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DIRECTED BY: John Coney
FEATURING: Sun Ra, Ray Johnson
PLOT: Sun Ra returns to earth from his cosmic explorations with plans to relocate black folk to a new planet. Arriving in his spaceship in Oakland, Ra visits a youth community center and opens an outer space employment agency to spread his message.; NASA agents kidnap him, hoping to learn his technological secrets. Meanwhile, in a desert dimension, Ra and the pimp-like Overseer play a card game for the future of the black race.
BACKGROUND:
- Sun Ra was born Herman Poole Blount. He dropped out of college after he had a vision in which he was transported to the planet Saturn (or so he claimed). Never signed to a big record label, Ra toured and recorded prolifically, especially throughout his 1950s and 1960s heyday, releasing albums himself. His music was highly avant-garde, incorporating free jazz, synthesizers, chanting, oddball poetry incorporating mythological and space-faring themes, Egyptian costuming, and lavish stage productions.
- The producer originally envisioned the film as a documentary, but input from many sources (including Ra himself) eventually led to this narrative movie.
- Filmed in 1972 at the same time and on some of the same sets (and with one of the same actors) as the pornographic film Behind the Green Door. Space Is the Place was briefly released theatrically in 1974. It then disappeared until an edited version surfaced on VHS in the early 1990s.
- Sun Ra improvised all of his dialogue, as did the kids interviewed at the community center.
- Confusingly, Sun Ra’s classic 1972 album “Space is the Place” is not the soundtrack to this film, despite the fact that Ra wears a costume from the production on the cover. The actual soundtrack album was recorded contemporaneously but not released until 1993. The two albums share only the title track in common, in a radically different performance.
- In 2003, scenes were restored which were missing from the VHS release. These scenes, featuring nudity, violence, or other debauchery inserted by co-screenwriter Joshua Smith, had been removed by Sun Ra himself; therefore, the 64-minute VHS cut is sometimes known as the “Sun Ra cut.”
INDELIBLE IMAGE: Su Ra’s Egyptian costume, especially his crown combining a King Tut-styled headdress topped by an enormous solar crystal flanked by golden antlers. (It resembles the crown worn by Isis.) Ra’s fashion choices earn him some genuine stares from pedestrians as he drives through Oakland streets in a convertible, flanked by a golden-headed lion and a falcon. This majestic Pharonic helmet was so striking it made both the cover of both the movie poster and the identically titled jazz album.
TWO WEIRD THINGS: Tarot blackjack for black souls; “Dixie” torture
WHAT MAKES IT WEIRD: An improvised mashup of surrealism, blaxploitation tropes, bizarro cosmic jazz, and messianic intergalactic Egyptology, Space Is the Place is an outsider artifact that could only have come from one man: the great Sun Ra.
DVD release trailer for Space is the Place
COMMENTS: Men are from Mars, women are from Venus, and Sun Continue reading 45*. SPACE IS THE PLACE (1974)
A frequent (and sometimes justifiable) criticism in films this textured is that the style becomes so all-important the end result is a viewer deprived of a heart to identify with. In short, often, a human element is missing. Morrison has referred to this film itself as “the Creature,” and given the agonized condition of footage chosen, Morrison’s creature may be the most pathos-laden performance of the character since 
In 1974 Sun Ra made his only film, Space is the Place, directed by John Coney, who also never made another movie. It is an odd artifact, a hybrid of science fiction, blaxploitation and (too little) avant-garde jazz.