LIST CANDIDATE: LUNACY [SILENI] (2005)

Lunacy has been promoted onto the List of the 366 Weirdest Movies. Comments are closed. Please visit the official Certified Weird entry.

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DIRECTED BY: Jan Svankmajer

FEATURING: Pavel Liska, Jan Tríska, Anna Geislerová

PLOT: A mentally unbalanced man meets a modern day Marquis de Sade, who convinces him to check himself into a bizarre asylum where the patients roam free.

Still from Lunacy [Sileni] (2005)

WHY IT MIGHT MAKE THE LIST: Readers may think I’m a lunatic myself for not inducting this tale involving the Marquis de Sade, an asylum run by chicken-farming lunatics, and animated steaks onto the List of the 366 Best Weird Movies on the first ballot.  To tell the truth, Lunacy comes about as close as a movie can to being a first-ballot inductee without making it.  In defense of my decision to leave it off the List for the time being, I point out that Lunacy may actually be Jan Svankajer’s most conventional movie.  If you mentally remove the startling but inessential stop-animation transitions between scenes, then squint hard, it looks like just a regular horror movie; the director insists as much in his prologue to the film.  Given that this is Svankmajer’s most “normal” and accessible movie, if Lunacy makes the List, then all the Czech director’s work should automatically make it.

COMMENTS:  The trailer explains that ” + the Marquis de Sade + Jan Svankmajer = Lunacy.”  It’s self-evident that combining these three uniquely perverse talents should produce something singularly strange; the fun in watching the movie is in seeing how they actually mix.  Poe adds the least to the recipe, providing mere plot.  Adaptations of two different stories by the doom-laden 19th century Romantic make appearances here; one is a digression from the main plotline that’s fun but unnecessary, while the other supplies the basic conceit for the entire second half of the movie.  Because the first half of the film is devoted to a long introduction to the characters, with that excursion into an interesting but unrelated Poe tale, Lunacy‘s story doesn’t flow as well as it might; the plot doesn’t really get started in earnest until the movie hits the halfway mark on its run time.  Other than basic story ideas, there is not much of a “Poe” feel to the rest of the film, except whatever lingering flavor comes from the passive, psychologically tormented protagonist Jean (stringy-haired, Continue reading LIST CANDIDATE: LUNACY [SILENI] (2005) →

WHAT’S IN THE PIPELINE

Next week, we’ll be hitting that reader-suggested review queue with reviews of Jan Svankmajer‘s horrific Lunacy (2005) and the bizarre ultraviolent anime Dead Leaves (2004).  We’ll also have coverage of ‘s The Great Dictator (1940) (recently re-released by the Criterion Collection).

Now, we could put in more reviews this week, but instead we’re going to feature a couple of interactive posts on Wednesday, so be sure to check us out then!

It was an extremely weak—almost pathetic—week in terms of weird search terms used to locate the site.   Where are all the weirdos, sunning themselves at the beach?  They’re certainly not in front of their computers, typing deranged search terms into Google.  We’re reduced to nominating such relatively normal strings as “cat people begging” and “why arizona ream is called to movie” as honorable mentions.  Yet, even in a poor field, there is one bizarre search query that stands out from the rest: “ninety black swan boobs.”  We can totally understand searching for “black swan boobs,” but why precisely ninety of them?  That’s the sort of incomprehensible eccentricity that makes for a great Weirdest Search Term of the Week.

Here’s that ever-growing reader-suggested review queue (more titles after the break, as always):  Lunacy [Sílení] (next week!); Dead Leaves (next week!); Perfume: The Story of a Murderer; Inmortel (2004); Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake;  Continue reading WHAT’S IN THE PIPELINE →

SATURDAY SHORT: ORANGINA COMMERCIAL

Orangina has produced a series of humorous commercials featuring anthropomorphic birds, mammals, reptiles, and so on. In these commercials the drink is used for just about everything from a floor cleaning solution to aftershave. The focus, which is very apparent in this commercial, seems to be on mocking the role of sex in advertising.

CONTENT WARNING: This short contains brief, animated nudity and suggestive cross-species sexuality.

WEIRD HORIZON FOR THE WEEK OF 7/8/2011

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Septien (2010): This story of an ex-high school athlete returning to live with his two eccentric brothers played at Sundance in the Midnight Movie category.  Reviews were mixed, but Dennis Harvey of Variety suggested the movie “proves the paths of ‘weird’ and ‘interesting’ do not always intersect.”  Screening at the IFC Center in Manhattan this week, future screenings doubtful.  Also available “on demand” on some cable systems.  Septien official site.

