Tag Archives: Canadian

CAPSULE: HEADS OF CONTROL: THE GORUL BAHEU BRAIN EXPEDITION (2006)

BewareWeirdest!

DIRECTED BY: Pat Tremblay

FEATURING: Neil Napier, and amateurs who answered a newspaper ad

PLOT: Pharmaceutical molecules visualized as alien beings travel inside the mind of a

Still from Heads of Control (2006)

man afflicted with dissociative identity disorder and collect various “personalities,” who are examined as they perform monologues in front of surreal computer generated backgrounds.

WHY IT WON’T MAKE THE LIST:  It’s not released.  But even if it were released, it’s too uneven to qualify for a list of the 366 Best Weird Movies, although it would definitely have a shot at a list of the weirdest movies ever made regardless of quality.

COMMENTS: Before beginning the description of Heads of Control, I must explain why it earns a “beware” rating.  Normally, I reserve the “beware” badge for movies that are badly done, or even, in some cases, movies that are morally bad.  Heads of Control, however, meets neither of those criteria; although it’s cheap and uneven, it is quite competently mounted and the experimental impulse behind it is admirable.  Here, the rating is given due to the simple fact that this movie is so far out, so much like a performance art piece, that will only appeal to a very small slice of the most dedicated avant-gardists, or to those looking for the ultimate micro-budget drug trip film.  This experiment requires work on the viewers part to watch, and anyone looking for something remotely resembling a normal narrative movie is going to be hugely disappointed.

With that intriguing warning out of the way, just what is Heads of Control?  It begins with the protagonist, Max, being attacked by river zombies; it quickly appears that this is a hallucination, as we see Max in a mental institution being shot up with drugs.  Soon, we are inside Max’s diseased brain, watching a pair of hooded creatures.  The subordinate journeys into the patient’s psychedelically appointed neurons to fetch various two-dimensional rectangles from his tangled neural networks, which the superior creature places into a floating computer monitor.  The pair then watch the results, which consist

Continue reading CAPSULE: HEADS OF CONTROL: THE GORUL BAHEU BRAIN EXPEDITION (2006)

CAPSULE: PONTYPOOL (2008)

DIRECTED BY: Bruce McDonald

FEATURING: , Lisa Houle, Georgina Reilly

PLOT: Zombies who aren’t really zombies wreak havoc upon the peaceful (i.e. dull) Canadian town of Pontypool. We’re taken through the terror through the perspective of a local FM Zoo Crew DJ and his associates as more and more reports come into the station describing unnaturally violent tendencies in a growing minority of residents possibly infected with some kind of virus.

Still from Pontypool (2008)

WHY IT WON’T MAKE THE LIST: Pontypool is merely a zombie movie with a twist. While it’s an admittedly interesting twist, I can’t help but feel that there’s not really a weird sensibility behind this project.  It’s original at times, strikingly original, and the writing is crisper than this little project merited, so it’s definitely a “good ‘un,” but it doesn’t stand out as freaky as much as it does slightly ahead of the curve in the horror genre.

COMMENTS:  Pontypool exists at that strange nether region between genius and camp that had me at “Sunshine Chopper.”  It’s a film that’s joyously in love with itself and the creativity that spawned it.  What’s so special about it? Well, besides the ingenious FM radio motif that anyone who’s ever been stuck in a commute will appreciate, it’s a film about the power of the spoken word.  Here, it’s English.  You see, what’s affecting these violent people is what can best be described as a virus affecting our collective language.  The people infected aren’t trying to kill other people as much as they are wanting to bite the words out of someone else’s mouth.  They’re stricken with a severe communications breakdown, and the mental anguish this inflicts upon said victim causes them to lash out violently.  It’s a really wicked concept, and I’m really quite impressed with the wit and cleverness involved with such an idea.  In the end, it’s really just a zombie movie, and it certainly has its limitations as far as the execution goes.  The soundtrack by Claude Foisy is weak and rather placid, the camerawork is hardly what anyone would call dynamic, and the actors are pretty green with the notable exception of the always-reliable Stephen McHattie.  But it’s definitely worth a shot if you’re a fan of the zombie film; as far as that niche goes, this blows about 65% of its peers out of the water and onto the shore for them to writhe uncontrollably, as is a zombie’s wont.  But as a weird movie, it has a long way to go in the grand scheme of things.

WHAT THE CRITICS SAY:

“The suspense is carefully built up, but the film starts to get a little sticky, even risible, when it appears that the virus driving people mad is carried by words, specifically English ones, so the survivors in the studio start to converse in Franglais. But for the most part it’s compellingly apocalyptic.”–Philip French, The Observer

39. COWARDS BEND THE KNEE, OR, THE BLUE HANDS (2003)

“I only include things that are psychologically true in my stories, no matter how bizarre, stupid, silly or gratuitous the episodes in them may seem… I can only hope that the spectacle of me trying to inflict pain on hard-to-reach places on my own body is amusing to some people.”–Guy Maddin

Must SeeWeirdest!

DIRECTED BY: Guy Maddin

FEATURING: , Melissa Dionisio,

PLOT: Amateur hockey player Guy Maddin falls in love with the proprietor’s daughter when he takes his current girlfriend to a hair salon/brothel for an abortion. The daughter, Meta, will not give herself to a man until her father’s death at the hands of her mother is avenged. To accomplish this, she wants to transplant her dead father’s hands onto Guy, so that it will be her father’s hands that strangle her mother.

