CAPSULE: WATERSHIP DOWN (1978)

DIRECTED BY: Martin Rosen, John Hubley (uncredited)

FEATURING: Voices of , Zero Mostel, Richard Briers, , , Denholm Elliott, Harry Andrews, Nigel Hawthorne, Michael Hordern,

PLOT: Rabbits living in a warren called Sandleford leave their home when one of them, named Fiver (Briers), has a foreboding vision. Fiver and his brother Hazel (Hurt) lead their companions to a new hill, but the group finds even more acrimony and strife when they meet the imposing General Woundwort (Andrews).

Still from Watership Down (1978)

WHY IT WON’T MAKE THE LIST: Because while often dark, violent and sad, this film is only weird if you think that “cartoons” are only for kids. Anyone who’s seen Yellow Submarine, or practically any anime from Japan knows better. Watership Down is mature, but not weird.

COMMENTS: :Since most audiences think of animated characters as cute, furry and musical (like in most Disney product) or incessantly wisecracking (as in the films from Dreamworks, and practically every other studio), it’s refreshing to mentally travel back to a time—1978—when animation was in the doldrums, and filmmakers would take a chance on something as melancholy and brooding as Watership Down. In this movie, based on Richard Adams’ 1974 bestseller, rabbits bleed, foam at the mouth and die—on camera. There are no pop culture references, no Broadway-style musical numbers, and no jokes about bodily functions. So it’s easy to admire and appreciate this British film—on an academic level– for doing something different. But, unfortunately, the movie is just not that compelling. The animation is… good enough, with the bunnies being still cute, but not excessively anthropomorphic. But some of the other supporting characters, like the annoying seagull Kehaar (voiced by the great Zero Mostel, in his final performance), seem to have flown in straight from a 1970’s Saturday morning cartoon. There are several impressive backgrounds, and effects like flowing water, which are particularly impressive when you consider that this was all done before the dawn of CGI. For a low-budget film, the animation isn’t bad. But the pacing is lethargic (it seems like the movie is almost half over before it really gets going), and it seems that trying to compress Adams’ 475-page novel into 92-minutes (which is only about as long as most conventional animated productions) is problematic.

With 36 years having passed since the release of this film, it’s difficult to watch it now without being reminded of other animated pictures with at least superficially similar plots. For instance, there was the admittedly much more light-hearted Chicken Run (another rare British animated film), about hens trying to escape a farm, as well as The Secret of NIMH, about a family of mice trying to relocate their home. Compared to those two gems, Watership Down comes up a bit short. On the plus side, the film’s music by Angela Morley is beautiful and haunting, as is Mike Batts’s song “Bright Eyes”, sung unmistakably by Art Garfunkel. When “Bright Eyes” is reprised during the closing moments of “Watership Down”, it’s genuinely affecting.

The DVD (there is no North American Region A Blu-ray) comes with a couple of behind-the-scenes documentaries that are arguably more interesting than the movie itself. In one of them, director-writer-producer Rosen explains how he–having never directed anything before–took over the reins after original director John Hubley left, and how Malcolm Williamson also bailed on the project after writing only two pieces of music for the film. Angela Morley then came in and adapted that minimal score for the entire movie.

One final bit of trivia. “Leonard Maltin’s Movie Guide” called Watership Down “One of the best non-Disney animated films ever made.” While this is arguable in itself, the quote on the back of the DVD box eliminates the “non-Disney” qualification!

WHAT THE CRITICS SAY:

“…filled with… extraordinary pieces of mythic imagery…”–Richard Scheib, Moria: The Science Fiction, Horror and Fantasy Film Review (DVD)

(This movie was nominated for review by “Wormhead.” Suggest a weird movie of your own here.)

CAPSULE: THE TRUTH ABOUT EMANUEL (2013)

DIRECTED BY: Francesca Gregorini

FEATURING: Kaya Scodelario, Jessica Biel

PLOT: A troubled teenage girl becomes obsessed with the single mom who moves in next door.

Still from The Truth About Emanuel (2013)
WHY IT WON’T MAKE THE LIST: This metaphorical psychodrama is dreamy, but not quite dreamy enough to qualify as “weird.”

