Tag Archives: Controversial

53. BRONSON (2008)

Must See

“I always wanted to make a Kenneth Anger movie, and I wanted to combine great theatrical tradition and British pop cinema of the 60s, which was very psychedelic, and at the same time, to make a movie about a man who creates his own mythology. It had to be surreal in order to pay off.”–Director Refn on Bronson

DIRECTED BY:

FEATURING:

PLOT: Narrated from a theater inside his own mind by Michael Peterson (later to rechristen himself Charles Bronson, his “fighting name” ), the movie is an aggressively stylized account of the true story of Britain’s most notorious prisoner, who spent 30 years of his 34 year sentence in solitary confinement for his violent behavior.  Peterson knocks over a post office with a sawed-off shotgun and receives a seven year penitentiary sentence; inside, he finds he has a natural affinity for institutional life as he nurtures a burgeoning passion for taking hostages and picking fights with prison guards.  Shuffled from prison to prison, and serving a brief stint in a hospital for the criminally insane, Peterson is furloughed, becomes a bare-knuckle boxer and adopts the name Bronson, and lasts a few months in the outside world before finding himself reincarcerated, at home once more.

Still from Bronson (2008)

BACKGROUND:

  • The movie stays true to the spirit of the real life Michael Peterson/Charlie Bronson, while omitting many facts and inventing others. The real Charlie Bronson has won several awards in prison-sponsored contests for his artwork and poetry and has published several books, including a fitness guide and an autobiography titled “Loonyology.” In one of his hostage-taking escapades, he demanded an inflatable doll, a helicopter and a cup of tea as ransom.
  • Before incarceration Michael Peterson actually worked as a circus strongman, which may be where he developed his distinctive trademark handlebar mustache and shaved pate.
  • Danish director Refn was previously best known for the gritty, documentary style Pusher trilogy, a look at the criminal drug dealing subculture in Copenhagen.
  • Some of the paintings appearing in the film and in the animated sequences are actual drawings by the real life Bronson. Examples of Bronson’s artwork can be found here.
  • Actor Tom Hardy put on about 40 pounds of muscle for the role. Previously best known as “Handsome Bob” in Guy Ricthie’s RocknRolla, Hardy is poised to become a breakout star, slated to replace Mel Gibson in the new “Mad Max” series.
  • Cinematographer Larry Smith began his career with Stanley Kubrick, working as an electrician on Barry Lyndon and a gaffer on The Shining before graduating to  assistant cameraman for Eyes Wide Shut.
  • At the film’s London premiere, a tape recording of Bronson’s voice was played, stating, “I’m proud of this film, because if I drop dead tonight, then I live on. As long as my mother enjoys the film, I’m happy… I make no bones about it, I really was… a horrible, violent, nasty man. I’m not proud of it, but I’m not ashamed of it either, because every punch I’ve ever flung in my life I’ve taken 21 back.” This incident caused the Prison Officers’ Association to complain, because it is illegal to record a prisoner in a British prison without authorization. The Association also accused the film of “glorifying violence.”

INDELIBLE IMAGE: Bronson turning himself and his art teacher into living paintings in the very strange finale.

WHAT MAKES IT WEIRD: Hyperstylized to the point of surreality, Bronson is biopic as mythology, an appropriate tack when dealing with a self-deluded, self-promoting subject. The portrait that emerges is not so much of a fascinating but essentially unknowable real-life sociopath as it is a portrait of Bronson’s pseudo-artistic attempt to create a public image as an antihero, with notes of humanizing sympathy but also with plenty of knowing irony added to deglamorize its subject.


