“We are conscious of an animal in us, which awakens in proportion as our higher nature slumbers. It is reptile and sensual, and perhaps cannot be wholly expelled; like the worms which, even in life and health, occupy our bodies.”–Henry David Thoreau, Walden
“We already know that weird things happen. So let’s just watch something happen, and let that be it. If a worm goes into Kris and then leaves her and then goes into a pig, and we see that there’s a connection and I execute it with music and cinematography and Amy’s performance, in such a way that conveys that transference of some deeply felt kind is taking place, that’s it.”–Shane Carruth on Upstream Color
DIRECTED BY: Shane Carruth
FEATURING: Amy Seimetz, Shane Carruth, Andrew Sensenig, Thiago Martins
PLOT: Kris is poisoned by the Thief, who forces her to ingest a worm that sends her into a hypnotic trance, then empties her bank account. Waking up days later, and unable to cut the worm out from under her skin, she is drawn to a man (the Sampler) who surgically removes the organism and places it inside a pig. Suffering from hallucinations and delusions, Kirs then attempts to rebuild her shattered life with the assistance of Jeff, a financial analyst and recovering junkie.
- After scoring an independent hit in 2004 with the time travel puzzler Primer, made for a mere $7,000, director Shane Carruth went silent for nine years. In that time he worked on developing a script entitled A Topiary that never went into production (he referred to that project as “the thing I basically wasted my whole life on”). Carruth tried to get Hollywood backing for the project, but couldn’t get anywhere because he demanded to have final cut and final say on every aspect of the film’s production—conditions that no Hollywood producer would ever agree to.
- After finally abandoning A Topiary after seven years of attempted development, Carruth conceived and shot Upstream Color in about a year, announcing the project in October 2011 and debuting it at the Sundance Film Festival in January 2103.
- Besides writing, directing and acting in the film, Carruth is also credited with the music, cinematography and editing. He also handled distribution of the movie himself.
INDELIBLE IMAGE: “I have to apologize. I was born with a disfigurement where my head is made of the same material as the sun,” says the Thief, and a quick shot suggests his statement is true. Of course, you can only glance at the sun for the briefest of moments, and the camera observes this caution, so you may spend the rest of the movie wondering if you saw what you thought you did, or if it was just a result of a hypnotic suggestion.
WHAT MAKES IT WEIRD: Upstream Color is the movie that asks the question, “what if there was a psychoactive parasitic worm that could create a psychic link to a person if you surgically removed it and implanted in a pig? What would that be like?” It then proceeds to answer the question.
Shane Carruth discussing Upstream Color for Sundance Film Festival’s “Meet the Artist” promo
COMMENTS: In his negative review of Upstream Color, The Guardian‘s Jeremy Kay prefaced his synopsis with, “here’s the plot, such as it is. It’s Continue reading 164. UPSTREAM COLOR (2013)