COMMENTS: Although it flirts with head games, The Truth About Emanuel is steadfastly a drama and not a psychological thriller; it does contains a twist, however, that makes it hard to discuss the plot without giving away an intended surprise. Suffice it to say that the twist arrives early, isn’t too terribly difficult to guess, and is milked almost entirely for its surface metaphor rather than as a source of suspense. Emanuel (Scodelario) is a smart but sullen teen girl, a female Holden Caulfield with a morbid streak. She has her name (spelled in the masculine form) tattooed on her arm, and nothing but sarcastic comments for her desperate-to-connect stepmother and a nerdy coworker. Emanuel feels existential survivor’s guilt due to the fact that her mother died giving birth to her. Enter new neighbor Linda (Biel), a young mother in constant need of babysitting services, with whom Emanuel immediately connects (inspiring vicarious maternal jealousy and lesbian panic in her stepmom). The two women’s relationship quickly takes a turn for the symbiotically, and symbolically, unhealthy. Despite the fact that the film’s big bombshell is dropped at the end of the first act, the movie as a whole feels very slow-developing. It can also be heavy-handed, moving its characters around stiffly so that they hit their psychological marks on cue. On the plus side, the acting and general technical quality of the film is good. Kaya Scodelario has a fine presence (the camera loves her big, haunted blue eyes), and although her role as a morose teen doesn’t require her to stretch her talents too much, I expect to see more of her in coming years. Biel is natural as always, putting in another of her effortlessly classy performances that make me wonder if maybe she shouldn’t be a bigger star than she is. The two women share good chemistry in this very gynocentric film. Even aside from the thematic obsession with motherhood and the mother/daughter relationship, Emanuel is very much the aggressor and dominant partner in her budding romance with her Elijah-Wood-as-Frodo-looking boyfriend; this movie, in fact, would fail the reverse Bechdel test. Despite some slightly distracting budget CGI, a lovingly constructed dream sequence works as an emotional and symbolic centerpiece. Along with one glancing shot that introduces some subjective ambiguity into the entire scenario, that dream gives the film just a touch of weirdness, although there’s not much here that will stretch the aesthetic boundaries of anyone who’s seen an independent film or two in their times. The Truth About Emanuel isn’t subtle in its symbolism, but it is an earnest and a generally effective exploration of maternal longing, brainier and more poetic than the average chick flick.

The Truth About Emanuel played Sundance in 2013 under the more intriguing title Emanuel and the Truth About Fishes. The revised, generic title may sound less weird, but it is arguably more misleading than the Truth About Fishes. It’s being released on video-on-demand contemporaneously with its limited theatrical release, which has now become the official distribution strategy for independent films.

WHAT THE CRITICS SAY:

“…has elements that are weirdly creepy, yet it still manages to be surprising and achingly sad.”–Nina Garin, San Diego Union-Tribune (contemporaneous)

 

WHAT’S IN THE PIPELINE

On our review tap next week: the currently-in-theaters maternal psychodrama The Truth About Emanuel, the “downer” animated rabbit fable Watership Down, and the gorilla-alien in a space helmet invasion classic Robot Monster.

It was a good week for weird search terms used to locate the site this week, and we’ll highlight it by starting off with a search from someone who’s not exactly 100% with the program yet: the guy looking for “a surreal movie that makes sense.” We are guessing the previous searcher would not appreciate our nonsensically surreal next contestant, “this little guy is also the name of a film, chasing a ring.” He would probably be even less likely to dig “a movie strippers whos penis escape.” And, speaking of strippers and surreal movies, both the week’s themes come together in our official Weirdest Search Term of the Week: “hypnotised breastfeeding strippers.”

Here’s the ridiculously-long-and-ever-growing reader-suggested review queue: Watership Down (next week!); Robot Monster (next week!); The 7 Faces of Dr. Lao; Celine and Julie Go Boating; Black Cat, White Cat; The 5,000 Fingers of Dr. T; Abnormal: The Sinema of Nick Zedd;  Continue reading WHAT’S IN THE PIPELINE →

WEIRD HORIZON FOR THE WEEK OF 1/10/2014

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

The Banshee Chapter (2013) – Read our review. Although we recommended this horror/conspiracy thriller only to Art Bell types and viewers looking to add another portrayal of to their viewing collection, we will point out that, based on its current 91% positive Rotten Tomatoes rating, most critics seemed to like it a good deal better than we did. The Banshee Chapter Facebook page.

