Tag Archives: 1990

CAPSULE: TWIN PEAKS (PILOT) (1990)

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DIRECTED BY: David Lynch

FEATURING: , Michael Ontkean, Ray Wise, , , James Marshall, , Jack Nance, Sheryl Lee

PLOT: The murder of a homecoming queen brings an eccentric FBI agent to a small Northwestern town seething with secrets.

Still from "Twin Peaks" pilot (1990)
WHY IT WON’T MAKE THE LIST: Despite being among the best and tensest 90 minutes ever to air on American television, the pilot of “Twin Peaks” won’t make the List of the 366 Best Weird Movies for two reasons. First, it’s not weird enough; although future installments would supply some of the WTF-iest moments ever to grace the small screen, the opening installment of the epic series plays things very understated and close to the vest, merely hinting at the undercurrent of uncomfortable weirdness that would become the show’s dominant tone. Second, and more importantly, the “Twin Peaks” pilot is incomplete. It ends on a cliffhanger, and not only is nothing resolved, many of the main storylines have not even been introduced yet.

Both those objections are addressed in the alternate international version of the pilot, which added an additional twenty minutes of footage which solved Laura Palmer’s murder (differently than the series would in Season 2). This version was shot at the financing studio’s insistence (they hoped to recoup some of their four million dollar investment if the series was not picked up) and released as a theatrical feature overseas. The alternate ending includes the iconic “Man from Another Place” dream sequence which would later grace episode 2, which by itself scores enough weird points to get the international version into consideration. The ending also resolves the mystery and the story; unfortunately, it also ruins it. Because the pilot didn’t have time to explore the forest of suspects, red herrings and side plots the script hints at, to someone who had never seen the series before the solution comes out of nowhere and would makes you wonder what the point of introducing all the minor characters was. This out of place, tacked-on ending perhaps makes the international version play even weirder, but it destroys the pilot’s fragile beauty—an unforgivable sin.

COMMENTS: After having bottomed out with his confusing flop adaptation of Frank Herbert’s Continue reading CAPSULE: TWIN PEAKS (PILOT) (1990)

RECOMMENDED AS WEIRD: SINGAPORE SLING [Singapore sling: O anthropos pou agapise ena ptoma] (1990)

Recommended

DIRECTED BY: Nikos Nikolaidis

FEATURING: Meredyth Herold, Michele Valley, Panos Thanassoulis

PLOT: An alcoholic detective searches for a lost love, presumably dead, and ends up acaptive of two psychotic women. The women (a mother and daughter) ceaselessly torture the helpless and incapacitated victim. He remains mute as they participate in bizarre sexual practices and flaunt their derangement, sometimes literally in his face.

Still from Singapore Sling (1990)

WHY IT SHOULD MAKE THE LIST: Singapore Sling is one of the rare films where practically every frame is teeming with weirdness. The imagery, behavior, and even the strange nuances in the women’s dialogue are often over-the-top and perverse, yet even while the viewer is made to feel uncomfortable, there is an overwhelming desire to see what comes next. Just when you think it couldn’t possibly get any weirder it somehow manages to top itself.

COMMENTSSingapore Sling is one messed up film.  It is a twisted take on the film noirs that filled cinemas in the early part of the 20th century.  Specifically, it pays homage to Otto Preminger’s stylish classic Laura (1944).  I use the word homage very loosely here, however.  The original film’s music theme is used sporadically throughout, the detective’s lost lover is named Laura, and the nutcase daughter has a painted portrait of herself like Gene Tierney’s Laura character.  The similarities pretty much end there.  Deviance always played a central part in noirs, but not anywhere close to the degree that is on display here.  I have to smile thinking about a dolled up 1940’s socialite having a night out at the theater, dressed to the nines in her pearl necklace and pillbox hat, witnessing this vulgarity.  “What is she going to do with that kiwi fruit”?  Gasp!

