POD 366, EP. 138: RETURNING FROM ABROAD TO FIND WEIRD MOVIES STACKED LIKE CORDWOOD

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Discussed in this episode:

Dogtooth (2009): Read the Canonically Weird entry! As we expected, Dogtooth‘s recent 4K restoration and theatrical re-release ends with a 4K UHD set (and standard Blu-ray). Buy Dogtooth.

“Drug-O-Rama Video Party”: Four sex & drugsploitative features from the 1960s. The titles are Help Wanted Female (1968), the mondo-ish Hedonistic Pleasures (1969), Alice in Acidland (1969), and The Hard Road (1970–some sources say 1973). Groovy.  Buy “Drug O-Rama Video Party.”

The Ice Tower (2025): Read Giles Edwards’ review. Lucile Hadzihalilovic‘s fairy tale variant opens this week at IFC Center, and maybe other hoity-toity art-houses across the country. No official site (in English) located.

Perfect Blue (1997): Read the Canonically Weird entry! A “remastered” version of ‘s groundbreaking psychological thriller in the form of anime is now in cinemas across the nation. Perfect Blue listing at Fandango to find a cinema near you.

“Phantasmatapes” (2025): Glitchy remixed versions of the public domain creature features The Revenge of Dr. X and The Brain That Wouldn’t Die, presented as a TV double feature complete with local commercial parodies. From Bleeding Skull, with additional short films. Buy “Phantasmatapes.”

Sgt. Kabukiman NYPD (1990): A detective turns into a superhero based on Japanese stereotypes in this early entry from ‘s extended universe. The movie is notable for originating the Troma car crash, and the 4K UHD + Blu-ray set comes with the usual trove of bonus features (many new). Buy Sgt. Kabukiman NYPD.

She Loved Blossoms More (2025): A Greek indie about two brothers building a time machine to bring back their dead mother that, by all accounts, gets super-weird. In limited theaters and simultaneously debuting on VOD. She Loved Blossoms More official site.

The Toxic Avenger (2023): Read Gregory J. Smalley’s review. If you ever wanted to know what a Troma movie would look like with Hollywood actors like , , and , the extremely gory (but less offensive) remake is now available on-demand (with a Blu-ray dropping later this month). Buy or rent The Toxic Avenger (2023).

V/H/S/Halloween (2025): Another installment of the retro horror anthology series, this time with a Halloween theme. Directors involved include a bunch of relative newcomers, , and the name that brings this project to our attention: (the friendly ghost). It might show up in a theater or two, but mainly you can watch it on Shudder. V/H/S Halloween official Facebook page.

“The Wes Anderson Archive”: Uncle Wes‘ weirdest (Asteroid City) unfortunately isn’t represented in this box set from the . What you get is a hefty 10 4K UHD and 10 Blu-ray set of Anderson’s first ten films: Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Isle of Dogs, and The French Dispatch. (Pro tip: wait for the 50% off sale in November). Buy “The Wes Anderson Archive”.

WHAT’S IN THE PIPELINE:

No guest (definitively) scheduled for next week’s Pod 366, but Greg and Giles should return to discuss the week’s weird news and new releases. Also on YouTube , Pete Trbovich revives his “Ten Weird Things” clip series with Dead Leaves (just in time for Autumn)! In written content, Shane Wilson takes on Chile’s Pinochet-as-a-vampire fantasy El Conde (2023), while Gregory J. Smalley also stays scary with a look at the strange Japanese horror Best Wishes to All (2022). Onward and weirdward!

CAPSULE: THE ICE TOWER (2025)

La tour de glace

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DIRECTED BY: Lucile Hadzihalilovic

FEATURING: Clara Pacini, , August Diehl, Marine Gesbert, Gaspar Noé

PLOT: Jeanne, a fifteen-year-old orphan, leaves her foster home and comes across a film shoot for a dark fairy tale.

Still from The Ice Tower (2025)

COMMENTS: In the realm of the Ice Queen, the snow is vibrant, ethereal—and menacing. Drifts of crystalline flakes reflect muted light as it swirls aimlessly, falling upon and around the Queen, whose dusky gaze is a terrible, beautiful thing to behold. Jeanne beholds this gaze, and is immediately entranced by the fictional queen, as well as the actress who portrays her. Lucile Hadzihalilovic’s new film is as atmospheric as it is contemplative, unfolding Jeanne’s journey toward womanhood with all the portentous flair that cinema can offer.