Still from Cowards Bend the Knee (2003)

BACKGROUND:

  • Commissioned by the Power Plant Art Gallery of Toronto.
  • On its debut at the International Film Festival in Rotterdam, viewers watched the ten chapters of Cowards Bend the Knee through ten peepholes in a wall. Spectators had to kneel to put the peepholes at eye level.
  • Maddin issued a companion book to Cowards Bend the Knee (now a collector’s item) containing an expanded screenplay of the film and an interview with Maddin where he discusses Coward‘s autobiographical elements and gives his personal interpretations of the film.
  • Autobiographical elements abound in Cowards Bend the Knee. Maddin’s real life Aunt Lil owned a beauty parlor similar to the one that appears in the film. Maddin’s father coached the Winnipeg Maroons, a pre-NHL professional hockey team; the actual Allan Cup championship ring his father won appears in the film.
  • Maddin’s mother, Herdis, a non-actress, played Meta’s grandmother in the film.

INDELIBLE IMAGE: As Veronica lies on the operating table undergoing a clandestine abortion, the blood streaming between her legs forms itself into a Canadian maple leaf.

WHAT MAKES IT WEIRD: Cowards features Maddin’s trademark in-your-face style (a mix of silent film artifacts and glitchy hypermodern editing); crazed, dreamlike narrative (incorporating hockey matches, beauty salons, murder, infidelity, ghosts, and a hand transplant); and a wildly veering, yet somehow coherent tone that moves from melodrama to slapstick to absurdist vintage pornography to Greek tragedy in the space of a few frames. If that’s not enough, there’s the fact that the entire story is observed by a scientist, who witnesses it being played out while looking through a microscope at a dab of semen on a slide. Weird enough for you?

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Clip from Cowards Bend the Knee

COMMENTS: Maddin’s Cowards Bend the Knee is a dream, and like all dreams it is at the Continue reading 39. COWARDS BEND THE KNEE, OR, THE BLUE HANDS (2003)

18. NAKED LUNCH (1991)

“It’s impossible to make a movie out of ‘Naked Lunch.’ A literal translation just wouldn’t work. It would cost $400 million to make and would be banned in every country of the world.” –David Cronenberg

Must SeeWeirdest!

DIRECTED BY: David Cronenberg

FEATURING:  Peter Weller, Judy Davis, Julian Sands

PLOT:  Bill Lee is a writer/exterminator in New York City whose wife begins mainlining the bug powder he uses to kill roaches, and convinces him to try it as well. He becomes addicted to the powder, and one night shoots his wife dead while playing “William Tell.” Lee goes on the lam and lands in Interzone, an exotic free zone reminiscent of Tangier or Casablanca (but which may exist only in his mind), where he begins taking ever more powerful drugs and typing out “reports” partially dictated to him by his living, insectoid typewriter.

Naked Lunch (1991) still

BACKGROUND:

  • William S. Burroughs’s original novel Naked Lunch was selected as one of the 100 best English language novels written after 1923 by Time magazine.
  • The novel was held not to be obscene by the Massachusetts Supreme Court in 1966. This was the final obscenity prosecution of a literary work in the United States; there would be no subsequent censorship of the written word (standing alone).
  • Several directors had considered filming the novel before David Cronenberg got the project. Avant-garde director Anthony Balch wanted to adapt it as a musical (with Burroughs’s blessing), and actually got as far as storyboarding the project and getting a commitment from Mick Jagger (who later backed out) to star. Among others briefly interested in adapting the novel in some form were Terry Southern, John Huston, Frank Zappa, and Terry Gilliam.
  • Because the novel was essentially a plotless series of hallucinatory vignettes (what Burroughs called “routines’), David Cronenberg chose to make the movie a thinly veiled tale about Burroughs’s writing of the novel, incorporating only a few of the actual characters and incidents from the book. Actors in the film portray real-life writers and Burroughs associates Jack Kerouac, Allen Ginsberg, and Paul and Jane Bowles.
  • The episode in the film where Lee accidentally shoots his wife while performing the “William Tell routine” is taken from Burroughs real life: he actually shot his common law wife while performing a similar trick in a Mexican bar. Burroughs felt tremendous guilt through his life for the accident and has said “I would have never become a writer but for Joan’s death.”
  • Naked Lunch won seven awards at the Genie Awards (the Canadian equivalent of the Oscars), including Best Movie and Best Director.
  • Producer Jeremy Thomas has somewhat specialized in bringing weird and unusual fare to the largest possible audience, producing not only Naked Lunch but also Cronenberg’s Crash (1996) and Tideland (2005).
  • Following a definite theme for the year, Judy Davis also played an author’s muse and lover in another surrealistic 1991 movie about a tortured writer, Barton Fink.

INDELIBLE IMAGE:  Clark Nova, Lee’s territorial, talking typewriter, who alternately guides and torments the writer. He’s a beetle who has somehow evolved a QWERTY keyboard as an organ. When he speaks, he lifts his wings to reveal a sphincter through which he dictates his directives.

WHAT MAKES IT WEIRD: It begins with an exterminator who does his rounds wearing a three piece suit and fedora. His philosophy is to “exterminate all rational thought.” His wife steals his insecticide and injects it into her breast to get high, and gets him hooked on the bug power, too. A pair of cops question him on suspicion of possessing dangerous narcotics, and leave him alone in the interrogation room with a huge talking “caseworker” bug who explains that his wife is an agent of Interzone, Incorporated, and is not even human. And this is just the setup, before the film turns really weird.


Original trailer for Naked Lunch

COMMENTS:  Make no mistake: Naked Lunch is clearly David Cronenberg’s movie, not Continue reading 18. NAKED LUNCH (1991)