CAPSULE: WALKABOUT (1971)

366 Weird Movies may earn commissions from purchases made through product links.

DIRECTED BY: Nicolas Roeg

FEATURING: Jenny Agutter, David Gulpilil, Luc Roeg

PLOT:  A father drives his two children out into the Australian outback for a “picnic.”  While there, he commits suicide, leaving the children to struggle for survival in an unfamiliar and harsh natural world.  Eventually they cross paths with an adolescent aborigine who is partaking in his “walkabout”; a rite of passage that entails journeying into the wilderness alone to achieve manhood.

Still from Walkabout (1971)

WHY IT WON’T MAKE THE LIST: With the exception of a few odd camera shots, it is not a weird film. It is certainly a thought-provoking and undeniably beautiful film, but depictions of cultural differences and anthropocentricism are easily attainable on the Discovery channel or—to a much higher degree of weirdness—the National Geographic program “Taboo”.

COMMENTS: Most critiques of this film assert that it simply contrasts the natural world vs. the trappings of modern civilization and its unnecessary conveniences. I think that’s too obvious. To me, the underlying theme of budding sexuality and the transition to man/womanhood takes precedence.

The beautiful Jenny Agutter plays the girl (no names are given to the lead roles). We assume she is around the age of sixteen and living a privileged life of private schooling and residing in a luxury home with all the modern amenities she could need. An early shot of the girl swimming with her much younger brother in a crystal clear pool right next to an enormous, vast ocean is a personal favorite.  We don’t know anything about the family dynamics or how they interact with each other. We can only guess the parent-child relationships are cold and impersonal.  The mother listens to cooking recipes on the kitchen radio, and any disturbance from his offspring only annoys the father.

Once we get to the outback things become even more unclear. Why is the father trying to kill his kids? Why is he such a bad shot? Who knows? He then offs himself, leaving the kids to fend for themselves.  Right away the viewer is treated to close-ups of reptiles, insects and other strange creatures to convey that the youngsters are definitely out of their element. There is a really nice juxtaposition of the young 6-year-old boy (Luc Roeg—the director’s son) fading into the landscape: a melding of human and nature.

Nicolas Roeg is an amazing director. Lovers of weird cinema know him through classics Continue reading CAPSULE: WALKABOUT (1971)

CAPSULE: TERRIBLY HAPPY [FRYGTELIG LYKKELIG] (2008)

DIRECTED BY: Henrik Rubin Genz

FEATURING: Jakob Cedergren, Kim Bodnia, Lene Maria Christiansen

PLOT: After a mysterious nervous breakdown, city cop Robert Hansen (Jakob Cedergren) is

Still from Terribly Happy (2009)

re-assigned to a claustrophobically small, rural town as its only marshal. He quickly discovers the town’s frightful dynamic: its inhabitants all aware of resident bully Jørgen’s (Kim Bodnia) adulterous and abusive antics, but no one takes a stand against him.

WHY IT WON’T MAKE THE LIST: Though riddled with strange characters and unexpected darkness, for the most part Terribly Happy is played as a straight thriller with Coen brothers-style humor.  There are a few weird and creepy moments to create tension, but nothing truly unreal.

COMMENTS: Poor Robert.  As played in an understated performance by Jakob Cedergren, he’s a stand-up guy whose darker side is persistently tested as he meets with more and more obstacles.  The more he pushes for change, the more the town’s internal politics and penchant for keeping secrets rise up against him.  The old marshal spent most of his time drinking and allowed a lot of “accidents” and petty crimes to go by undocumented.  After Jørgen’s desperate wife Ingerlise (Lene Maria Christiansen) comes to Robert with evidence of her husband’s physical abuse, he is determined to convict him, but is frequently hindered by both the town’s strict social structure and his own conflicting passions.

This movie feels as if it’s made by someone whose biggest cinematic influences are Blood Simple and Fargo, and that isn’t a bad thing.  Most of Terribly Happy does seem like the Coen Brothers appropriated the premise of Hot Fuzz with Danish actors and more dramatic intent.  A lot of the story plays as an extremely black comedy, but as the film progresses, the development and uncovering of Robert’s character become more focused, and it twists itself into a somewhat bleak but gripping drama.

The narrative is filled with a number of comedic moments placed up against truly unsettling ones, with certain simple visual cues to either send a shiver down the spine or elicit a knowing smile.  Director Henrik Ruben Genz utilizes the expansive boggy fields surrounding the town to create a slightly desolate atmosphere, which results in some visually interesting scenes.  The script, while well-written, is a little uneven and doesn’t do anything especially new, but the strengths of the cast and twisted tone make this film a cool experience.

WHAT THE CRITICS SAY:

“It may not sound funny, but there’s a bleakly comic air about the story, and a bit of surrealism, suggesting the most caustic side of the Coen brothers.”–Walter Addiego, San Francisco Chronicle (contemporaneous)

NOTE: This review is also published in a slightly different form at Film Forager.