The Sleeping Beauty (2010): Catherine Breillat takes her second stab at adapting a classic fairy tale with modern feminist sensibilities (after the strangely muted, very slightly weird Bluebeard).  Much of the narrative here takes place in Beauty’s dreams as she slumbers and encounters dream ogres and dwarfs, giving rise to hopes of more surrealistic imagery this time out.  This is the middle part of a planned fairy tale trilogy to conclude with Beauty and the Beast.  This French offering is not to be confused with Australian Julia Leigh’s Sleeping Beauty (2011), starring Emily Browning (which has yet to be released on these shores).  No official site located.

NEW ON DVD:

Oblivion (1994): A frontier town in the year 3031 is inhabited by aliens in this campy sci-fi/western/comedy hybrid.  With a cast including Julie Newmar (as a feline alien saloon owner named Miss Kitty), Isaac Hayes, and George Takei. Buy Oblivion.

The Sacrifice [Offret] (1986): Andrei Tarkovsky‘s final film (completed from his deathbed) is about a man who attempts to bargain with God for divine intervention to avert World War III.  A remastered 2-disc set from Kino which includes a feature length documentary on the maverick Russian filmmaker as a bonus feature. Buy The Sacrifice.

Trailers From Hell! Volume 2 (featuring The Little Shop of Horrors) (2011):  Read our capsule review. Buy Trailers From Hell! Vol. 2 [Featuring The Little Shop of Horrors].

Wake Wood (2011): Bereaved parents visit a pagan town whose residents promise that, within their borders, you can reunite with the dead —for three days only.  This latest offering from the resurrected Hammer studios has been compared (in theme, at least) to the Certified Weird The Wicker Man. Buy Wake Wood.

NEW ON BLU-RAY:

The Sacrifice [Offret] (1986): See description in DVD above. Buy The Sacrifice [Blu-ray].

Wake Wood (2011): See description in DVD above. Buy Wake Wood [Blu-ray].

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE:

Tekkonkinkreet (2006): Trippy anime about two street urchins (named “Black” and “White”) with superpowers fighting Yakuza in the magical streets of Treasure Town.  From Michael Arias, the producer of The Animatrix, a rare American who’s broken into the Japanese animation world.  Watch Tekkonkinkreet free on YouTube.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

VICTOR SJOSTROM’S HE WHO GETS SLAPPED (1924) STARRING LON CHANEY

He Who Gets Slapped (1924) is part of the 2011 Warner Archive Lon Chaney collection, and in this film Chaney gives one of his most natural, assured performances—in no small part due to director ,  who also directed Chaney, with Norma Shearer, in the following year’s Tower Of  Lies (unfortunately, yet another lost film).  Victor Sjostrom is something of an icon.  He was a favorite director of stars Greta Garbo and Lillian Gish, and his masterpiece, The Phantom Carriage (1921), was a considerable influence on .  After the coming of sound Sjostrom retired from directing to return to his first love of acting, but he still served as mentor to the young Bergman; Bergman repaid the favor by casting Sjostrom in the extraordinarily beautiful role of Dr. Isak Borg  for Wild Strawberries (1957, possibly Bergman’s greatest film).

After seeing the films Sjostrom had made in Sweden, Producer Irving Thalberg  recruited Sjostrom to Hollywood.  He Who Gets Slapped was the first film the director made at MGM, and it proved to be a lucrative endeavor for all concerned.  Sjostrom was one of the few directors respected by both Louis B. Mayer and Thalberg.  He Who Gets Slapped is based off the 1914 play by Leonid Andreyev.  The resulting film looks, thinks and acts far more European than anything Hollywood studios had produced at that time.

It is a tale of degradation, humiliation, pathos, and sacrifice.  Thankfully, it is a film in which we do not find ourselves rooting for the Donald Trumps or Paris Hiltons of the world.  Chaney is the destitute but prolific scientist Paul Beaumont, so dedicated in his work that he, inevitably, is rendered the oblivious fool.  Beaumont’s filthy rich patron is the Baron de Regnard (Marc McDermott).  Regnard has been helping himself to Beaumont’s selfish wife Maria (Ruth King) and additionally plans to steal the fruit of Beaumont’s scientific labors.

Still from He Who Gets Slapped (1924)The world of Paul Beaumont comes crashing down when Regnard presents Beaumont’s work, as his own, to the Academy.  Beaumont tries, in vain, to convince the Academy of the theft, but they take the side of the affluent Regnard as opposed to the unknown, poverty stricken Beaumont.  Beaumont is belittled  by his patron’s betrayal, by the mocking laughter of the academy, by the discovery of his wife’s infidelity, and, finally, by Regnard’s humiliating slap to his face.  It is a slap which Beaumont now obsessively echoes in repetition every night.  On the Continue reading VICTOR SJOSTROM’S HE WHO GETS SLAPPED (1924) STARRING LON CHANEY →

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