“This whole world’s wild at heart and weird on top.”–Lula Fortune, Wild at Heart
FEATURING:, , Diane Ladd,
PLOT: After being released from prison for manslaughter, Sailor Ripley and love-of-his-life Lula Fortune head west to California, but are waylaid by by Lula’s psychotically protective mother and various colorful agents under the employ of the effete and mysterious Mr. Reindeer. Their travels take them to New Orleans, where Johnny Farragut, a hired detective, tracks them down. As the noose tightens, the West-bound lovers make a detour to the town of Big Tuna, where, unbeknownst to Sailor, hit man Bobby Peru awaits his arrival.
- Wild at Heart was adapted from Barry Gifford’s pulpy 1989 novel “Wild at Heart” (which gave birth to multiple sequels). While the movie ending’s differed greatly from the book’s, Gifford was pleased and praised David Lynch’s choice.
- Winner of the 1990 Palme D’Or prize at Cannes, the year before fellow Certified Weird movie Barton Fink. Film critic Roger Ebert headed a large group of those dissatisfied with the jury’s choice, and was among many American reviewers who were much less impressed than the Cannes crowd.
- Wild at Heart was released just before “NC-17” became a ratings option with the MPAA later in 1990. It scraped by with an “R” rating by obscuring the effects of a nasty shotgun head wound. (It was subsequently re-rated NC-17 for the home video release).
- Actors from Lynch’s then-current hit series “Twin Peaks” who have cameo roles in Wild at Heart: Sherilyn Fenn, , , David Patrick Kelly, and (appearing in his fourth Lynch feature).
INDELIBLE IMAGE: Like so many offerings from David Lynch, Wild at Heart is riddled with great shots—but an early image of Sailor Ripley pointing defiantly at the woman who just tried to have him killed captures his character’s sheer force-of-nature that drives the film’s unrestrained progression.
THREE WEIRD THINGS: Lipstick face; cockroach underpants; the Good Witch
WHAT MAKES IT WEIRD: While in the middle of working on his hit soap-opera” Twin Peaks,” David Lynch took a break to make something that allowed him to explore his weirder side. Throughout Wild at Heart, the viewer is exposed to such a smorgasbord of road-movie madness—highway hallucinations, small town weirdos, classic-cool criminals, a mountain of lipstick, and dozens of lit matches—that by the end of the movie, Lynch has already accomplished most of whatand would spend the subsequent decade retreading.
Original trailer for Wild at Heart
COMMENTS: Before he got lost on a highway and before he went to Continue reading 203. WILD AT HEART (1990)