DIRECTED BY: Graham Ratliff
FEATURING: Devon Lott, Ryan Sterling, Michael Hampton
PLOT: An aimless musician gets a job cleaning up an old William Castle-style spooky mansion. In the basement he finds a hand emerging out of the floor, and the longer he works there, the more he watches the mysterious person appear from below…
WHY IT WON’T MAKE THE LIST: Normally, I’d be hard-pressed to tell you why a man slowly rising out of the sandy floor of a scary old basement isn’t weird, but if we’re going to count down the WEIRDEST movies of all time, this really doesn’t scratch the surface. It’s a guy-meets-girl movie with a few Lynchian twists thrown in, and that’s really not enough to hang with the big boys, now is it?
COMMENTS: Perhaps a penetrating metaphor for the encroaching distance that separates our true selves from our public personas, or perhaps a cheap, quick flick about freaky shenanigans in a creaky old house, Growing Out is a movie that tries to reach out and grab a very particular audience, specifically the indie horror crowd, and it does this with a gusto that is atypical of independent features like this. And, for what it is, it’s indeed enjoyable. It’s quite thrilling to see a young director and cast just go for it—even though the results aren’t all that spectacular, their enthusiasm is in itself kind of spectacular. The film looks good, the actors—in particular, the peripheral characters—are a lot of fun to keep track of, and the scenario is rife with possibilities. The problem it faces as a weird movie, though, is that it places a lot of limiters on itself. It wants to be a relationship movie so badly, with the usual current-jerk-boyfriend-in-the-way-of-the-aspiring-sensitive-boyfriend scenario, that it forgets the oddities it sets up in favor of meet-cutes and lonesome emotional guitar playing scenes. It’s not conducive to what they seemingly wanted to do with this kitschy film full of hipper-than-thou hopefuls. What about the guy growing out of the ground? What about the freaky house? And how about the strange man that lives in a trailer in the back yard? These factors seem unimportant compared to how our troubled troubadour is going to wind up with the girl of his dreams, and while I for one was interested to a point, it left me at the end feeling slightly disappointed and expecting a slightly more charming, slightly smarter, slightly weirder movie that just didn’t come. If you want well-paced and well-shot on a shoestring budget, this is a good bet, but this isn’t what you’re thinking of when you’re thinking of a bizarre film.
WHAT THE CRITICS SAY:
“Overly talky and slow, the film is tedious and unpersuasive. Ratliff fails to integrate the mechanics of supernatural horror with his concern for youthful passions and dreams, and the result is glum indeed.”–Kevin Thomas, Los Angeles Times