Tag Archives: Comedy

CAPSULE: GROWING OUT (2009)

DIRECTED BY: Graham Ratliff

FEATURING: Devon Lott, Ryan Sterling, Michael Hampton

PLOT: An aimless musician gets a job cleaning up an old William Castle-style spooky mansion. In the basement he finds a hand emerging out of the floor, and the longer he works there, the more he watches the mysterious person appear from below…

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WHY IT WON’T MAKE THE LIST: Normally, I’d be hard-pressed to tell you why a man slowly rising out of the sandy floor of a scary old basement isn’t weird, but if we’re going to count down the WEIRDEST movies of all time, this really doesn’t scratch the surface. It’s a guy-meets-girl movie with a few Lynchian twists thrown in, and that’s really not enough to hang with the big boys, now is it?

COMMENTS: Perhaps a penetrating metaphor for the encroaching distance that separates our true selves from our public personas, or perhaps a cheap, quick flick about freaky shenanigans in a creaky old house, Growing Out is a movie that tries to reach out and grab a very particular audience, specifically the indie horror crowd, and it does this with a gusto that is atypical of independent features like this. And, for what it is, it’s indeed enjoyable. It’s quite thrilling to see a young director and cast just go for it—even though the results aren’t all that spectacular, their enthusiasm is in itself kind of spectacular. The film looks good, the actors—in particular, the peripheral characters—are a lot of fun to keep track of, and the scenario is rife with possibilities. The problem it faces as a weird movie, though, is that it places a lot of limiters on itself. It wants to be a relationship movie so badly, with the usual current-jerk-boyfriend-in-the-way-of-the-aspiring-sensitive-boyfriend scenario, that it forgets the oddities it sets up in favor of meet-cutes and lonesome emotional guitar playing scenes. It’s not conducive to what they seemingly wanted to do with this kitschy film full of hipper-than-thou hopefuls. What about the guy growing out of the ground? What about the freaky house? And how about the strange man that lives in a trailer in the back yard? These factors seem unimportant compared to how our troubled troubadour is going to wind up with the girl of his dreams, and while I for one was interested to a point, it left me at the end feeling slightly disappointed and expecting a slightly more charming, slightly smarter, slightly weirder movie that just didn’t come. If you want well-paced and well-shot on a shoestring budget, this is a good bet, but this isn’t what you’re thinking of when you’re thinking of a bizarre film.

WHAT THE CRITICS SAY:

“Overly talky and slow, the film is tedious and unpersuasive. Ratliff fails to integrate the mechanics of supernatural horror with his concern for youthful passions and dreams, and the result is glum indeed.”–Kevin Thomas, Los Angeles Times

ZORG AND ANDY (2009) IS A FILM I JUST SAW AND SUBSEQUENTLY ENJOYED

Still from Zorg & Andy (2009)

If you were at Tromadance a couple weeks back, you probably heard about this little comedy pearl (and, while we’re on the subject, did you see me there? I was the guy in the yellow shirt with the melting, pulsating face). It was a modest success at the festival, and hopefully that appearance leads to a bright future for this film, because I stand before you today a man who, on his first assignment for the amazing 366 Weird Movies, has struck pay-dirt. Zorg and Andy is a low-budget feature with a lot of what makes independent movies so intriguing; the glorious smacking of ambition. I appreciate anything that tries harder than it needs to, and this little movie, made for less than $25,000, truly breaks from its ilk and strives for some really good stuff here. Is it weird? A little. But as long as it’s enjoyable and a tad bit more off-the-beaten-trail than, say, Mr. and Mrs. Smith, isn’t that what counts?

