Included in the set:
It’s heartening that May 1968, and improvisational theater, this shift towards improvised performance and experimentation resulted in L’amour Fou [Mad Love] (1969) and in pushing the aesthetic further with Out 1 (1970), followed by Celine and Julie Go Boating (1974).lived long enough to witness a renewed interest in his work, and a resurgence in its availability, before his death in early 2016. Part of the group of directors who ushered in the French New Wave (along with Truffaut, , Rohmer, and Chabrol), Rivette made two features, Paris Belongs To Us (1961) and La Religieuse [The Nun] (1967) before changing his working methods. Influenced by an interview with , the events of
A good portion of his films are available on DVD, although some of those were not the original versions (usually cut by the distributors due to time restraints). Fortunately, that situation is now being rectified by releases such as this one, which concentrates on some of Rivette’s 1970’s output that’s been difficult to view since the films’ initial release.
The films in the collection were the result of Rivette re-teaming with the producer of Out 1, Stephane Tchal Gadjieff, to do four films that were planned to be loosely interconnected. As events played out, only two related films, Duelle and Noroit, were made; a third was started, but production stalled and was abandoned. One more film, Merry-Go-Round, was completed in 1978, but didn’t see a release until 1983.
Duelle and Noroit were shot back-to-back, and as part of the planned four film cycle, the interconnections are very strong. An integral part of both films is the use of live music performed by musicians onscreen, and both involve an element of fantasy. Unlike Rivette’s previous two films, which utilized improvisation from the actors, these were scripted.
Duelle plays as a conglomeration of The Seventh Victim) and , with a subtle fantastical element. It starts out as a thriller involving a search for a valuable gemstone, but events turn out to be orchestrated by two opposing supernatural adversaries—the Daughter of the Sun (Bulle Oglier) and the Daughter of the Moon ( )—engaged in a battle-by-proxy utilizing mortals as pawns., influenced by (notably
Noroit is a somewhat loose adaptation of the Jacobean play “The Revenger’s Tragedy,” cast as a pirate adventure and the major roles gender-flipped towards women. Morag (Geraldine Chaplin) with the help of her accomplice, Erika (Kika Markham), plots and enacts revenge against a group of pirates, led by Giulia (Bernadette Lafont). It also has roots in elements of Duelle, as more preternatural events occur by film’s end.
Merry-Go-Round retains the live-music-performed-onscreen element of the previous two films, but downplays, if not completely eliminates, the fantasy. Two strangers, Ben () and Leo (Maria Schneider) are in Paris to meet a mutual friend—Leo’s sister Elisabeth—who does not show up. They band together to locate her, which leads them all around Paris where they encounter a variety of characters who may have some connection to Leo’s (presumably) dead father and a small fortune of 20 million francs. It sounds straightforward, but there’s also what appear to be disconnected side narratives of Leo and Ben, set on a beach and in a forest, in conflict with one another.
As a whole, this set provides a look at some fascinating, yet flawed films; which, one could argue is part of the charm of Rivette’s work. If your introduction to Rivette was Celine and Julie Go Boating (criminally still not available in the U.S. on disc), and you felt adventurous enough to see what the fuss was over Out 1, then this collection is the logical next step in your Rivette study. If you haven’t seen any of his films, I’d recommend seeing Celine and Julie and Out 1 first before jumping into the Collection.
The Arrow Films limited edition boxset includes both Blu-ray and DVD discs for the films, along with a booklet with essays from Jonathan Rosenbaum, Mary M. Wiles, Brad Stevens and Nick Pinkerton. Extras include Scenes From A Parallel Life, a featurette featuring an archival interview with Rivette about the films; interviews with actresses Bulle Oglier and Hermine Karagheuz; and an interview with Rosenbaum. The UK release also included Out 1 in the set, but as Carlotta Films had the rights for the U.S. release, the US set contains only the three films mentioned.