TOP 10 WEIRDEST MOVIES OF 2013

Still from John Dies at the EndThe air is crisp, and your breath hangs in front of you in clouds. Or, if you’re in the Southern Hemisphere, the air is balmy, and sweat drips into your eyes. You’re wondering whether you still have that herbal hangover remedy recipe that you used last year (was it ginseng and ma huang, or gingko and milk thistle?) You’re trying to remember the words to “Auld Lang Syne” and deciding precisely which acquaintances you’ll be forgetting in the upcoming year. And you’re rushing to the Internet to see what the experts have declared to be the ten blankiest blanks of the annum just past.

Yes, it’s that season again, the time critics look forward to all year—time to grind out another year’s end best of list to fill up a few inches of real estate on your readers’ web browsers . In weird movie terms, 2013 was a very mixed year. On the one hand, there’s no obvious consensus weird classic (like 2012’s Holy Motors) jumping out at you from this year’s lineup. But what 2013 lacked in depth it made up in breadth. We weren’t scraping to come up with ten truly weird contestants this year; instead, we were reluctantly leaving off stuff like the juvenile-delinquents-from-outer-space musical The Ghastly Love of Johnny X, which would have been a shoo-in in 2012. This year the movies at the bottom of our rankings give the ones at the top a run for their money. It may ultimately be quantity over quality, but it did make it easier to pick out something challenging from the “new releases” section to watch on a Saturday night, which makes 2013 a successful year in our book. So now, in random order—the weirdest of orders—here’s our survey of the strangest of the strange from the past year.

4. Upstream Color: A Thief infects a woman with a will-sapping worm and empties her bank account; she’s eventually psychically linked to a pig, but fortunately meets a man whose gone through the same experience. Their pigs also fall in love. Solving the question of what literally happens in Upstream Color is only the beginning of the riddle of ‘s bewildering followup to his confusing but logically rigorous time travel film Primer.

8. Antiviral: This queasy mixture of satire and body horror starts from the premise that in the future, people will pay good money to become infected with viruses that have recently been coursing through the bloodstream of their favorite celebrities. Director promises to carry on the disreputable work of his sire, .

10. The ABCs of Death: Averaging four-and-a-half minutes per letter of the alphabet, this twenty-six short film primer on death contains three extremely weird entries (two of them from Japan, natch), along with a host of blander moments. Uneven by nature, with lots of senseless gore and “toilet horror,” but watch for the deadly masturbation contests, Nazi furries, zombie clowns, and the Asian Dr. Strangelove. ‘s “F is for Fart” is an apocalypse of bad taste guaranteed to have the average viewer scurrying for the exit, hitting the eject button, or aborting the download (check all that apply).

1. John Dies at the End: Two slackers take the drug “Soy Sauce” which allows them to see an upcoming invasion by inter-dimensional cockroaches and eventually travel to an alternate universe to save the world. John dies, or does he? Many fans of the witty original novel hated this adaptation; fortunately for us, we don’t read books, and so we loved every confusing-as-hell minute of this messed-up mish-mashterpiece of a movie.

6. The Rambler: Absurdly cool Dermot Mulroney keeps his shades and cowboy hat on at all times as he rambles through a weird West full of Continue reading TOP 10 WEIRDEST MOVIES OF 2013 →

READER RECOMMENDATION: QUASI AT THE QUACKADERO (1975)

Reader Recommendation by Theodore Davis

“Now make yourself comfortable while I congress with the spirits and make them ready for their stage debut!”

DIRECTED BY: Sally Cruikshank

FEATURING: Kim Deitch, Sally Cruikshank

PLOT: “Quasi at the Quackadero” is about a lazy, humanoid duck hybrid named Quasi, who gets dragged by his kitsch-loving squeeze Anita and their robot servant, Rollo, to the Quackadero, a psychedelic amusement park that provides Cruikshank a vehicle to explore time, memory, and dreams in a variety of cabaret attractions and horrors.

Still from Quasi at the Quackadero (1976)

WHY IT SHOULD MAKE THE LIST: Although clocking at a mere nine minutes and 57 seconds, “Quasi at the Quackadero” is easily eight times as Continue reading READER RECOMMENDATION: QUASI AT THE QUACKADERO (1975) →

READER RECOMMENDATION: JACK AND DIANE (2012)

Reader Recommendation by Jason Steadmon

DIRECTED BY: Bradley Rust Gray

FEATURING: , , , ,

PLOT: Somewhat immature Diane (Temple) meets and starts a relationship with the streetwise Jack (Keough) while also going through some strange blackouts and changes.

Still from Jack and Diane (2012)

WHY IT SHOULD MAKE THE LIST: If you take the point of view that an analogy doesn’t make for weirdness, Jack & Diane may not immediately make the List. This movie, however, takes that analogy and leaves one to make one’s own mind up. Maybe Diane is turning into a creature in her blackouts – maybe not. It’s from this ambiguity that the movie derives its strangeness.

COMMENTS: Diane is a girl who has been getting nosebleeds lately, and those eventually lead to some scary blackouts, with her seeing a creature in the mirror in place of her own reflection. The idea that Diane may be going through some bodily change (cancer, maturation, exploration of her own sexuality, etc.) is a pure distillation of metaphor–except that it starts to have physical consequences for her lover Jack. Jack eventually gets jealous of Diane hanging around with her friends–Diane has a more fluid sexual nature as opposed to Jack’s straight-up lesbian orientation–even if she was willing to roll with the sometimes literal punches of the relationship. If this isn’t metaphorical, both Diane and Jack (and New York City) are in trouble, because one of them is turning into a very violent monster.

Diane’s other self is represented through some good old-fashioned prosthetic work by veteran effects artist Gabe Bartalos (the Leprechaun movies, most of ’s films). The impending coming of the Creature Diane is also represented in animation by the Brothers Quay in their characteristic and inimitable style. Bradley Rust Gray does good service to the iffy nature of the story and never beats you over the head with the creature. He is obviously bolstered by his experience with both independent and experimental film. As Diane, Juno Temple doesn’t necessarily break any new ground in the childlike yet sexually charged role–but does well with a part that seems written with her in mind. More astounding is Keough (Lisa Marie Presley’s daughter) as Jack, completely eschewing her normal glamorous looks to play the tomboyish role, and bringing depth to the character that one might not expect from someone who makes a regular living as a fashion model.

WHAT THE CRITICS SAY:

“Tonally, the film swings between whispery romance and ominous horror as it explores the dark side of love and lust, including an amusingly gory meditation on the notion that the person you think is your beloved might just rip your heart out.”–Sara Stewart, New York Post (contemporaneous)

READER RECOMMENDATION: BRUISER (2000)

Reader Recommendation by Jason Steadmon

DIRECTED BY:

FEATURING: Jason Flemyng, , Nina Garbiras, Leslie Hope, Tom Atkins

PLOT: Henry Creedlow works to provide for and please his cheating, social-climbing wife. An event from a masquerade party takes on a real world tangibility, signifying his nobody existence but also allowing him to take forceful and violent control of an out-of-control life.

Still from Bruiser (2000)

WHY IT SHOULD MAKE THE LIST: George Romero’s filmography has never shied away from the strange, but the lack of an explicit reason for Continue reading READER RECOMMENDATION: BRUISER (2000) →

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