Tag Archives: 2015

10 WEIRDEST MOVIES OF 2015

Another cinema year has come and gone, and as always, if you dig deeper than the blockbuster reboots of Mad Max and Star Wars or the conservative Oscar-bait dramas trotted out at the end of the year for Academy geriatrics to vote on, you will find some very strange creatures squirming around in the movie industry’s basement. Any year in which early cinema’s postmodern champion releases a movie is bound to be a rich one; add s long-awaited third chapter in his “being human” trilogy, a trippy big-budget adaptation, and some unclassifiable debuts by weirdo film upstarts, and you have a truly strange year in cinema. Transvestite samurai, Swedish kings, and instructions on how to take a bath await you in this tensome of the year’s most unusual films.

The Forbidden Room Weirdest Movie of 2015As for the choice of movies, I pick them using a secret proprietary formula that accounts for cinematic craftsmanship, the level of surrealism/weirdness, and the perceived prestige in the weird movie community based on buzz and reader feedback, then I rank them in whatever arbitrary order I momentarily feel like without regard to any of that. As always, the films are listed in random order, the weirdest of orders (a convention other lists are starting to catch on to).

On to the movies!

10. Anomalisa – Even though we narrowly declined to make it a List Candidate (a decision I wonder if we will later regret), we couldn’t possibly leave out a -scripted stop-motion existential comedy about a motivational speaker who hears everyone in the world talking in the same monotone voice off our year end list. confirms that “yes, it does get weird” while adding “but for the most part it just gets sad, and nihilistic, exploring mid-life crisis in ways both poetic and infuriating.” Although the fumbling sex scene was one of the most realistic bedroom scenarios ever scripted, I confess I find puppet cunnilingus disturbing.

1. The Forbidden RoomStories unfold inside of other stories in Guy Maddin’s telescoping narrative experiment. The concept for this omnibus project came from Maddin trying to imagine the content of lost films from their titles alone. Of course, Guy Maddin’s imagination evokes such unlikely scenarios as men trapped in a submarine furiously eating pancakes, a bone surgeon assaulted by seductresses in skintight skeleton leotards, and a man who bids against his own double for a bust of the two-faced Roman god Janus. It all begins and ends with in a bathrobe, explaining how to take a bath (for hygiene novices). Once The Forbidden Room is released on home video we’re certain you’ll agree it’s easily the weirdest movie of Continue reading 10 WEIRDEST MOVIES OF 2015

CAPSULE: ANOMALISA (2015)

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DIRECTED BY: ,

FEATURING: Voices of , ,

PLOT: A motivational speaker attending a business conference is dissatisfied with his humdrum existence, until he meets a seemingly average woman who, to him, is different than everyone else in his life.

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WHY IT WON’T MAKE THE LIST: While many of Charlie Kaufman’s films are shoo-ins for any list of weird movies, Anomalisa is comparatively straightforward. The weird factor is there, but limited, with most of the film focusing on small details of human interaction.

COMMENTS: Michael Stone (voiced by David Thewlis) is a renowned expert in customer service, middle-aged and settled in, married with a young son, but his apparent career and familial success have not brought him happiness. He feels isolated from those around him, exemplified by their voices, which all sound the same. He reconnects with an old flame who lives in the city where he’s staying for a conference, but their meeting only leads to further estrangement. Michael’s hopelessness is finally lifted when he hears Lisa (voiced by Jennifer Jason Leigh), a shy, self-conscious sales representative attending the conference. Her voice is distinct, and thus she is distinct, and he immediately falls for her simply for her difference. They spend the night together and Michael hopes to begin a new life with her, but their connection is not as solid as he thinks.

Animated in an incredibly detailed stop-motion style with 3D-printed figures, Anomalisa is a film that opens itself up gradually, reveling in small tics and awkward moments and everything left unsaid. Whether intentionally or inadvertently, Michael has cut himself off emotionally from everyone around him, keeping his headphones in as he walks through the airport, unwillingly engaging in small talk with his cab driver, and acting uncertain around the polite staff of his hotel. His few attempts at connection are somewhat awkward and ill-conceived, most noticeable in how he sputters his way through a drink with a former girlfriend, whom he left for no stated reason, who is still getting over the loss of him, and still questioning herself because of it. Though he seems rueful, Michael is unable to explain himself, and they leave one another disappointed. Later, he finds a “toy” store that’s open late, looking for a gift for his son but eventually realizing this shop has more adult fare. He ends up purchasing a mechanical Japanese doll shaped like a geisha, perhaps an unconscious stand-in for the multiple women he no longer loves, preferring a robotic replacement for their human inadequacies. That Michael’s professional life is centered around customer service expertise is a blatant irony, but that knowledge allows viewers to see how he must put on an act when he is with other people, much like the sales representatives he advises. He must play at being a warm, sociable human being, despite hating the sound of every voice he hears, even with his wife and son. With Lisa, he can stop acting, and Continue reading CAPSULE: ANOMALISA (2015)

366 UNDERGROUND: SPLENDOR SOLIS, HOME MOVIES 1998-2015 (2015)

DIRECTED BY:

SYNOPSIS: Compiled from footage filmed over a period of 17 years, Splendor Solis is a tone-poem celebration of cinema, creativity, play, collaboration, friendship and all of the splendors under the sun.Splendor Solis

COMMENTS:  The latest from The Underground Film Studio (who previously brought us Savage Witches), Splendor Solis is a 60 minute twin-screen presentation of odds and ends from the previous 17 years of Daniel Fawcett’s filmmaking career. While that may at first seem to be a pretty easy (and lazy) way to build a film, not to mention an invitation to boredom, Splendor Solis ends up being anything but tedious.

Combing through 17 years’ worth of “home movies”—video diaries, unfinished films, video experiments, filmed performances, behind-the-scenes footage and yes, real home movies—is a massive undertaking in and of itself. Attempting to make a coherent and interesting film out of all that material is an additional mountain to climb. Splendor Solis succeeds in overcoming the boredom trap in two ways. First, the editing by Fawcett and is crackerjack. Presenting the footage via twin screens helps immensely in using up footage and in juxtaposing segments. Second, the music and sound design play an integral part in keeping the energy level up.

The result is a playful spectacle for the eyes which also serves as an accelerated look at the growth of an artist.

Splendor Solis had its World Premiere at the 35th Cambridge Film Festival in September, 2015 and will be making the film festival circuit in 2016.

EDITED BY: Daniel Fawcett and Clara Pais

MUSIC BY: Simon Keep, Jos Dow, Daniel Fawcett, Alex Lemming, Magnus Williams, Thomas Hartley