So the movie revolves around the wacky, ZANY antics of our soon-to-be best pal Andy. Andy is a loser who sucks at just about everything, and this is just the way things are for him, and probably will be for the rest of his life. Fortunately, before his loser status gets him kicked out of college, he lands a work-study job at the local museum cleaning artifacts. When he arrives, he meets his overworked handler Jen and she puts him to the task of cleaning a very important artifact rushed to them by the museum director herself. It’s a fertility statue of unknown origin with a strange, let’s call it “protrusion”, sticking out of its forehead. Andy does an almost perfect job of cleaning it and relaxes for a second to congratulate himself, when suddenly a strange and mysterious MILF appears and seduces poor Andy. She asks him for the statue, calling it “Zorg” and saying that she’s been waiting to pick it up. He buys this line, obviously in the throes of her charms, and, in a flash, she leaves with statue in hand. Afterward, he tells Jen all the good work he did with cleaning “Zorg” and giving it to the mysterious lady, and she naturally flips her lid. In a rage, she demands that Andy use what little intelligence he possesses to find the statue and bring it back before the museum director notices what has happened. So it becomes a scramble to find this “Zorg”, unearth why this woman wants it so badly, and do it under the nose of museum staff. Hopefully Andy can show the world that he’s not a total waste of space before it’s too late!

Director Guy Davis gets a thumbs-up from yours truly for making a film of surprising quality with so few resources. Everything about this film belies its cost. The music, mostly composed by a gent named Kevin MacLeod, is very good and exceptionally fitting. It’s flirty, fun, and peppy, marking the bubbly mood of this b-movie comedy. The special effects, almost entirely digital, are passable, using the ol’ standby, day-for-night, like it was about to be outlawed and making the use of some quirky CG for various menaces standing in Andy’s way. The shots are all textbook, and first-time director Davis must be commended for his utilitarian framing and shooting the first-time around, not botching a single scene.

At a light and breezy 62 minutes, Zorg and Andy is the comic equivalent of Binaca; the effects wear off pretty fast and the sensation isn’t as refreshing as you’d like it to be, but it packs a bit of a bite for what its worth. There are some pretty effective gags here for such a budgeted affair. I mean, the statue alone gets me a little bit; it’s so penis-y! Andy himself is played to quite a few laughs, his stupidity spreading thick over the movie like a peanut butter and idiot sandwich.

But one of my favorite gags is one of the things that makes this film on the verge of being weird, and that is the presence of Stuart and The Pig. They’re the two students featured in the picture above, and they’re the gurus of all the goings-on in University news. You might be wondering why The Pig has a papier-mâché pig’s head on. Well, it’s never explained, and he never takes it off; all we know is that he’s a benefactor of Andy and seems to be highly respected around the campus for his rarely-dispensed wisdom. And Stuart is Stuart. ‘Nuff said.

The acting by Andy, played by Scott Ganyo, is fair, verging on good, and I especially enjoyed his confused-but-happy attitude that carries that film on an “aww-garsh” Goofy-like sentiment. Even though he’s a feeb, and a vague jerk, you’ll somehow still like him enough to not want him to die. But not enough for him to get away scot-free, of course. That’s where Jen comes in, played by Kate Rudd. She’s the workaholic boss of Andy who has the distinction of yelling at him for about 3/4 of the film. She’s also passable, but I found her to be a little flat, and I felt like she wasn’t as into it as she could’ve been. I’d definitely give her another chance, but if you end up watching this, you’ll know what I mean when I say, “Eh.”

So run, don’t walk! to the internet to catch this light and fast b-movie surprise. It’s cute, it’s fast, and it’s somewhat odd as far as the plot goes. You won’t find much better for $25,000, and I mean that in the sincerest way possible. I would check this out for Stuart and The Pig alone, though, so I might be insane! You can go to their website at www.zorgandandy.com, where DVDs will be arriving soon, if you’re interested.  [ED: DVDs are now available from Film Baby.] Out of a possible four, all things considered, I give Zorg and Andy 3 stars and a wink/nod from across cyberspace.

Thanks, 366 Weird Movies, for allowing me to get my hands on this. You’re the best, and I hope this will be the first of many more collaborations between you and I!

For more on Eric Young, check out his A Movie A Day review site at http://cinematronica.wordpress.com!

SATURDAY SHORT: HENRI

Another Saturday brings another short film for our readers.

This week was exceptionally difficult, but with some help I selected another short film, “Henri” directed by Will Braden. Henri is a feline who is going to show us a different view on the seemingly carefree life of a house cat. Although this clip is not very weird, it is quite amusing, and certainly worth viewing. Give it a shot. Henri enjoys the attention.

