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DIRECTED BY: Frantisek Vlácil
FEATURING: Frantisek Velecký, Magda Vásáryová, Ivan Palúch, Josef Kemr, Michal Kozuch, Pavla Polaskova
PLOT: In the early Middle Ages, a pair of brothers rob a caravan under protection of the King, setting off a chain of events that eventually leads to the kidnapping of Marketa, a virgin pledged to the convent.
WHY IT MIGHT JOIN THE APOCRYPHA: Dreamy pagan sequences adorn a stylized and hallucinatory landscape in Vlácil’s stark medieval epic.
COMMENTS: Although Marketa Lazarová is almost universally praised, everyone remarks on its confusing narrative. The film, which begins with a highway robbery and kidnapping, starts off with a lack of context, and the remainder of the story is fragmented, peppered with abrupt changes of scene, and with dreams, visions, and flashbacks which are sometimes impressionistic, sometimes indistinguishable from reality. The plot elements are comprehensible—a petty noble goes too far and angers the king, a virtuous maiden is snatched from her home—-but the main problem is keeping track of who is who, and where their loyalties lie. If you are prepared for confusion, you can soldier through it and the parties should sort themselves out within an hour or so. But if you would like some guidance, I’ll start this review with a short overview of the major players to get you oriented.
Despite providing the film’s title, Marketa Lazarová herself is not a prominent character until the film’s second half. The story atually centers on her eventual abductor, Mikoláš, a lanky and handsome man in a tight beard. Mikoláš’ brother and partner in banditry, Adam, is easily identified because he has only one arm (although watch out for flashbacks where he has two). Although they behave like highwaymen, Mikoláš and Adam are pseudo-nobles, the sons of Kozlík, a bald and bearded feudal yeoman who rules the walled town of Roháček. Long-haired temptress Alexandra, a brunette contrast to Marketa’s blond innocence, is their sister. In the first chapter the brothers kidnap Kristián, a German youth of noble blood, intending to ransom him. Meanwhile, Lord Lazar rules Obořiště, Roháček’s rival village; he is Marketa’s doting father. Mikoláš spares Lazar after catching him scavenging the wreckage of the caravan the Kozlík clan intends to loot, but later regrets his mercy when Lazar refuses to provide assistance against the king. In revenge, Mikoláš kidnaps the virginal Marketa, whom the (relatively) pious Lazar has pledged to the nunnery. The relentless Captain “Beer,” the king’s military representative in the region, is easily distinguished by his bushy mustache. These are the major players; many minor characters enter and leave, but if you can keep these straight, you should be able to navigate the main thrust of the tale—though details are often elusive.
The narrative confusion matters less because the film is so beautiful. The black and white vistas show off the wintry Bohemian countryside, bare interiors where scar-faced men in furs and chainmail Continue reading APOCRYPHA CANDIDATE: MARKETA LAZAROVÁ (1967)