Category Archives: List Candidates

RECOMMENDED AS WEIRD: THE IMAGINARIUM OF DOCTOR PARNASSUS (2009)

DIRECTED BY: Terry Gilliam

FEATURING: Heath Ledger, Christopher Plummer, Lily Cole, Tom Waits, Colin Farrell, Johnny Depp,

PLOT: A 1000 year-old mystic enlists the help of a seedy amnesiac to save his daughter, whose life he exchanged for eternal youth, from the clutches of the Devil.


WHY IT SHOULD MAKE THE LIST: The Imaginarium of Doctor Parnassus is a return to extreme fantasy for Terry Gilliam, who hasn’t delved so deep into the realm of untethered imagination since The Adventures of Baron Muchausen. It is a madcap vaudevillian escapade that is anything but ordinary, a rekindling of the fires of whimsy in modern cinema that has not been lit in some time. Gilliam conjures a tale that comes from the divine and the pedestrian, fills it with colorful, albeit thin, characters, and lets the magic happen as the elements coalesce into a Victorian sideshow of epic proportions.

COMMENTS: Set over a thousand years of the titular character’s life (although it’s mostly set in modern day England), The Imaginarium of Doctor Parnassus is a fantastical meditation on choices: good ones, bad ones, the weight-laden overabundance of decisions we all face at some point, and the demeaning lack of options we also experience. From literal metaphors involving people choosing their destinies in a realm of imagination to the figurative posturings of the opposition between that which is right and that which is merely easy, director Terry Gilliam muses in this film on the ages-old dilemma of free will and how these characters will go about using it.

But forget about that!  What everyone wants to know is how well they shoe-horned in all of Heath Ledger’s stand-ins during post-production! As you’re well aware, I’m sure, this is the final performance of the late, great Heath Ledger. Mr. Ledger died during the production of this feature, leaving his role, that of the amnesiac Tony, woefully incomplete. Gilliam, being ever the professional, and no stranger to ill circumstances Continue reading RECOMMENDED AS WEIRD: THE IMAGINARIUM OF DOCTOR PARNASSUS (2009)

LIST CANDIDATE: EDEN LOG (2007)

DIRECTED BY:  Franck Vestiel

FEATURING:  Clovis Comillca, , Zohar Wexleser

PLOT: A man named Tolbiac (Cornillac) awakens with amnesia alongside rotting corpses in a high-tech underground wasteland. He must find his way out of a massive labyrinth deep within the earth. To do so he has to collect and assimilate data and unravel clues to the bizarre circumstances in which he finds himself.

Still from Eden Log

WHY IT SHOULD MAKE THE LIST: Shot entirely indoors in an underground setting, this unusual science fiction film blurs the line between supposed reality and apparent fantasy. Told visually, with minimal dialogue, the bizarre circumstances and setting disorient the viewer. One must see through the protagonist’s eyes to decipher his otherworldly experience. The fact that he has no memory and his world seems just as alien to him as it does to us heightens the challenge.

COMMENTS: Eden Log is told mainly with pictures. It is set in the near future. There is refreshingly little exposition. There are no long and grandiose on-screen paragraphs or narration at the inception telling about a land far, far away in a time long ago. As a result, the story is a bit murky.

The viewer must piece the action together from the protagonist’s experiences, which unfold from his point of view. The meaning of some events is not clearly delineated, and the beholder must learn how to interpret them. One must suspend disbelief to accept certain aspects of the plot, and one is never sure until the end how to understand some of Tolbiac’s impressions and experiences. It is, at first, hard to tell what is real and what is fantasy.

Tolbiac starts out at the bottom of a ruined, high-tech subterranean maze in pool of Continue reading LIST CANDIDATE: EDEN LOG (2007)

BORDERLINE WEIRD: THE LIMITS OF CONTROL (2009)

DIRECTED BY:

FEATURING: Isaach De Bankolé, Paz de la Huerta, ,

PLOT: An enigmatic hitman is sent on an obscure mission to kill an unknown man for unexplained reasons; the movie follows him as he meets with a long string of contacts of unclear significance, each of whom gives him a matchbook with further instructions and offers him a piece of dime store philosophy.