Evangelion 3.0: You Can (Not) Redo (2012): The third (of a planned four) entry in the apocalyptic anime reboot about giant fighting robots and the whiny teens who pilot them. The scheduling for this one is strange—it’s playing in a lot of U.S. cities, but in most places for one night only—so if you’re interested, you’ll want to check the website to find the date it’s playing near you. Evangelion 3.0: You Can (Not) Redo official site.

Return to Nuke ‘Em High, Volume 1 (2013): After thirty odd (very odd) years, we return to the mutated halls of Nuke ‘Em High: now with lesbians! For better or worse is at it again, with this story of chick-on-chick and chick-on-mutant action that saw its US premiere—I kid you not—at New York City’s Museum of Modern Art. In New York this week, with a Los Angeles run next week and scattered screenings in larger cities across this great nation. Return to Nuke ‘Em High official site.

The Truth About Emanuel (2013): A teenager finds that her next-door neighbor uncannily resembles pictures of her dead mother in what’s described as a “hyperstylized and often darkly humorous film that vacillates between surrealism and realism.” This played last year at Sundance under the better (and weirder) title Emanuel and the Truth About Fishes. The Truth About Emanuel official site.

IN DEVELOPMENT:

“Twin Peaks” Promo: put out a casting call looking for a “busty brunette or redhead” to shoot a “‘Twin Peaks’ promo.” Or maybe not: “” co-creator Mark Frost immediately called it “a strange and baseless rumor,” despite the fact that the (since pulled) ad was posted by the reputable Sande Alessi Casting Agency. Speculation is that the shoot was for an extra to be included on the upcoming “Twin Peaks” Blu-ray. In an unrelated matter, we’re looking for a “busty brunette or redhead” to do some “promos” for 366 Weird Movies—although we will accept a blonde in a pinch. Must bring own coffee and cherry pie. Read about the rumor at Welcome to Twin Peaks.

NEW ON DVD:

The Act of Killing (2012): Read our review. This documentary in which retired Indonesian gangsters re-enact the crimes of their youths in the style of Hollywood movies gets our vote for the best 2013 release in any genre. Buy The Act of Killing.

For Ever Mozart (1996): An elliptical movie about various artists failing to tell the story they intend to, including a troupe who tries to mount a play in Sarajevo but find themselves massacred instead. The Cohen Group releases another of ‘s “difficult” late movies. Buy For Ever Mozart.

Hail Mary (1985): In a slightly (and we use that term advisedly) more accessible movie than For Ever Mozart, retells the story of the Virgin Mary in a contemporary setting. On its release this film was condemned by Catholics and banned in Brazil, with the controversy mainly over some non-sexual nude scenes (the content actually isn’t blasphemous—surprising, considering the source). Buy Hail Mary.

NEW ON BLU-RAY:

The Act of Killing (2012): See description in DVD above. Buy The Act of Killing [Blu-ray].

For Ever Mozart (1996): See description in DVD above. Buy For Ever Mozart [Blu-ray].

Hail Mary (1985): See description in DVD above. Buy Hail Mary [Blu-ray].

Monty Python’s the Meaning of Life (1983): Read our review. Universal just put out a “30th Anniversary” Blu-ray of Meaning of Life last October, so it’s not really clear what the point of this “1980s: Best of the Decade” edition (which comes with a “collectible flap”) is. It is quite cheap (under $10 at the time of this writing) and presumably contains no extras, so maybe it’s aimed at people who are more fans of the 1980s than they are the Pythons. Buy Monty Python’s The Meaning of Life [Blu-ray].

The Wicker Man (1973): Read the Certified Weird entry! This is the first time that The Wicker Man has appeared in the Blu-ray format (in North America, at least), but it’s a tiniest bit disappointing (to diehard fans, at least) that this Lions Gate disc includes only the 94-minute “final cut” of the film, rather than the 100+ minute “extended cut” the Britons got in their Region B release. No word on extra features on this one. Buy The Wicker Man [Blu-ray].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!