37. TIME BANDITS (1981)

“…Gilliam fearlessly brings the logic of children’s literature to the screen.  Plunging headfirst into history, myth, legend, and fairy tale, Gilliam sends his characters—a boy and six good-natured if rather larcenous little persons (i.e. seven dwarves)—careening through time-twisting interactions with Napoleon, Robin Hood, and Agamemnon (played, respectively, by Ian Holm, John Cleese, and Sean Connery).  The landscape is populated by the giants, ogres, and sinister crones of legend and fairy tale, all in the service of Gilliam’s weird, ecstatic vision.”–Bruce Eder, “Time Bandits” (Criterion Collection essay)

Recommended

DIRECTED BY: Terry Gilliam

FEATURING: Craig Warnock, David Rappaport, , , Michael Palin, Shelley Duvall, Sean Connery, , Katherine Helmond,

PLOT:  11-year old Kevin is largely ignored by his parents, who are more interested in news about the latest microwave ovens than in encouraging their son’s interest in Greek mythology.  One night, a gang of six dwarfs bursts into his bedroom while fleeing a giant floating head, and Kevin is swept up among them and through an inter-dimensional portal in their scramble to escape.  He finds that the diminutive and incompetent gang is tripping through time robbing historical figures using a map showing holes in the space-time continuum of the universe that they stole from the Supreme Being; things get complicated when Evil devises a plan to lure the bandits into the Time of Legends in order to steal the map for himself.

Still from Time Bandits (1981)

BACKGROUND:

  • Time Bandits is the first movie in what is known as Gilliam’s “Trilogy of Imagination” or “Trilogy of Dreams.”  It deals with the imagination in childhood; the second movie, the bleak Brazil (1985), with adulthood; and the third, Baron Munchausen (1989) with old age.  Gilliam did not intend from the beginning to make three films with similar themes; he only noticed the connection between the three films later, after fans and critics pointed it out.
  • Gilliam began the script in an attempt to make something marketable and family-friendly, since he could not find anyone interested in financing his innovative script for Brazil.  The success of the idiosyncratic Time Bandits allowed Gilliam to proceed making imaginative, genre-defying films.
  • The film was co-written by Gilliam with his old Monty Python’s Flying Circus mate Micheal Palin, who is responsible for the snappy dialogue.
  • Ex-Beatle George Harrison helped finance the film, served as executive producer, and is credited with “songs and additional material” for the movie.  Only one Harrison composition is featured, “Dream Away,” which plays over the closing credits.
  • Gilliam shot the entire movie from a low angle to give an impression of a child’s-eye view of the world.
  • Sean Connery was not originally intended to appear in the final scene, but was meant to appear in the final showdown with Evil.  The actor’s schedule did not allow him to appear when the battle was being shot, but Connery suggested that he could play a role in the final scene.  His second, quite memorable, role consists of two shots, filmed in an afternoon.
  • A low budget release, Gilliam’s film cost about $5 million to make but grossed over $42 million.

INDELIBLE IMAGE: The avenging floating head of God appearing out of a cloud of smoke.

WHAT MAKES IT WEIRD:  As an utterly original blend of history, comedy and theology wrapped in Monty Pyhton-eque verbal sparring and presented as a children’s fable, Time Bandits starts with a weird enough design.  As the film continues and the bandits journey from history into myth, the proceedings get more mysterious and existential, until the flick winds up on a shatteringly surreal climax that is bleak enough to supply the most well-adjusted of kiddies with years of nightmares.  As the tagline says, it’s “All the dreams you’ve ever had—and not just the good ones.”


Original theatrical trailer for Time Bandits

COMMENTS: Sandwiched between the Biblical parody of Life of Brian (1979) and the Continue reading 37. TIME BANDITS (1981) →

SATURDAY SHORT: BETTY BOOP IN SNOW-WHITE (1933)

Firstly, I’d like to thank Ayla (of Twisted Celluloid) for the idea of this week’s short, “Betty Boop in Snow-White”.  The change over the past seventy-five years has been a big one, and it is very evident in this cartoon.  In this short you will find some very out of the ordinary dancing and singing (featuring Cab Calloway), a brief mention of alcohol, and no morals to end on. Enjoy!