POD 366, EP. 125: THE “MADNESS” OF JASON TROST

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Discussed in this episode:

“The 366 Weird Movies Guide, Vol. 2”: A soft launch (and it’s available in soft cover, too!). Buy “The 366 Weird Movies Guide, Vol. 2.

Kill the Jockey (2024): A jockey who’s addicted to horse drugs (!) and in debt to the mafia suffers a concussion and is reborn. The distributor’s copy describes it as “a wild and surreal crime comedy” and early reviews have been positive. Kill the Jockey official site.

The Waves of Madness (2024): Read Giles Edwards’ review. Much more information on this microbudget marvel in the audio portion of the Pod; the movie can be side-scrolled on Blu-ray or VOD. Buy The Waves of Madness.

Keep up with and his various projects through his linktree

WHAT’S IN THE PIPELINE:

No guest on next week’s Pod 366; Greg will be off, and “Penguin” Pete Trbovich will fill in. Speaking of Pete, another installment of his “10 Weird Things” video series will drop next week, this time for the rotoscoped mindbender A Scanner Darkly (2006). In written reviews, Shane Wilson considers The Living and the Dead (2006) and a reader submits a lengthy recommendation for Mickey Rooney’s The Manipulator (1971). Onward and weirdward!

60*. RAGGEDY ANN & ANDY: A MUSICAL ADVENTURE (1977)

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“This is really weird.”–Raggedy Andy, when a camel asks him to climb on and join him as he chases an invisible caravan in the sky

DIRECTED BY: Richard Williams

FEATURING: Claire Williams, voices of Didi Conn, Mark Baker, Fred Stuthman, Niki Flacks, George S. Irving, Marty Brill, Joe Silver, Alan Sues

PLOT: On her owner’s birthday, Raggedy Ann and her brother Andy meet Babette, a snobbish new doll from France. Babette is quickly abducted by snowglobe pirate Captain Contagious. Ann and Andy venture out into the night, where they encounter a camel, a taffy pit, and an inflatable Loony king, before finally confronting the pirate ship.

Still from Raggedy Ann and Andy: A Musical Adventure (1977)

BACKGROUND:

  • Raggedy Ann began her life as a mass-produced rag doll in 1915. A series of children’s books based on the character followed in the 1920s, continuing until the 1970s. Fleischer Brothers studios made three animated Raggedy Ann and Andy shorts in the 1940s. The dolls are still produced today.
  • This feature film was loosely adapted from the 1924 children’s book “Raggedy Ann and Andy and the Camel with the Wrinkled Knees.
  • Director Richard Williams took over for originally-slated director Abe Levitow, who died before production began.
  • The adaptation was originally conceived as a Broadway musical, then a TV special, before becoming a feature film. An actual Broadway musical with many of the same characters (but a different plot) followed in 1986.
  • The film ended up costing more than double its original budget, and was a box office failure. It was released on VHS, but has never officially been released on DVD or Blu-ray.
  • Voted onto the Apocrypha by readers in this poll.

INDELIBLE IMAGE: The Greedy, an inexplicable being who inhabits the Taffy Pit and exists as a sort of candy-themed, eternally mutating ian horror-cum-cupcake.

TWO WEIRD THINGS: Ghost camel caravan in the sky; expanding looney king

WHAT MAKES IT WEIRD: Raggedy Ann was a hobo doll, the cheapest and most unassuming children’s toy imaginable. Throwing this plain Jane toy into a backyard “Alice in Wonderland” scenario shouldn’t have produced results as odd as it did. A Musical Adventure is uneven, but in its insaner moments, it genuinely goes for broke.

Original trailer for Raggedy Ann and Andy: A Musical Adventure (1977)

COMMENTS: “Good mescaline comes on slow. The first hour is all Continue reading 60*. RAGGEDY ANN & ANDY: A MUSICAL ADVENTURE (1977)

366 UNDERGROUND: THE BUNNY GAME (2011)

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Beware

DIRECTED BY: Adam Rehmeier

FEATURING: Rodleen Getsic, Jeff F. Renfro

PLOT: A prostitute is abducted by a trucker for five days.

COMMENTS: My goodness, that was something. Where to begin…

Slapping on the “Beware” label is a step in the right direction—The Bunny Game is a real piece of work. The film starts with super-creep: a female victim suffocating under a white plastic bag on her head. The shot is mere seconds long, but shows the filmmaker’s cards. Rehmeier has some nasty things in store for the viewer. The second shot, much longer—too long, certainly, for comfort—shows the card hiding up his sleeve: some John, viewed at the waist, his erect penis thrust into the mouth of the protagonist, forcefully “encouraging” her to fellate him. This shot goes on, it seems, until the act’s completion.

Events like this unfold for the unnamed woman (dubbed “Bunny” in the credits), going from rather bad to unimaginably worse when she proffers a blow job to a trucker who then abducts her and sexually and psychologically tortures her for five days. Heartbeat foley dominates one scene, where the muffled grunts and screams sound like they are coming through a door whilst a steady thump-thump-thump batters like an amphetamine dirge. Squeals of torsion wrench, as one nightmarish sequence blurs into the next, the timeline skipping between Bunny’s ordeal in high resolution, and a previous victim’s in grainier video. The trucker (dubbed “Hog”) mutters, snorts, smokes—coming across as a miserable, furious wreck of inhumanity as he breaks his victim.

Flash cuts, reverse footage, shaky camera, and other stylization tools simultaneously undercut and enhance the visceral malice. The movie weaves a subtle, but pernicious, electronic score throughout. The two leads obviously give us their all. But to what end? The Bunny Game technically qualifies as a narrative, I suppose: there is at least a through-line of events to follow. However, there is no climax, and no conclusion. As once observed: “If you want to tell stories, be a writer, not a filmmaker.” Rehmeier makes an experience with this film—a journey through malignant refuse, or a distillation of white hot agony.

In the Blu-ray disc extras, Rehmeier explains, “…we tried to maintain this negative energy throughout the production, and I think we were successful.” (And if pretentiousness through understatement is a thing, the filmmaker nails it.) But if The Bunny Game might be written off as pretentious Art-House-Shock-Shlock, at least it spares the viewer any affectations of deeper meaning: what you see is what you get—and what you see is mightily disturbing.

WHAT THE CRITICS SAY:

“Sort of an unholy merger between extreme performance art and experimental horror film, The Bunny Game essentially dares viewers to sit through it without crying uncle.” — Nathaniel Thompson, Mondo Digital

The Bunny Game [Blu-ray]
  • A prostitute is abducted by a deranged trucker who subjects her to five days of torture and madness.

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