WHY IT’S ON THE BORDERLINE: Set in an unreal moviescape of secret rendezvous and mystifying portents, The Limits of Control has definite shadings of weird. It’s a bold experiment in pure cinema, and like most bold experiments, it’s partly successful and partly frustrating. Stripping the plot down beneath its bare essentials, to the merest skeleton, Jarmusch proves that you can get pretty far on cinematic tone and technique alone. He also proves that you can’t quite get all the way to a good movie solely through cinematics.

Still from The Limits of Control (2009)

COMMENTS:  Dawn’s light breaks across the open eyes of a lone man lying in a hotel room bed. He gets up, puts on a natty suit, and does tai chi exercises, measuring each move slowly and precisely. He goes to a cafe, sits alone, and orders two espressos in two cups; he sends the order back when the waiter brings a double espresso in a single cup. Night falls. He returns to his hotel room, lies down on his hotel room bed, eyes wide open. Time presumably passes. Dawn’s light breaks across his unblinking face. A new day has begun.

It’s a typical twenty-four hours in the life of the character known only as the Lone Man, a secret agent who spends most of his days walking around, looking at the Spanish scenery or visiting the modern art gallery, sitting alone quietly in a cafe sipping espresso, and staring off into space blankly. He’s a quiet man, one who makes Clint Eastwood’s Man With No Name look like a chatterbox. He won’t say one word if zero words will get his point across. Occasionally, another spy will meet him at a cafe and they will exchange Continue reading BORDERLINE WEIRD: THE LIMITS OF CONTROL (2009)

BORDERLINE WEIRD: DARK COUNTRY (2009)

DIRECTED BY: Thomas Jane

FEATURING: Thomas Jane, Ron Perlman, Laurie German

PLOT: Two newlyweds returning from their Vegas wedding hit a man in the middle of the road; he lives, but the couple finds he is not all that he seems.

Still from Dark Country (2009)

WHY IT’S ON THE BORDERLINE: Dark Country is a bit obtuse at times, and it frustratingly delights fans of the obscure by not explaining its motives or workings very often, but I hesitate recommending mainly because it relies a little too heavily on genre standbys and noir reverence instead of blazing new fantastic territory. It is a 50s thriller/noir mixed with a modern horror, but it doesn’t create its own identity between the two stylings. There are moments of heavy cinematic distortion and interesting ideas that run through the story like a highway across the hungry desert, but it can’t quite escape some level of mediocrity as it bends prostrate for that which has already been done.

COMMENTS: Dark Country represents a promising debut effort from a director who is willing to try new things. What’s really impressive from the start is the writing. It is intense and full of good, genuine human touches that help the movie flow from scene to scene. From the first scene to the end, I felt rapt with attention to these immersive characters and their odd relationship, especially after the drive out of Las Vegas.

It is a journey through dark and unforgiving territory, perhaps a metaphor for the new marriage between main characters Gina and Dick, newlyweds who don’t really know what they’re in for. The young couple just made it official in Vegas, and are ready to go home, but even before their fateful accident, things aren’t what they seem between them. There is tension, there are incidents between the two that are hinted at, and they have secrets from each other right off the bat. After their encounter in the desert with the strange man they hit, things only get worse between them. From an artistic standpoint, Dark Country can be commended as a smart thriller with some brains to back up its craziness.

Visually, it’s a feast for the eyes, and it’s tonally interesting. Thomas Jane wants a very engrossing visual experience, but he is also on a budget here, so we are caught in a limbo of many special effects, none of which really hit the mark in a spectacular way. The CG is on the cheap side (it looks like a violent episode of “Reboot” when they wreck the car near the end!) The green screen is not very successful in melding the real and fake, but the color effects are interesting, not to mention plentiful, and we are treated to some good old fashioned camera trickery with slick editing and nifty shots.

But while it’s a solid debut for Jane, and an offbeat one at that, we’re still not treading across any bold new frontiers with Dark Country. This is a movie I have seen before, in bits and pieces: intense psychological implications, a noir aesthetic, and the lush, frightening mysteries of the deep desert. It’s not anything breathtaking or unflinching. It’s a good and often disturbing take on some classic thriller ideas, and it has a twist in the story that will have you on your toes, but I wouldn’t consider this to be one of the weirdest movies I’d ever seen. With a good cast, a taut script, some interesting effects, and a more intelligent angle than your average thriller, Dark Country has a lot going for it. Just don’t expect it to be too weird, because you might be disappointed.

WHAT THE CRITICS SAY:

“The developments in Tab Murphy’s script are never quite as shocking to us as they are to Dick and Gina, and the story eventually builds the feeling of marking time on the way to its TWILIGHT ZONE-esque resolution… Jane’s visual sense assures that the film is always a spooky pleasure to watch, though…”–Micgael Gingold, Fangoria (contemporaneous)

BORDERLINE WEIRD: THE BOX (2009)

The Box divided critics—even our in-house critics.  Eric Young defends the movie, but read to the end for Gregory J. Smalley‘s opposing opinion.

DIRECTED BY: Richard Kelly

FEATURINGCameron Diaz, , James Marsden

PLOT: A man comes unsolicited one morning to the doorstep of a financially troubled family with a proposition: if they press a button he gives them within 24 hours, they will receive $1 million, and someone in the world, whom they don’t know, will die.

Still from The Box (2009)

WHY IT SHOULD MAKE THE LIST: Kelly’s surreal odyssey through Virginia in the mid 70s is hauntingly strange. One would not think it to be remarkably anything from the marketing, the extremely negative reviews put out by, um, pretty much everyone, and a tame, seemingly safe cast. But this is Richard Kelly, so nothing is really as it seems. The Box needs to be considered for the List because Kelly tells a morality story involving aliens, God, and Jean-Paul Sartre in ways that are as flippant and off-handedly odd as , as unflinching as Lynch, and as psychologically insightful as Cronenberg.  And while Kelly is not as good a filmmaker as those three, he has grown undeniably in his talents since Donnie Darko, and this time his story is just as weird.

COMMENTSThe Box is a little more complex than you’re led to believe by the trailers. I was honestly underwhelmed when I first heard about the idea, but after hearing more about it, it started growing on me. I wanted to know what the deal was with this button, and what I got was beyond my wildest imaginings. It’s unusually dense for a Richard Kelly movie, filled with haunting music, esoteric imagery, and references to existential philosophy. In a way, The Box is Kelly’s most obscure work yet, even more obscure than his previous film, the dumb, loud Southland Tales. Although Kelly’s touted it as his commercial movie, I have the feeling that he might never have actually seen a commercial movie, because what he came up with is quite weird, and more than a little off-putting for the average moviegoer.

Kelly’s imagination makes the film something special.  He takes a simple, bare-bones concept from a Richard Matheson short story and adds a third, and perhaps even a fourth, Continue reading BORDERLINE WEIRD: THE BOX (2009)

BORDERLINE WEIRD: A SERIOUS MAN (2009)

NOTE: A Serious Man has been promoted from the “Borderline” category onto the List of the Weirdest movies of all time! This page is left up for archival purposes. Please view the full review for comments and expanded coverage!

fourandahalfstar

DIRECTED BY: Ethan Coen, Joel Coen

FEATURING: Michael Stubargh, Richard Kind, Fred Melamed, Fyvush Finkel

PLOT: A putzy Jewish physics professor suffers from an escalating series of problems

Still from A Serious Man (2009)

including a failing marriage, bratty kids, students willing to do anything for a passing grade, financial troubles, and a ne’er-do-well, mildly insane brother.

WHY IT’S ON THE BORDERLINE:  While the early leader for Weirdest Movie of 2009, A Serious Man won’t be eligible to be officially added to the List of the 366 Best Weird Movies of All Time until it receives its DVD release and the film can be pored over meticulously by our team of critics.  Okay, to be honest, the home video release requirement is a way to buy time, while I let the Coens’ latest ferment in the back cellar of my consciousness.  The conundrum is that, superficially, this movie is not that weird; there are a few dream sequences and nonsense parables, but unlike the Coens definitely weird Barton Fink, this story of a suburban Jewish man beset by an improbably mounting set of real life woes contains no surrealistic fireworks (although there is a conspicuous surrealistic pillow).  On the other hand, this movie has a skeletal undercurrent of  ambiguity and disturbance running through it like a bone cancer; it feels weird at its core.  Also, the way it’s currently unsettling and outraging square moviegoers points to a powerfully different movie.

COMMENTSA Serious Man is a retelling of that most fascinating parable in the Old Testament, the Book of Job, as a postmodern absurdist comedy.  The ancient Job was a good and prosperous man; God allowed Satan to test his faith by wiping out his flocks, killing his children, and smiting him with boils.  The beleaguered Job, bothered by visits from three unhelpful friends who try to console him with off-base theological speculations, eventually despairs, but never doubts God’s existence or goodness.  His only plea is to understand his misfortune, to be able to ask God directly, “Why me?”  God, appearing in a whirlwind, bitchslaps Job for his audacity: “who are you to question me, the Author of the Universe?  It’s your job to obey and suffer in silence.”  (I’m paraphrasing here).  After this reproof, God restores Job’s riches and lets him have new Continue reading BORDERLINE WEIRD: A SERIOUS MAN (2009)

LIST CANDIDATE: GOD TOLD ME TO (1976)

AKA Demon; God Told Me to Kill

DIRECTED BY: Larry Cohen

FEATURING: Tony Lo Bianco, Richard Lynch, Andy Kaufman, Deborah Raffin, Sandy Dennis, Sylvia Sidney, Sam Levene, Mike Kellin

PLOT: A rash of murders are committed by people who all give “God told me to do it” as their only motive. A New York City police detective must find out why.

Still from God Told Me To (1975)
WHY IT SHOULD MAKE THE LIST: A conventionally produced movie, God Told Me To has a bizarre story featuring some very strange characters, including an extraterrestrial man with a face that nobody can see clearly and a vagina in his ribcage.

COMMENTS: In this complex occult/sci-fi thriller, Tony Lo Bianco (The French Connection, The 7-Ups) plays police Lieutenant Nicholas, who unravels a mysterious spree of killings committed by fellow New Yorkers from all walks of life. Each claim that God compelled them to commit the crimes  Many kill themselves or die after immediately after making the the revelation, complicating Nicholas’ job.

The film opens with a sniper perched on a rooftop water tower. After he shoots random people in the street,  Nicholas climbs up to talk to him and the man jumps to his death.  Nicholas is contacted by a representative of a sinister cult who seems to understand what is behind the crimes. While the cop tries to track down the cult members, the investigation takes him on a twisted journey into the past, including, to his surprise, his own past as he strives to solve this dark and obfuscated mystery. Nothing is as it appears to be. As he soon discovers, Lt. Nicholas is also not who or what he seems to be either.

While he attempts to unravel the puzzle behind the killings, Nicholas investigates his own birth as well as other strange phenomenon from bygone years. The answer to the riddle is morbidly fascinating. God Told Me To is one of those unique, non-formulaic 1970’s films that just aren’t made anymore.

The enigmatic Richard Lynch (Bad Dreams) has one of his most interesting and bizarre roles ever in this exciting and odd film. The piece features an early, rare cinematic appearance by Andy Kaufman in a non comedic role.

WHAT THE CRITICS SAY:

“This cult-fave Larry Cohen epic, features his trademark NYC locations, vividly drawn characters, realistically handled situations and dialogue, and one hell of a weird premise.”—VideoHound’s Complete Guide to Cult Flicks and Trash Pics