Tag Archives: 2023

CAPSULE: GIRL INTERNET SHOW: A KATI KELLI MIXTAPE (2023)

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DIRECTED BY: Kati Kelli

FEATURING: Kati Kelli

PLOT: Selections from Kati Keli’s surreal, satirical YouTube channel mixed into a feature film, plus her only completed short, “Total Body Removal Surgery.”

Still from "Girl Internet Show: A Kati Kelli Mixtape" (2023)

COMMENTS: It’s not the first thing Kati Kelli uploaded to YouTube, but the most accessible entry point to this bizarro YouTube creator’s world is “Marva the MILF,” a 14-episode series that works as recognizable satire. It’s the only strain where Kelli plays a consistent character, a 50-year-YOUNG unapologetic golddigger and would-be glamour influencer in a blonde wig wearing too much bronzer. Cluelessly arrogant Marva refers to her audience as “babies” (or sometimes “fuglies”) and complains about her daughter ignoring her beauty advice because she (eye-roll) “wants to be herself.” Marva even stays in character while jumping on the ASMR trend: while tapping her fingernails as she mimics applying mascara to the viewer, she whispers “I’m not sponsored, I’m just a big fan… I always blow hubby’s money on this brand.”

But that focused character is a big departure from the usual inventory of her “Girl Internet Show” channel, which quickly turned manic when Kelli discovered the joys of Adobe After Effects suite. Future, non-Marva episodes quickly went techno-maximalist, with hyper editing, text flying about, shots of social media feeds, Kelli’s head swelling into a bulbous monstrosity, altered film speeds, random musical accompaniment, cartoonish sound effects, gif bluebirds circling her head, miscellaneous filters, stock photos of broccoli zipping across the screen, and basically any kind of embellishment that seized her short-attention-span fancy. Sure, she still mocked the vapid self-absorption of overly-dramatic V-loggers and beauty influencers, but the satire was more of an excuse for relentless experimentation and absurdity than the meat of her vegan aesthetic. Episodes might be anything from a fashion show to a commercial spoof to a fake confessional to relatively sedate entries like Kelli gyrating maniacally while holding a glass of wine or wearing a skull mask, playing a ukulele, or shaking a ragdoll to simulate dancing while singing monotonously. The entire “show” is shot in a single apartment, often with her pop-surreal, occasionally obscene artwork displayed on the walls; when it’s necessary to add another character, Kelli simply dons a wig, or incorporates a Barbie doll. (She does have, at least, the assistance of an unseen and uncredited cameraperson—and a housecat.) It doesn’t hurt anything that Kelli is conventionally gorgeous, with luminous olive-green eyes, full lips, and a model’s figure, which only makes her choice to specialize in completely uncommercial culture-jamming media hit harder. And although her comedy is mostly of the absurd non-sequitur variety, she gets across the occasional zinger, as when describing her multitudinous mental maladies, she muses, “I’m also diagnosed as being an amazing kisser… actually, by the same psychologist who diagnosed me as having daddy issues.”

Kelli also made a parody of Spring Breakers featuring only Barbie dolls.

Kelli’s final completed piece was the short film “Total Body Removal Surgery,” a Kickstarted project which was not posted to YouTube (it’s the only truly exclusive content included on the Vinegar Syndrome Blu-ray). Although Kelli plays a new character named “Tippy Rose” and for the first time includes other actors (memorably, the freakishly lantern-jawed Dr. Locker, played by none other than Escape from Tomorrow‘s Roy Abamsohn) and non-apartment locations in the video, the fractured multimedia aesthetic will be completely familiar to “Girl Internet Show” fans. The brief story concerns the titular medical procedure and the satire of cosmetic surgery is obvious, though done with Kelli’s usual verve.  Sadly, Kelli died suddenly—of, of all things, an asthma attack—only three days after “Total Body Removal Surgery” was completed. This mixtape version of her legacy, assembled by admirer and her husband Jordan Wipple, flows well and is a fond remembrance of her out-there artistry. Rather than being a completed product, Kelli’s work suggests a talent that was just beginning to find her legs in her late 20s, cut off just as she was ready to launch. It’s a shame that she was never able to expand her canvas beyond YouTube, but her work should inspire a generation of independent artists looking for a template for how to create engaging art with nothing more than a camera, a few wigs, dolls, the After Effects suite, and broadband wifi.

WHAT THE CRITICS SAY:

“…not just a hilarious, weird anthology, but also an elegy and a tribute to a loved one and an outsider artist.”–Anton Bitel, Projected Figures

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Girl Internet Show: A Kati Kelli Mixtape [Blu-ray]

  • Region Free Blu-ray

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CAPSULE: THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED (2023)

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The Feeling That the Time for Doing Something is Gone is available to purchase or rent on-demand.

Recommended

The fourth installment in the “Pete’s Perverted Pix” series.

DIRECTED BY: Joanna Arnow

FEATURING: Joanna Arnow, , Babak Tafti

PLOT: Ann, a middle-aged single woman, has an unsatisfied lust for dominant men, but most of the men in her life are dispassionate duds.

Still from The Feeling That the Time for Doing Something Has Passed (2023)

COMMENTS: The Feeling That the Time for Doing Something Has Passed ties with Your Vice is a Locked Door and Only I Have the Key for the film I have reviewed with the most cumbersome title. “TFTtTfDSHP” will serve as the abbreviation.

TFTtTfDSHP is a deadpan comedy and a character study that’s almost too candid in dissecting the mind of the frustrated kinkster in the wild, driven to settle for the nearest thing to warmth in a cold world. Can a film be considered weird based on one performance? Writer/director/lead actress Joanna Arnow bares all in a story that’s at least a bit autobiographical (right down to having her real-life parents play her parents), while acting out a study in frustrated feminine sexuality. Her performance is so fearlessly open that it’s nothing less than heroic. This is one of the most honest portrayals not only of real-life alternative lifestyles and sexual expressions, but of 21st-century cultural frustrations in general. At the same time, Arnow, even while casually fingering herself while naked at the breakfast table or costumed as a pig-slave, keeps a firm grasp on her character’s humanity and dignity. She makes it clear that her Ann is actively the agent in her own world, seeking something better for herself. Her definition of better just happens to be different from most of ours.

For those of you who wonder “why do people want BDSM in the first place?”, films like this and Secretary provide clear answers. Secretary’s Lee has a psychologically damaged background and deals with it by engaging in thrilling, edgy fantasies so spicy that an ordinary relationship won’t cut it. In TFTtTfDSHP, Ann lives in a millennial-gray world of trivial humiliations and disrespect. She’s the black sheep of her family, her coworkers take sadistic joy in making her work life miserable, and she lives a lonely, friendless existence in a threadbare apartment in an indifferent city. A couple of hours of bedroom role-play is her only chance to feel like a whole person, to be the focus of somebody else’s attention for awhile. Her character comes off as a whiff anhedonic, hitting like MTV’s Daria all grown up to discover that adult life is just as miserable and unfulfilling as she expected it to be. Feeling intentionally humiliated, degraded, or objectified at least gives her the chance to feel something.

Even in gratifying this small pleasure, Ann is frustrated. We start with her ongoing nine-years-long relationship that amounts to being the booty call for Allen (Scott Cohen), an aloof, uncaring galoot who treats her like a piece of furniture. She’s desperate to mold Allen’s indifference into deliberate sadistic intent, but Allen is a man so devoid of imagination that he can’t even think up good scenarios when Continue reading CAPSULE: THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED (2023)