Céline et Julie vont en bateau
“Each of us is the other half of our divided and ambiguous selves. The art of acting implies a dual personality and between the two of us we were able to create an organic whole.” –Juliet Berto
DIRECTED BY: Jacques Rivette
FEATURING:, Dominique Labourier, , , Barbet Schroeder
PLOT: Céline is in a hurry and drops a number of props as she passes Julie on a park bench, who picks them up and follows her, picking up more dropped accessories on the way. Their friendship thus established, Céline relates an odd tale about a dreamy encounter in a suburban mansion. The two friends find themselves investigating their memories in an attempt to solve a long-dead mystery and prevent a tragedy.
- Winner of the “Special Prize of the Jury” at the Locarno International Film Festival as well as being an “Official Selection” at the New York Film Festival on the year of its release.
- Despite its light-hearted tone, shooting Céline and Julie was a comparatively tense affair. It was the cameraman’s (Jacques Renard) first movie, and shooting had to be completed in 20 working days over a four week period.
- The “film-within-a-film” idea was built in from the beginning of development, even though writer/director Rivette didn’t know what the inner “film” was going to turn out to be at the time of inception.
- Henry James’ story “The Other House” ultimately became the inspiration for the dream narrative shared by Céline and Julie.
- An alternate title for the film, Phantom Ladies Over Paris, became something of a joke with the crew during production, having been suggested as what the movie would be titled if it had been American.
- “Vont en bateaux” (“going boating”) has an idiomatic meaning in French, suggesting that one is following an outlandish narrative—the equivalent of a “shaggy-dog story”.
- Celine and Julie provided the inspiration for Susan Seidelman’s 1985 comedy, Desperately Seeking Susan.
- Celine and Julie go Boating was one of the top three vote getters in 366 Weird Movies first Apocryphally Weird movie poll, making it one of the most popular weird movies left off the 366 Weird Movies canon.
INDELIBLE IMAGE: The whimsical double scene in the library is probably the most important for establishing the titular characters. Julie sits at her desk, doing clerical work that her coworker interrupts for a Tarot reading. In the background, Céline sifts through children’s books in a nearby room. In one volume, Céline uses a bright red marker to outline her hand while Julie sits at her desk playing with her red ink pad, making random markings on a sheet of paper with her fingertips. Tying the two together with this imagery handily conveys the connection between these two mysterious women.
TWO WEIRD THINGS: Roller-skate library break-in; memory candies
WHAT MAKES IT WEIRD: Jacques Rivette has made an usual movie-within-a-movie, but goes extra steps beyond that “norm” with additional flourishes. The ghostliness of the inner narrative fuses oddly with the surrounding light-heartedness, rendering it almost a “horror-comedy.” Slippery memories give Céline and Julie Go Boating a feeling akin to Resnais‘ Je T’aime, Je T’aime and Last Year at Marienbad, while other diversions bring to mind Truffaut’s nouvelle vague realism. And, of course, the candy-based memory inducement is weird in its own right.
Trailer for Céline and Julie Go Boating
COMMENTS: In the whimsical spirit of the movie, I shall begin by remarking, yes, my friend, don’t worry: Céline and Julie do indeed go Continue reading 2*. CÉLINE AND JULIE GO BOATING (1974)