WHAT’S IN THE PIPELINE

Still plenty of Donnie Darko posters left… all it will cost you is a comment.

We’ve got a very full week of reviews planned.  We’ll be giving our initial impressions on Inception; the weird movie event of 2010 so far, so be sure to check in and join in the discussion!  We’ll also provide coverage of Vincenzo Natali‘s 2010 sci-fier Splice (still in second run theaters, no word yet on a DVD release date); Love Object, a 2003 entry in the weird “blow-up-sex-toy-comes-to-life” subgenre; the last entry in Alfred’s coverage of B-westerns, the silent Hell’s Hinges (1916); and we’ll knock Nic Roeg‘s Walkabout and Ken Russell‘s Altered States out of the reader suggested review queue.

Our survey of the weirdest search terms used to locate the site brought some interesting inquiries this week. First, there were searches for two movies we don’t know the identities of, but are anxious to see based on the descriptions: “russian mummy horror film egg sex” and “black cat kills baby staircase movie.” (Somehow, it’s much more upsetting to see baby staircases killed onscreen then full-grown staircases). For the person who asked “is tom hardy missing a pinky?,” we’re pretty sure the answer is “no.” But we found “what is unexpected about centipedes?” to be the weirdest query of the week; we can’t even begin to formulate an answer to that one.

Here’s how the reader-suggested review queue stacks up: Trash Humpers (waiting for the DVD release); Altered States (next week); Walkabout (skipping ahead to come out next week); Nightmare Before Christmas/Vincent/Frankenweenie; The Science of Sleep; The Attic Expeditions; After Last Season; Getting Any?; Performance; Being John Malkovich; The Apple; Southland Tales; Arizona Dream; Spider (2002); Songs From The Second Floor; Singapore Sling; Alice [Neco z Alenky]; Necromentia; Hour of the Wolf; MirrorMask; Possession; Suspiria; Mary and Max; Wild Zero; 4; Nothing (2003); The Peanut Butter Solution; Ninja Scroll; Perfume: The Story of a Murderer; Danger: Diabolik; Faust; Sublime; Battle Royale; Pink Floyd: The Wall; Escanaba In Da Moonlight; Jesus Christ, Vampire Hunter; Zardoz; The Films of Suzan Pitt; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; 964 Pinocchio; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel; Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; Primer; Maniac (1934); Hausu; A Boy and His Dog; 200 Motels; Private Parts (1972); Saddest Music in the World; Mulholland Drive; The American Astronaut; Blood Tea and Red Strings; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Chocolate Factory ; The Bride of Frank; La Grande Bouffe; Uzumaki [Spiral]; Hedwig and the Angry Inch; Even Dwarves Started Small; Bunny & the Bull; “I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney” (assuming I can find it); Cinema 16: European Short Films; Freaked; Session 9; Schizopolis; Strings; Dellamorte Dellamore [AKA Cemetery Man]; The Hour-glass Sanatorium [Saanatorium pod klepsidra]; The Addiction; Liquid Sky; The Quiet; Shock Treatment; Tuvalu; “Zombie Jesus” (if we can locate it); 3 Dev Adam; Fantastic Planet; “Twin Peaks” (TV series); Society; May; The Adventures of Buckaroo Banzai Across the 8th Dimension; Little Otik; Final Programme; Careful; Sweet Movie; The Triplets of Belleville; “Foutaises” (short); Johnny Suede; “Jam” (TV, UK, 2000), The Tale of the Floating World, Un Chien Andalou, Bloodsucking Freaks; Fellini Satyricon; Three Crowns of the Sailor; 8 1/2; Death Race 2000; Dororo; Lost Highway; Valerie and Her Week of Wonders; Dogville; and Julien Donkey-boy; Amelie; The Ten; The 7 Faces of Dr. Lao; 1; Fast, Cheap and Out of Control; Tokyo Gore Police; At Midnight I’ll Take Your Soul; The Trial [Le procès) (1962); Marquis; Hell Comes to Frogtown; Hellzapoppin’; Seom [The Isle]; Allegro Non Troppo; Fur: An Imaginary Portrait of Diane Arbus; Lust in the Dust; Celine and Julie Go Boating; “Franz Kafka’s It’s a Wonderful Life;” The Magic Christian; Black Cat, White Cat; The 5,000 Fingers of Dr. T; Abnormal: The Sinema of Nick Zedd; Robot Monster; Nightdreams; 3 Women; Rubin & Ed; Teeth; Vera; Weirdsville; Prospero’s Books; Inferno; Garden State; Persona; and The Real McCoy; Rat Pfink a Boo Boo; Themroc; Candy (1968); Run Lola Run; Pink Flamingos; Buffalo ’66; Northfork; Weekend; The Room; Glen or Glenda?; Night of the Hunter; The Fox Family; Midnight Skater; Angelus; Cloudy with a Chance of Meatballs; Twister (1989); Yokai Monsters, Vol. 1: Spook Warfare [AKA Big Monster War]; Haxan; This Filthy Earth; and Conspirators of Pleasure.

