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DIRECTED BY: Richard Kelly
FEATURING: Dwayne Johnson, Seann William Scott, Sarah Michelle Gellar, Justin Timberlake, Nora Dunn, Wood Harris, Christopher Lambert, John Larroquette, Bai Ling, Jon Lovitz, Mandy Moore, Holmes Osborne, Cheri Oteri, Amy Poehler, Lou Taylor Pucci, Miranda Richardson, Zelda Rubinstein, Will Sasso, Wallace Shawn, Kevin Smith
PLOT: In the near future, a terrorist attack transforms America into a cryptofacist police state. The third anniversary of that attack proves to be a day of great significance, with the launch of a new national surveillance agency, the release of an energy source/mind-altering drug called Fluid Karma, and the debut of an enormous luxury zeppelin improbably named for the wife of Karl Marx. On this day, the fates of multiple citizens collide, including an amnesiac action star who has written a startlingly prescient screenplay, a porn actor overseeing a burgeoning branding empire, a former beauty queen-turned-spymaster, a venal fundamentalist vice-presidential candidate who is being bribed by an assortment of neo-Marxist agitants, an international cadre of cult members whose purported invention of a perpetual motion machine masks an effort to bring about the end of the world, and, maybe most importantly of all, a war veteran and his twin brother searching for each other.
BACKGROUND:
- Kelly envisioned the film as part of an epic multimedia saga. In-film titles identify sections of the movie as chapters 4-6; the first three chapters were released as graphic novels (now out-of-print collectibles).
- The film had a notorious premiere at the 2006 Cannes Film Festival when Kelly submitted the film before it was completed. He finished neither the editing nor the visual effects in time, and the extremely poor reception received by the work-in-progress prompted him to cut more than 20 minutes prior to general release (including virtually all of Janeane Garofalo’s performance as an Army general). The version shown at Cannes has since been released, although Kelly himself describes the film overall as unfinished.
- Several members of the cast are alums of “Saturday Night Live.” Kelly intentionally cast them to play up the screenplay’s satirical elements, and in general wanted to give his actors a chance to play against type.
- Budgeted at $17 million, Southland Tales grossed less than $400,000 at the global box office.
INDELIBLE IMAGE: There’s little agreement as to whether Southland Tales is a good movie or not, but the one thing that seems to be beyond dispute is that is Timberlake’s Venice Beach lip sync to The Killers’ “All These Things That I’ve Done” is the standout scene. Timberlake’s yokel narrator Pilot Abilene spends the bulk of the film drawling overheated speeches that rely heavily on the Book of Revelation, which he delivers in the tone of a pothead conspiracy nut vainly trying to lift the scales from your eyes. But here, as he struts through a rundown arcade in a drug-induced haze wearing a blood-soaked undershirt and cavorting with a kickline of PVC-clad nurses, Pilot Abilene claims the screen for himself, demonstrating more comfort with the film’s absurdities than anyone we’ve seen thus far. It’s the one moment where Kelly’s delivers his commitment to over-the-top imagery with any degree of lightness; instead of the ponderousness of significance that accompanies every other set piece, this dance scene really dances.
TWO WEIRD THINGS: Mirror on delay; rehearsing the performance-art assassination
WHAT MAKES IT WEIRD: Richard Kelly is ambitious to a fault, a spectacularly indulgent filmmaker who never had an idea he didn’t want to film and who makes sure you notice every element of his worldbuilding. Southland Tales is a quintessential Kelly experience, with one layer of Philip K. Dickian paranoid surrealism piled upon another layer of Altmanesque interconnectedness, rinse and repeat. The film has been carefully crafted to confuse, with absurd situations, offscreen backstories, and red herrings combining to keep characters and viewers equally at sea.
Original trailer for Southland Tales (2006)
COMMENTS: What good is a blank check? If cinematic success affords a director the chance to fulfill their dream, what dream should Continue reading 65*: SOUTHLAND TALES (2006)