If one were feeling glib, The Ice Tower could be described as “art- haunted-house”; but perhaps the film is too serious for that. That’s not to say it isn’t permeated by camera magic, on display for the viewer, and for Jeanne, who serendipitously falls into a film studio (almost literally) as the team there attempts to re-bottle lightning caught in a previous adventure featuring the cold, enigmatic Ice Queen. The Queen is played by Cristina, a cold, enigmatic actor interchangeable with her on-screen persona. As troubled as she is beautiful, Cristina relies on her “doctor” to help her through the her quotidian routine of performance, and curb her ambitions for an unreachable perfection. (This perfection, unattained, is the responsibility of the film-within-the-film director, played with graceful frustration by none other than Gaspar Noé.) While Cristina cannot abide flaws, the director lives in the real world—even if he is a magic-maker of cinema—and is quick to recognize that “good enough” is, by definition, good enough.

The Ice Tower is primarily about the bond between Jeanne and Cristina, the former replacing the actress who was cast as the queen’s protégé. By the finish, after all the narrowly framed widescreen shots, scant illumination, and a hauntingly dangerous venture to a remote cliffside, a fissure splits open; Cristina sought a lover, Jeanne sought a mother, and neither ends up contented. The clash between innocence and despondence worms through the gloomy corridors of Hadzihalilovic’s vision, with bright, minute illuminations crowded on all sides by murk. She has conjured a melancholy view from her dark crystal ball—with the sorcery of cinema forcing its light through the umbra.

The Ice Tower is in theaters now. We’ll let you know when it comes to home video.

WHAT THE CRITICS SAY:

“…a twisted retro fairytale that sits somewhere between Frozen and Mulholland Drive… an Old World children’s tale set in a place that’s both eerily real and utterly weird.”–Jordan Mintzer (festival screening)

CAPSULE: WARM WATER UNDER A RED BRIDGE (2001)

Akai hashi no shita no nurui mizu

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DIRECTED BY: 

FEATURING: , Misa Shimizu, Kazuo Kitamura

PLOT: An unemployed salesman intends to steal hidden treasure from a confectionary shop, but complications arise when he falls for the elderly owner’s caretaker, a woman with a unique condition.

COMMENTS: Sasano is already down on his luck when his only friend, Taro, passes away. The architectural firm he worked for has folded, leaving him unemployed, and his wife only calls to insult him while demanding his unemployment check. Taro, known as the “Philosopher,” lived as a hobo in a tent filled with rare books, but he was the only person to treat Sasano with respect and to offer him advice gleaned over the course of a misspent life.

Taro once told Sasano of a buried treasure, secreted in a pot, in a house with a view of a red bridge, in a summer resort town on the Sea of Japan. At an impromptu funerary meal held in his honor, Sasano mentions Taro’s claim to this improbable treasure. His hobo companions laugh it off; Taro told the rest of them about it, too. But after a series of unpromising job interviews, Sasano decides to leave Tokyo for the seaside, in search of Taro’s supposed pot of gold.

Arriving in the off season, Sasano stands out as an unlikely tourist. He locates the red bridge, and the house, which Taro had worried wouldn’t still be standing. Sasano spies a woman leaving the building and tails her to the grocery store. There, he catches her stealing cheese while awkwardly standing in a puddle of water. A dropped earring gives him an excuse to follow her back home. She hesitantly welcomes him in, then their chance meeting rapidly becomes a rather. . . aqueous sexual encounter.

Saeko, as she reluctantly explains, suffers from too much “water,” and when it overflows, she’s driven to commit crimes like petty theft. Thoroughly shocked by the whole thing, Sasano hypocritically reproaches her for stealing, while the relationship provides him convenient opportunities for him to search the house for Taro’s treasure.

As Sasano spends more time in the town and comes to know its quirky residents, the story heads in a predictable direction; but its tale of two unlikely romances is tinged with metaphysical symbolism surrounding the element of water. In one scene, Saeko takes Sasano to meet a nuclear physicist who studies neutrinos. He explains to them how the particles have to be shot through “superpure water” in order for their experiments to work. The town’s pure water also provides the key ingredient to making the perfect sweet cakes, though as Saeko eventually reveals to Sasano, their river was once dangerously polluted with cadmium.

Director Imamura’s enduring interest in the connection between human beings and their environment, as well as his explorations into the influence of crime and nonconformity on Japanese society, surface here again, in his final film. The flights of philosophical fancy lead into brief moments of CGI-animated imagery, but most of the scenes remain rooted more or less firmly in reality. Ultimately, Warm Water makes for a slightly kinky but heart-warming tale of how to find purpose, meaning, and happiness in life, along with sex without shame.

WHAT THE CRITICS SAY:

“…combines fish out of water stories with a weird metaphor for female sexuality in this sweetly quirky film which never quite gels.”–Laura Clifford, Reeling Reviews

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