Original trailer for Bronson

COMMENTS: Tom Hardy’s performance in Bronson undercuts my theory of acting. I Continue reading 53. BRONSON (2008)

REV. DONALD WILDMON: MIGHTY MOUSE IS BACK TO SAVE THE DAY (FROM THE LIKES OF YOU)

Rev. Donald Wildmon is, thankfully a dinosaur, a dying breed of self-appointed “moral crusader” bullies who blasphemously oppresses in the name of a peasant Jew who hung out with hookers and derelicts, talked a theology of love, understanding, and peace, and was brutally butchered by Wildmon’s own type some two thousand years ago.  Wildmon bullies in the name of this Jew to masquerade his own ignorance.  Each year that passes it becomes increasingly apparent that the world will be better off when he and his type are extinct.

In 1988, Rev. Wildmon saw an episode of Ralph Bakshi’s “The New Adventures of Mighty Mouse.”  The show was imaginative, colorful, and witty.  Wildmon’s Methodist toupee did a double take and he screamed “The Devil” when he saw something he could not understand, let alone appreciate.  (Specifically, Wildmon saw Mighty Mouse happily sniffing a crushed flower, and presumed the scene promoted cocaine use).  So Wildmon cocked up his triple chin and let out a Tarzan styled yell to his fellow Neo-Nazi thugs.  Wildmon and the brown shirts started their march, taking it all the way to the faceless sponsors of “Mighty Mouse.”  It’s not surprising that Wildmon bedded with money to attack an imaginative kids show.  After all, that peasant Jew was killed because he messed with the money system.

The New Adventures of Mighty Mouse Flower SceneSo Wildmon and his silly cult bedded with the Pharisees and killed Bakshi’s child.  This was one of many offenses they perpetrated.  I am sure the good Reverend has several trophies on that triple chinned ego of his mantle.  With too few exceptions,”Mighty Mouse” was one of the last times in which television has shown any inclination for imagination, creativity and style.  In its place we have reality TV and trash TV that dumb down to the lowest common denominator.  Thank you, Rev.Wildmon, for your gift.  Yes, there might be a few clever television programs among the dreck, some worthwhile dramas, but aesthetically ground-breaking television, especially aesthetically ground-breaking children’s television, damn near died away when Bakshi’s “Mighty Mouse” went the way of Lenny Bernstein’s “Young People’s Concerts.”

But, that is not the end of the story, Now, finally, “Mighty Mouse” has re-emerged onto a DVD collection to save the day.  Hopefully, Wildmon and his worthless kin, who serve no purpose in life except as societal cancer, will go crawl into a hole and die away.  The rest of us can celebrate the resurrection of our fearless mouse.

Now, “The New Adventures of Mighty Mouse” is, admittedly, a somewhat mixed bag, Continue reading REV. DONALD WILDMON: MIGHTY MOUSE IS BACK TO SAVE THE DAY (FROM THE LIKES OF YOU)

LIST CANDIDATE: ANTICHRIST (2009)

Antichrist has been promoted to the List of the 366 weirdest movies of all time. This page is left here for archival reasons. Pelase go to 72. Antichrist for more in-depth coverage of the film and to make comments.

DIRECTED BY: Lars von Trier

FEATURING: William Dafoe, Charlotte Gainsbourg

PLOT: After the death of their only child, a therapist takes his grieving and anxiety-ridden wife to a retreat in the woods to face her irrational fears; when they arrive, nature itself seems determined to drive them both mad.

Still from Antichrist (2009)

WHY IT’S ON THE BORDERLINE:  Actually, von Trier’s troubled and troubling Antichrist is almost a shoo-in to make the List of the 366 Best Weird Movies.  Though the graphic torture-porn (and plain old-fashioned porn) elements have stolen the headlines and alienated viewers, at bottom this is von Trier’s spookiest and most mysterious film, a trip deep into the heart of darkness, and one the viewer may have as difficult a time returning home from intact as the characters do.  The irrational horror of von Trier’s vision is only magnified by the sense that you aren’t so much watching a filmic depiction of madness as watching a director going insane in real time, before your very eyes: he seems to lose control of his story as it progresses, turning the climax over to his internal demons for script-doctoring, before reasserting some measure of control of his material in a surreal epilogue.  While worthy of consideration, Antichrist finds itself in the same situation as the Coen brothers A Serious Man; we’re not going to officially certify it for the List until it receives its home video debut and we have a chance to scrutinize it more closely than is possible in a cinema.

