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“The most dangerous film ever made.”–Roar promotional materials
“Never work with children or animals.”–
DIRECTED BY: Noel Marshall
FEATURING: Noel Marshall,, , Kyalo Mativo
PLOT: A family runs a wildlife conservation habitat for lions, tigers, leopards, and various exotic wildlife, struggling to coexist peacefully with the animals while maintaining a funding grant.
WHY IT MIGHT JOIN THE APOCRYPHA: Roar is a movie that breaks all the rules, including our standards here. The movie itself, on paper, isn’t weird at all. What’s bizarre is the extraordinary circumstances of its making. With a cast of dozens of untrained and barely-half-tamed big cats, unscripted scenes with actors actually getting attacked and bleeding real blood, and the shocking commitment of the crew beyond all limits of sanity, Roar earns its place next to vérité oddities like Tod Browning’s Freaks (1932). Nobody will be crazy enough to make another movie like this again, so there will always be exactly one Roar.
COMMENTS: Roar is the story of a wildlife refuge for exotic animals, particularly those from the African plains, tended by a family with a heavy “live in harmony with nature” message. If that was all we told you, you might expect this to be a specimen from the mid-1970s slew of mediocre G-rated theater spam of the same ilk, family pictures like The Life and Times of Grizzly Adams or The Adventures of the Wilderness Family (from Sunn Classic Pictures and Pacific International Enterprises, respectively). And that is probably the original intent behind Roar (1981), but then things went… wrong.
As the opening titles proudly remind us, no animals were harmed in the making of this movie. But seventy members of the cast and crew were. This only counts the injuries requiring hospital treatment; Hedren later admitted in interviews that the injury total was closer to a hundred or more. Highlights include cinematographer Jan de Bont (lion attack, 220 stitches to the scalp), Tippi Hedren (elephant attack, fractured leg and head injuries), Noel Marshall ( multiple feline attacks, numerous injuries, hospitalized with blood poisoning and gangrene), and John Marshall (lion attack, 56 stitches). Injuries or not, most of the takes with an attack in them ended up in the final film cut. Understandably, staff turnover was brisk, including one incident where twenty members of the production crew walked off the set all at once. Melanie Griffith also left at one point, telling her mother Hedren “I don’t want to come out of this with half a face.” She had a change of heart and returned to complete her role, whereupon she promptly almost lost half her face (lion attack, 100+ stitches and facial reconstructive surgery).
On paper, the story is a big yawn. Patriarch Hank (Noel Marshall) Continue reading APOCRYPHA CANDIDATE: ROAR (1981)