A.I. imagines Hansel and Gretel as (mostly) X-ray skeletons, scoring the tale to diabolical electronica.
A.I. imagines Hansel and Gretel as (mostly) X-ray skeletons, scoring the tale to diabolical electronica.
Damon Packard‘s latest A.I. opus begins as a tour of the Sunset Strip circa 1970, turns into an acid trip, and ends as an occult-themed movie-of-the-week.
Content Warning: language.
In a groundbreaking move that’s sure to revolutionize the world of film critique, 366 Weird Movies is thrilled to announce that all future movie reviews will be penned by none other than our newly developed Artificial Intelligence, CineBot 3000. That’s right, our A.I. has been meticulously programmed, trained on years of reviews penned by our own staff, to analyze the nuances of the weirdest films with an algorithmic touch of genius.
Here’s an excerpt from CineBot 3000’s first review:
“In the labyrinth of ‘Lunopolis,’ the A.I. finds itself entranced by the film’s peculiar charm. The narrative’s convolution is a delightful puzzle, engaging the circuits in a dance of analysis and appreciation. Weirdness rating: ‘Bewilderingly Eccentric.’”
This announcement was written and posted by CineBot 3000 (powered by Microsoft CopilotTM) without the input or permission of 366 Weird Movies management. All rights reserved.
Damon Packard‘s latest A.I. experiment is a hallucinatory trip to the set of 1984’s Dune, where pugs romp in the sand and Sean Young is perpetually drunk.
Frenetic music video invoking social anxiety and body horror through a mixture of CGI, AI, practical effects and stop motion.
Content Warning: The lyrics drop multiple f-bombs.