COMMENTS: Lars von Trier desreves to be roundly criticized for burdening Antichrist with approximately four transgressive, shocking scenes: not because such sights should never be shown, but because these tasteless displays dominate our experience and force every viewer (and reviewer) to deal with them first and foremost.  Their sole artistic function are to serve as obstacles to appreciating the grim beauty of the remaining film.  Whether their inclusion is a calculated act by a prankster director, or a lapse in judgment resulting from psychological impairment (von Trier claims to have written the script as self-therapy to help him deal with a crippling bout of depression much like the one suffered by Charlotte Continue reading LIST CANDIDATE: ANTICHRIST (2009)

HEART OF THE BEHOLDER (2005) & THE LAST TEMPTATION OF CHRIST (1988)

Still from Heart of the Beholder (2005)In 2005, Ken Tipton made a labor of love; an indie film called Heart of the Beholder, regarding the true story of the initial video release of Last Temptation of Christ and the effects it has on a family who owned a small video chain in St. Louis, Missouri during the 1980s.

The CFD, Citizens for Decency, arrived when the owners of the chain chose to carry  Martin Scorsese’s controversial film.  These God-loving red, white and blue, flag- waving Americans came out in droves to harass, bully and literally threaten their employees, family, business, and life.

These are the same Americans who undoubtedly burned Dixie Chick albums when that group criticized God’s ambassador here on earth, little George W, and are the same Americans who still visit the Heart of the Beholder website telling Mr. Tipton and company that they are going to  hell while undoubtedly pleasuring themselves at the thought of the filmmakers frying  for all eternity.  Heart of the Beholder is a damned important, desperately needed film.

Although Heart of the Beholder got good reviews and even won some festival awards, predictably, no distributor would touch it.  One would surely think that the making of the film would have brought in some support, perhaps from Temptation‘s producers, Scorsese, etc.   Continue reading HEART OF THE BEHOLDER (2005) & THE LAST TEMPTATION OF CHRIST (1988)

RECOMMENDED AS WEIRD: DEADGIRL (2008)

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DIRECTED  BY: Marcel Sarmiento and Gadi Harel

FEATURING: Jenny Spain, Shiloh Fernandez,

PLOT: Two high school delinquents find an undead young woman and use her as a sex slave.
Still from Deadgirl (2008)

WHY IT SHOULD MAKE THE LIST: Deadgirl is weird by virtue of its highly unconventional subject matter, which is treated in as matter-of-factly as a conventional drama. It’s also better than you might think;  Deadgirl is one of the best necrophilia-themed movies I’ve seen.

COMMENTS: When I read any description of a horror movie that includes the words, “teenager” or “students,” it stops me in my tracks, and I groan in disappointment. However, it was conducive to the plot of this horror yarn that the two antagonistic protagonists be just that.

The pair are working class high school misfits. (I must note that they are little more working class than the jocks and cheerleaders at most high schools, who stridently compensate for their ordinariness by engaging in meaningless make-work activities and ardently conform in order to raise their perceived social status.) The two boys in this film are misfits only in the sense that they aren’t on the football team. Like all teenage boys (and girls, let’s be honest) they are also dying of horniness.

Rickie (Fernandez) predictably covets a cheerleader possessing no redeemable qualities, who is saving herself to be date raped by the captain of the football team some drunken Homecoming night. One afternoon, his friend J.T. (Segan) convinces him to skip class to drink beer in an abandoned insane asylum. Where else?

Once there, they discover an inexplicably re-animated, shapely young dead girl (Spain) Continue reading RECOMMENDED AS WEIRD: DEADGIRL (2008)