doleac, Jeremy London, Elena Sanchez, Amber Reign Smith

PLOT: Kristina comes to regret pursuing her long-time fantasy of dating her teen idol when she and her husband explore sharing an open marriage.

Still from OPEN (2022)

COMMENTS: Be advised: if you have an aversion to New Wave music, you will want to avoid this movie. Over its run time, there are some dozen or so interludes featuring ’80s style studio music videos wherein Kristina Corbin’s subconscious processes her situational and emotional circumstances. Her youthful dream of fronting a glamorous synth-rock band is the pulsing heart of this quietly satisfying romantic comedy, and while the segues slip into the narrative like clockwork, they never feel unwelcome.

Ultimately unwelcome, however, is Erik LaRoux, an erstwhile teen idol whom Kristina adored growing up. When she and husband Robert’s marriage hits the rocks—triggered by a recent miscarriage—they are unsure how to proceed. They feel, they know—it must be!—that they’re good together, and that they shouldn’t split up the metaphorical band; but they’ll be damned if they can figure out what direction to go. And so, Kristina makes a suggestion: an open relationship. The first act of Play runs like a cute-‘n’-clever little relationship dramedy, with Kristina hooking up with a charismatic has-been, and Robert falling in bed with a long-time friend.

Open is very much an “all well and good” kind of experience. It shuffles along, capably attaining its realistic ambitions. The characters are all likable (even Erik, before his dark turn) and the songs hover around the better side of average. Sometimes the band is mediocre, other times they flirt with genius. (The tune “Aspic” merits bonus points for the choral couplet, “Damn it to Hell, get me out of this stinking putrid well/I need some elevation for my aspic to gel,” a line which prompts the husband-keyboardist character to exclaim, “‘Aspic’? Really?”) Even when it begins to flounder in the third act, Open is still charmingly executed.

In the end, I was kind of surprised—in a good way. When the closing number queued up, I was hit with the sentiment, “It’s over already?” So, be advised: anyone looking for a fun, mature, and tuneful romantic comedy would do well to take a look at and listen to Open. It’s got heart, brio, and plenty of good advice: “Grab love by the balls, but don’t twist ’em too hard when you feel small.”

WHAT THE CRITICS SAY:

“Doleac, whose previous features have been horrors of deliciously demented delicacies, tries his hand at a quirky musical thriller – and the result is completely darling and truly absorbing.”–Bill Arceneaux, Moviegoing with Bill (festival screening)