WEIRD HORIZON FOR THE WEEK OF 7/16/10

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

After several summer weeks of scraping the bottom of the barrel to find something weird, there’s an embarrassment of surreal cinematic riches to be had this week.

IN THEATERS (WIDE RELEASE):

Inception: Highly anticipated sci-fi psychological thriller from Christopher Nolan starring Leonardo DiCaprio as an agent with the ability to enter his target’s subconscious and steal (or plant) ideas.  Early reviews are generally positive, with some proclaiming it a masterpiece.  Look for a full report from us next week (and chime in with your own opinions).  Inception official site.

SCREENINGS (IFC CENTER, NEW YORK CITY):

El Topo (1970): Read El Topo‘s Certified Weird entry.  See Alejandro Jodorowsky‘s surreal, mystical Spaghetti western as it was meant to be seen: on the big screen, at midnight.  Playing at 11:55 PM Friday, July 16 and Saturday, July 17.

Henri-George Clouzot’s Inferno (2009): Documentary on the director’s unfinished L’enfer, a big budget avant-garde movie from 1964 that was intended to out-weird Fellini’s surprise hit 8 1/2; the production was plagued with problems and never completed.  The filmmakers had access to the raw footage and apparently use it liberally in the doc.  Henri-George Clouzot’s Inferno at IFC center.

Valhalla Rising (2010): Dark Ages tale of a mute, one-eyed slave who escapes his Scottish master and joins with a group of Viking renegades; their ship is wrecked and washes up on a strange island.  Critics are using adjectives like “trippy,”  “crazy,” “hallucinatory,” and “poetic.”  From director Nicholas Winding Refn, who already struck weird gold with Bronson (2008).   Valhalla Rising official site.

NEW ON DVD:

Artois the Goat (2009): Indie comedy with dream sequences about a lab technician who tries to create the perfect goat cheese: a “cheese of destiny.” The Austin Chronicle called it “slightly surreal.” Buy Artois the Goat.

Mystery Science Theater 3000, Vol. XVIII:  A TV show premised on the concept of robots mocking bad movies qualifies as weird.  We think a new MST3K collection is always noteworthy, but this one even more so because it contains the gang’s treatment of the Certified Weird The Beast of Yucca Flats.   Other movies in the set include Lost Continent, Crash of the Moons and Jack Frost, a strange and obscure Soviet-era fairytale adaptation. Buy Mystery Science Theater 3000, Vol. XVIII

Parasomnia (2008): Unreleased Hollywood horror about a beautiful woman with a rare disorder that causes her to sleep most of her life away; a love triangle between an earnest beau and an evil mesmerist for her hand is told through her dreams and nightmares. Despite it’s unimpressive ancestry (it comes from the director of The House on Haunted Hill and feardotcom), it does look weird, an a few reviews make it sound like it might be a minor offbeat gem. Buy Parasomnia.

Pornography: A Thriller (2009): Murder and weirdness in three related tales from the world of gay porn. The press release promised that “surreal and supernatural elements weave together these three haunting stories.” Reviews were generally negative. Buy Pornography: A Thriller.

Saint John of Las Vegas (2009): his quirky road trip story about a retired blackjack player turned insurance fraud investigator returning to Las Vegas has some surreal interludes, but even the presence of Steve Buscemi and Sarah Silverman didn’t stop critics from savagely beating it and leaving the remains for dead in the desert. Buy Saint John of Las Vegas.

Terribly Happy (2009): Danish film noir about a police officer assigned to a strange and insular town after he has a nervous breakdown; often compared to the Coen brothers or David Lynch, Slant calls it a “surreal noir” and The Hollywood Reporter called it “seriously weird.”  Check back this weekend for our take! Buy Terribly Happy.

NEW ON BLU-RAY:

In Bruges (2008): Brendan Gleeson and Collin Farrel star as two vulgar Irish hitmen who hole up in the medieval Belgian city of Bruges after a botched murder. Often compared to a brainier Pulp Fiction, it’s at least highly odd, if not all the way to weird, and it was both a critical and popular success. Buy In Bruges [Blu-ray].

Insomnia (2002): Not necessarily weird, but they say there is some disorientation in Christopher Nolan‘s followup to Memento, which features Al Pacino as a bleary-eyed, guilt-ridden detective who has trouble sleeping in the eternal sunshine of Alaskan summer. Released to coincide with Inception. Buy Insomnia [Blu-ray].

Parasomnia (2008): See entry in DVD above. Buy Parasomnia [Blu-ray].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!