All posts by Gregory J. Smalley (366weirdmovies)

Gregory J. Smalley founded 366 Weird Movies in 2008 and has served as editor-in-chief since that time. He is a member of the Online Film Critics Society, and his film writing has appeared online in Pop Matters and The Spool.

POD 366, EP. 49: EVERYTHING IS TERRIBLE! (EXCEPT THIS INTERVIEW)

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Audio only link (Soundcloud download)

Quick links/Discussed in this episode:

Everything Is Terrible! – keep up with the latest Terrible! stuff at the EiT! official website (and YouTube channel)

Deep Astronomy and the Romantic Sciences (2023): Discussion begins. Listen to our interview with director Cory McAbee. An absurdist collage film from and his collaborative Captain Ahab’s Motorcycle Club, it plays like a series of music videos, TED talks, PSAs and other stuff as a cyborg at a bar tries to figure out humanity. Playing for free at McAbee’s site. Watch Deep Astronomy and the Romantic Sciences free at Red Planet Planning Commission.

“Enter the Video Store: Empire of Screams”: Discussion begins. A set of video-store B-movies from Empire International Pictures, including The Dungeonmaster (1984), ‘s Dolls (1986), Cellar Dweller (1987), Arena (1989), and Robot Jox (1989, again from Gordon). Previously released in a “limited edition,” while this release is merely a “special edition” (the discs themselves appear the same, but this release comes without posters, postcards, and other promotional items). Buy “Enter the Video Store: Empire of Screams.”

The Eternal Recurrence (2024?): “Jim” recounts his dreams, which include aliens, monsters, bad parents, and a visit from Friedrich Nietzsche, all realized by A.I. From (Elevator Movie), this is already completed and to be released sometime in 2024 (probably) . No official site.

Godard Cinema (2023): Discussion begins. A documentary retrospective of ‘s career. Playing in New York, Los Angeles and Montreal this week; in some venues it screens together with Godard’s unfinished final movie, “Trailer of a Film That Will Never Exist: Phony Wars.” We wouldn’t expect too long a wait before it shows up on VOD and physical media. Godard Cinema official site.

Oldboy (2003): Discussion begins. Read Gregory J. Smalley’s review. Oldboy has never been hard to see, but now we have the “Deluxe Ultra 4K Limited Edition” on UHD with an advertised 18 hours of special features (although to be fair, 6 of those hours are director commentaries). At this writing, this set is sold out. Hopefully, more units will be coming before you have to pay jacked-up prices on the secondary market—or just wait for a standard edition in a few months. Buy Oldboy.

Suspect Zero (2004): Discussion begins. A psychological thriller from about a psychic FBI agent turned serial killer (of serial killers). This one fell through the cracks, but likely has interesting elements. Buy Suspect Zero.

The Terror (1936)/Little Shop of Horrors (1960): Discussion begins. Read Alfred Eaker’s review of The Terror and Gregory J. Smalley’s review of Little Shop of Horrors. The Terror is now restored! (but why?); both films on the double feature disk get commentary tracks.  Buy The Terror (1936)/Little Shop of Horrors (1960).

WHAT’S IN THE PIPELINE:

Pod 366 will be taking a week off for the holidays next week, but we will still have a light “Weird Horizon” for you on Friday. In written reviews, Shane Wilson buries another one that Came from the Reader-Suggested Queue with his take on the 1965 funeral parlor satire The Loved One; Giles Edwards covers the new Werner Herzog doc Werner Herzog: Radical Dreamer (2023), and El Rob Hubbard prepares you for The Sudbury Devil (releases 12/21/2023). Gregory J. Smalley is considering taking the week off, but may pop in to catch up. Onward and weirdward!

CAPSULE: DREAM SCENARIO (2023)

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Recommended

DIRECTED BY: Kristoffer Borgli

FEATURING: , , Dylan Gelula, , Tim Meadows

PLOT: A mild-mannered evolutionary biology professor becomes a celebrity after appearing in the dreams of random strangers across the world.

Still from dream scenario (2023)

COMMENTS: Dream Scenario begins mid dream, as balding professor Paul Matthews, raking poolside, calmly watches his younger daughter float into the sky. This scenario is quickly revealed to be a dream: this is not a movie that plays with ambiguity between dreams and waking. Rather, it’s a magical realist fame fable about what it would be like to be a nice-enough 21st century nobody who mysteriously begins appearing in people’s dreams.

While I personally could watch 90 minutes of Nic Cage making cameo appearances in other people’s nocturnal hallucinations, Dream Scenario only enacts a smattering of the dreams themselves. One dreamer perches on a desk while a pair of crocodiles menace her and Cage watches dispassionately; another wanders through a forest with strange mushrooms growing from the trees, wearing a tux and pursued by a nightmare figure, while a distracted Paul munches on a shroom.Paul is distressed that he never takes an active part in anyone’s dream, but seems to enjoy the media attention—at first.

It’s all light comedy up until a midpoint pivot. Paul finds someone in whose dream he takes a more active part. And soon after, his mood sours, for reasons both related and unrelated to his newfound celebrity. Soon, dream-Paul starts misbehaving in dreams, in ways that turn him into a public pariah. Even if they know intellectually that Paul isn’t responsible for how he behaves inside their subconsciouses, people can’t help but be angry: his students stop attending his lectures, he’s asked to leave restaurants because he makes people uncomfortable. Of course, Paul has done nothing wrong, but every real-life mistake he makes now gets magnified and taken out of context, until he’s completely pilloried in the public mind and essentially exiled from society.

Paul’s severe change of fortune necessitates a corresponding change of tone, one that’s not quite for the better. Dream Scenario‘s second half amps up the “cancel culture” satire and critique of mob-think. It’s an obvious target that Borgli’s script handles competently, and with a few chuckles. But while it’s always fun to watch a villain, or even a charming antihero, get their comeuppance, it’s a harder ask to make us enjoy a Job scenario where we watch an innocent, generally likable character get raked over the coals repeatedly.

Dream Scenario explores the gulf between reality and public perception, a problem exponentially magnified in the TikTok era. It also posits fame as something inherently undesirable, or at least inherently dangerous, through a recurring analogy about zebra stripes: being the one who sticks out from the herd makes you into a target for predators. These are not (or at least, should not be) profound insights, which is perhaps why, by the end, the movie takes on the tone of a sad parable rather than a stern lecture. Fortunately, Cage’s balanced and committed performance buoys everything. He’s amusing in the first act, cringe-worthy in the second, and an unwilling (and unrecognized) martyr in the third. A few of the wackier dreams give him a brief chance to show off his crazy side. He’s perfect for the role. Nicolas Cage is a man who has achieved the same kind of meme-heavy, eccentric celebrity as Paul Matthews; someone who is widely known, and has been both worshiped and ridiculed, for his persona rather than his actual personality. Cage puts his soul into this one, making for a pleasant Dream.

WHAT THE CRITICS SAY:

“The world has finally gotten weird enough that Nicolas Cage now makes total sense… It’s as if his movies are saying, ‘Yes, it’s bad. It’s as bad as you think. But there’s an aspect to this that’s actually funny.’ That notion that everything is both horrible and amusing all but sums up the story of ‘Dream Scenario.'”–Mick LaSalle, The San Francisco Examiner (contemporaneous)

Dream Scenario
  • Hapless family man Paul Matthews (Nicolas Cage) finds his life turned upside down when millions of strangers suddenly start seeing him in their dreams. But when his nighttime appearances take a nightmarish turn, Paul is forced to navigate his newfound stardom, in this wickedly entertaining comedy from writer-director Kristoffer Borgli (Sick of Myself) and producer Ari Aster.