Film noir translates to “black film” and Singapore Sling is the purest black possible.  Actually, the black and white cinematography is surprisingly lush and almost seems too perfect for a film with this subject matter.  The beautiful crispness works to its advantage and the film would not have the same impact if shot in color.  The contrast of the blacks and whites are stark and sets the mood perfectly.  If I have any quarrel with the movie it is with the decision to Continue reading RECOMMENDED AS WEIRD: SINGAPORE SLING [Singapore sling: O anthropos pou agapise ena ptoma] (1990)

19. THE REFLECTING SKIN (1990)

“You been exploding frogs again?”–Ruth Dove

Recommended

DIRECTED BY: Philip Ridley

FEATURING:  Jeremy Cooper, , Lindsay Duncan

PLOT:  Over-imaginative young Seth, growing up in post-World War II rural USA, comes to believe that his widowed neighbor is actually a vampire.  After his father dies in unexpected fashion, the older brother he adores returns from his military tour of the Pacific.  When the brother falls in love with the vampire widow, Seth tries to find a away to save him.

Still from The Reflecting Skin (1991)

BACKGROUND:

  • This was Philip Ridley’s first directorial effort, after breaking into the movie business by writing the script for The Krays. He is also an author of children’s books.
  • A top-billed, pre-fame Viggo Mortensen had just come off playing the role of the cannibal “Tex” in Leatherface: Texas Chainsaw Massacre III.
  • The production company for the film (Bialystock & Bloom Limited) is jokingly named after Zero Mostel and Gene Hackman’s characters in The Producers.
  • This film, with its hyper-imaginative child protagonist roaming among golden fields of wheat, was an obvious inspiration for Terry Gilliam‘s 2005 film Tideland, which has a slightly different atmosphere but can be seen as a companion piece.

INDELIBLE IMAGE:  Seth cradling and asking advice from the petrified baby (which he believes to be an angel) that he found hidden in an egg-like box in a hayloft chapel.

WHAT MAKES IT WEIRD:  Nothing that happens in The Reflecting Skin is literally impossible.  Much of the film’s bizarre effect comes from the characters, especially the weird widow Dolphin who is obsessed with decay and destruction and whose husband hanged himself after a week of marriage. Other characters who form the background of young Seth Dove’s weird world are his perpetually on the verge of tears, creatively abusive mother; a father who reeks of gasoline and hides a secret past; a drunken neighbor obsessed with his own sinful thoughts who dresses like a Puritan; the world’s unluckiest town sheriff, who has lost three body parts to animal attacks and who wears a slice of a colander for an eyepatch; and a hot-rod hearse full of juvenile delinquents that haunts the back roads of this Midwestern farm community.  Altogether, it’s a such an odd concoction of unlikely ingredients, told in a straightforward dramatic manner, that might earn the label “improbable realism” (as well as “Midwestern Gothic”).

Original trailer for The Reflecting Skin

COMMENTS: On it’s release in 1990-1991, The Reflecting Skin was frequently compared to Continue reading 19. THE REFLECTING SKIN (1990)

11. JACOB’S LADDER (1990)

“Something weird is going on here.  What is it about us?  Even in ‘Nam it was always weird.  Are we all crazy or something?” –line in original screenplay to Jacob’s Ladder

Recommended

DIRECTED BY: Adrian Lyne

FEATURING: , Elizabeth Peña, Danny Aiello

PLOT:  Jacob Singer (nicknamed “Professor” by his army buddies due to his glasses and Ph.D.) is wounded in Vietnam after a harrowing, disorienting battle.  While he is on duty in Vietnam, his young son dies; years later, he works in New York City as a postman and has a sexy new girlfriend, Jezzie.  Jacob begins suffering flashbacks of the day he was wounded, along with hallucinations in which everyday people take on demonic forms—catching brief glimpses of tails, horns, and howling faces with blank features—and eventually discovers that the other members of his unit are experiencing similar symptoms.

jacobs_ladder

BACKGROUND:

  • The script for Jacob’s Ladder shuffled between Hollywood desks for years, impressing executives but not being viewed as a marketable project. The script was cited by American Film Magazine as one of the best unproduced screenplays.
  • Before he asked to direct Jacob’s Ladder, British director Adrian Lyne was best known for sexy, edgy, and profitable projects such as Flashdance (1983), 9 1/2 Weeks (1986) and Fatal Attraction (1987).
  • Screenwriter Bruce Joel Rubin (who later wrote Ghost [1990] and other commercial properties) says that his script was partly influenced by The Tibetan Book of the Dead.
  • Adrian Lyne states that some of the hellish visual cues in the film, including the whirring and vibrating head effect, were inspired by the woks of grotesque painter Francis Bacon.
  • Lyne deleted scenes and changed the ending after test audiences found the film to be too intense.

