DIRECTED BY: Zach Lipovsky, Adam Stein
PLOT: Chloe’s father keeps her boarded up in a dilapidated house to protect her from an unspecified danger; outside, an ice cream truck driver waits for his chance to free the girl.
WHY IT WON’T MAKE THE LIST: Freaks has a very Hollywood feel to it, though it subverts the genre to a fair degree. It feels like a thinking man’s X-Men movie.
COMMENTS: The trials of fatherhood, the uncertainty of childhood, and pervasive agora-claustrophobia all come together with wonder and menace in Freaks, the final film of Fantasia’s final weekend slot. It acted as a nice finishing note of the festival’s main event. Appropriately, Fantasia was the final festival stop for Lipovsky’s and Stein’s baby (not just co-directors, they also wrote the screenplay together). For them and the audience, Freaks provided a climactic blast of pizzazz before things began to wind down in Montréal.
Despite her protestations, we learn fairly early that Chloe (Lexy Kolker, as impressive a 10-year-old actress as I’ve ever seen) is not normal. She’s trained by her ever-exhausted father (Emile Hirsch) to spout an origin story on demand, and be able to ad lib responses in case she’s pressed about details. Why must she worry about the “people out there who want to kill [her]”? The ever-looming ice-cream man, “Mr Snowcone” (Bruce Dern) knows the answer; he’s been hoping to get a moment to abduct (rescue?) her for some time now. Trapped at home, Chloe spends much of her days drawing and pining for her lost mother (Amand Crew). By night, she’s haunted by a wailing figure in her closet. One day, the father passes out after being injured while out getting supplies, and Chloe takes the opportunity to escape and get that chocolate ice cream she’s been hankering for.
Freaks obviously draws comparisons with some contemporary science fiction, but it attempts to address its thorny issues in a way that’s more realistic. What would you do if you were raised in abject fear of everyone but your family? What would you do if that family seemed hell-bent on stifling everything about you that was special? While Lipovsky and Stein obviously frame the story to engender sympathy for Chloe and her family (they are the main characters, after all), they do provide ambient hints about what the rest of society feels the other. As in the more famous movie with the title, this new Freaks forces the audience to themselves just how comfortable they could be with fellow humans are completely out of the norm.
Freaks‘ greatest achievement, however, is how it fleshed out such a thorough world needing so few resources. Nearly all of the action takes place in one run-down house (with occasional forays to a mountain prison). To flesh out their story, the directors use sound to great effect (be it in the form of news channel snippets or the ominous drone of an unseen helicopter) in addition to channeling the narrative through the eyes of Chloe, who despite having been shut-in all her seven years, has maintained her sense of wonder and hope. Speaking of, here’s hoping that these two filmmaker fellows make their mark with this: I don’t generally approve of the word “franchise”, but I would love to see more of this “freakish” world they’ve created.
WHAT THE CRITICS SAY: