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Visions of Suffering is available to watch on video-on-demand in either it’s original 2006 version or the 2016 “Final Director’s Cut.”
DIRECTED BY: Andrey Iskanov
FEATURING: Alexander Shevchenko, Anastasia Asafova, Andrey Iskanov
PLOT: A necrophilia-obsessed man is haunted by demons.
COMMENTS: Ominously titled, as if to warn potential viewers, Andrey Iskanov’s Visions of Suffering is available both in an original 2006 cut and in a shorter 2016 “Final Director’s Cut.” Given the option of watching both, it seems obvious that 90 minutes of Suffering is preferable to 120 minutes of Suffering. Without having seen the original, I feel confident in saying Iskanov made the right decision to cut out 30 minutes of Suffering.
While the movie is extremely abstract and opaque in its details and methodology, playing like a feature length music video for an industrial noise/death metal crossover band, the basics of the thin plot are not especially difficult to comprehend. Sasha, our bespectacled protagonist, wanders through a misty yellow forest until he encounters a guy wearing a burlap sack on his head (the synopsis explains that this is a shaman and that Sasha interrupts an occult ceremony, perhaps thus bringing a curse on his head). Of course, it was all a dream, and Sasha wakes up and immediately screens a necrophilia porno flick before discovering that his phone is on the fritz. He leafs through books on Jack the Ripper and an anthology of murder scene photos while waiting for the repairman to arrive. While the repairman fixes the phone, they talk about dreams, and the guest casually drops some vampire lore. Phone fixed, Sasha calls his girlfriend (?) Vika, who’s busy shooting lesbian cutter porn. After hanging up, Sasha sees some vampires loitering about outside, and one of them stabs him in the earlobe through the keyhole. Then Sasha has some visions of suffering, and Vika’s car is possessed as she drives to his apartment while wearing iron cross sunglasses. Sasha has some more visions of suffering and calls an exorcist type (played by the director), who explains that Sasha has likely riled up some demons through his desecration of the dead. The director offers to fix the problem for 7000 euros, but that’s too steep for Sasha. So he has some more visions of suffering until the demon Golgatha shows up in his apartment with a sword and starts hacking up the furniture. Then he wakes up, and everything’s OK.
It’s a familiar old story, but Iskanov films it with some genuine style, if not taste or discipline. Much of the film is shot through hazy green/yellow filters that turn cheap costumes and effects that would probably look ridiculous in the full light of day into creepy nightmare fuel. (At times it’s like a less-effective Begotten, without the mythological resonances.) The sound mix is thick, dripping with ooze, spooky noises, and shrieks and moans off one of those atmospheric Halloween sound effect compilations. There is a lot of shock imagery: mutilation, autopsies, explicit sex, implied necrophilia. There are also a lot of superimposed image, especially in the fast-cut opening credits sequence that shows off Iskanov’s gift for montage. But all of this artistry is in service of a juvenile morbidity that seems to arise from listening to too many Marilyn Manson albums under the influence of too much hashish.
Suffering earns the rare and, in some quarters, coveted “Beware” + “Weirdest!” tags. That’s not a recommendation for most folks. The Beware is for content—explicit sex, grotesque real autopsy footage, and some sick stuff that made even me cringe—but even excepting those, the film will prove a bit of a slog for most viewers because of its nonlinearity, tonal monotony, and humorlessness. Still, although it might have worked better chopped up into a series of easily digestible shorts, thanks to some memorably spooky imagery and resourcefulness in disguising his budgetary limitations Iskanov’s movie is not as much of a trial as it sounds like on paper. Fans of experimental extreme horror will eat it up. But please, don’t force me to watch the 2-hour version.
WHAT THE CRITICS SAY:
(This movie was nominated for review by “Josh.” Suggest a weird movie of your own here.)