INDELIBLE IMAGE:  A blurred, whirring human head which shakes uncontrollably from side to side at tremendous speed, seen several times throughout the film.  The effect looks mechanical, as if the head were an unbalanced ball attached to an out-of-control hydraulic neck.  It was achieved by filming an actor casually shaking his head from side to side at four frames per second, which produced a terrifying effect when played back at the standard twenty-four frames per second.  The technique has been imitated in movies, video games, music videos, and even a porno flick since, but has never since been used to such fearsome effect.

WHAT MAKES IT WEIRD:  Like many psychological thrillers, Jacob’s Ladder strives to keep the audience disoriented and off-balance, wondering what is real and what is false. The movie achieves this effect wonderfully, but what gives it it’s cachet as a weird movie are two intense hallucination sequences: one at an horrifically orgiastic party intermittently lit by a strobe light, and one where the protagonist lies helpless on a hospital gurney as he’s wheeled down an increasingly bizarre and alarming hospital corridor. Both scenes are difficult to forget, equal parts creepy surrealism and visceral body-horror.

Original Trailer for Jacob’s Ladder

COMMENTS: I can’t watch Jacob’s Ladder without comparing it to Alan Parker’s Angel Heart.   The similarities are obvious: both were psychological thrillers with supernatural Continue reading 11. JACOB’S LADDER (1990)

10. ARCHANGEL (1990)

“And we are here as on a darkling plain

Swept with confused alarms of struggle and flight,

Where ignorant armies clash by night.”

Matthew Arnold, “Dover Beach” (quote originally intended to introduce Archangel)

Recommended

DIRECTED BY: Guy Maddin

FEATURING: , Kathy Marykuca

PLOT: In 1919, one-legged Canadian airman Lt. John Boles finds his way to the Russian port of Archangel in the endless night of Arctic winter.  There, he meets Veronkha, whom he believes to be the reincarnation of Iris, his dead love.  Veronkha has problems of her own, in the form of an amnesiac husband who wakes up every day believing this is the day they are to be wed, but Boles tires to woo her nevertheless as Archangel’s ragtag militia battles the Germans and the Bolsheviks without realizing that both World War I and the Russian Revolution are over.

archangel

BACKGROUND:

  • The city of Archangel was the port of entry for Allied soldiers during World War I; therefore, soldiers from America, Canada, and the European allies might very well have been found gathered there (although probably not East Indians and Congolese, as depicted in the film).  Many Allied soldiers were sent to Russia, partially to help assist the Imperial (White) Russians against the Bolshevik Communist rebels (Reds).
  • Some reports say that the version presented on the “Guy Maddin Collection” DVD is a different cut from the theatrical and original VHS version, with tinting and intertitles added.  I haven’t been able to confirm whether differences exist.

INDELIBLE IMAGE:  As his dying act, a lifelong coward strangles a bestial Bolshevik with a length of his own intestine (which is obviously a sausage link).

WHAT MAKES IT WEIRD: The tale of an obsessive, grieving soldier who thinks he’s found the reincarnation of his lost love in a benighted Russian city where the citizens continue to fight a war that is over would be weird enough if told straight. Director Guy Maddin exaggerates the already dreamlike quality of this tale by clothing it in the archaic period dress of an early sound film, complete with intertitles describing the action, dubbed voices that are occasionally slightly out of sync, and casually disorienting jumps/glitches in the film. He pushes this inherently confusing story of terminally confused characters further into strange realms with deliberately surreal elements, such as women warriors going to the front dressed in elegant evening headwear, and even odder sights.

Short clip from Archangel (French subtitles not in original)

COMMENTS: The city of Archangel seems the perfect place to dream.  Isolated from the Continue reading 10. ARCHANGEL (1990)