61*. ON THE SILVER GLOBE (1988)

Na srebrnym globie

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“The Ministry may have had various reasons for curtailing production, but it’s not inconceivable that someone there simply thought that another 40 minutes of this stuff might just have been too much for viewers’ sanity.”–Jonathan Romney, Film Comment

DIRECTED BY:

FEATURING: Andrzej Seweryn, Jerzy Trela, Iwona Bielska, Grażyna Dyląg, Waldemar Kownacki,

PLOT: Three astronauts are stranded on an Earthlike planet and populate it with their offspring over the years. Decades later, another astronaut, Marek, travels to the planet and is revered as a messiah who the people believe will lead them to victory over the birdlike Shern. Meanwhile, back on Earth, it is revealed that Marek was chosen for the mission by two scientist, one of whom was his girlfriend, who wanted him out of the way so they could continue their affair.

Still from on the silver globe (1988)

BACKGROUND:

  • Based on the novel series “The Lunar Trilogy,” which was written by director Zulawski’s great uncle Jerzy Zulawski.
  • In the books, completed in 1911, the “silver globe” is the Earth’s Moon; in this modern adaptation this obviously had to be changed to an extraterrestrial planet. The Moon location explains why travel between the two locations is a relatively simple and quick matter.
  • After his second film, The Devil (1972), was banned by Polish authorities, Zulawski moved to France in a mutually-agreed-upon exile. When his first French production, The Important Thing Is to Love (1975) became a prestigious art-house hit, the same authorities invited him to return to Poland to work on a project of his choice. He chose On the Silver Globe.
  • On the Silver Globe had a torturous production history. In 1977 Polish authorities shut down the shoot before completion, citing both cost and ideological objections, and ordered the footage destroyed. Fortunately, this instruction was not completely followed (in the film’s prologue, Zulawski laments that the government “murdered” 1/5 of his work). In 1988 the director was able to reconstruct the surviving footage and create a nearly complete film, using narration spoken over new footage of Polish streets to fill in the gaps for the missing scenes and hiring new actors to overdub some of the old ones. The reconstruction debuted at Cannes in 1988. You can find more detail in El Rob Hubbard‘s reviews of the film itself and on the documentary Escape to the Silver Globe (2021).
  • Much of the dialogue was taken or adapted from various mystical texts, rather than from the novel itself.
  • Voted onto the Apocrypha by readers in this poll.

INDELIBLE IMAGE: On a beach, dozens of soldiers are impaled (apparently through the anus) on spikes which must be thirty feet high. (One crane shot shows us an actor who is actually precariously perched on the pole.) Two robed Pharisee types in leprous caked makeup converse as they are shot from below, with the torture victims soaring above them like orbiting bodies in the sky.

TWO WEIRD THINGS: Messy orange-blooded bird/woman sex; interplanetary travel pill

WHAT MAKES IT WEIRD: On the Silver Globe is a Cubist science fiction epic, presented as if it were being performed by a severely stoned 1970s avant-garde theater troupe enacting obscure Masonic rituals on a beach in Estonia at a point when every single actor is undergoing either a devastating breakup or a profound existential crisis (usually both). Without commentary, the plot is nearly impossible to follow in a single viewing, but the movie is definitely something you’ve never seen before.

Trailer for On the Silver Globe reconstruction

COMMENTS: On the Silver Globe‘s plot is so difficult to divine that  Continue reading 61*. ON THE SILVER GLOBE (1988)

THEY CAME FROM THE READER-SUGGESTED QUEUE: CALAMARI UNION (1985) / THE CALAMARI WRESTLER (2004)

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The odds that, out of the near-500 films still in our reader queue, two of them would utilize the very same chewy appetizer in their titles seem awfully remote. Yet here we are, cinematically celebrating this savory treat from Helsinki to Tokyo. So let’s see just what calamari means to these filmmakers, and whether they’d have been better off invoking jalapeño poppers.

CALAMARI UNION (1985)

DIRECTED BY: Aki Kaurismäki

FEATURING: Timo Eränkö, Kari Heiskanen, Asmo Hurula, Sakke Järvenpää, Markku Toikka

PLOT: A collection of petty criminals band together to escape the Kallio district for the greener pastures of Eira; their journey to a new neighborhood, however, will be perilous and filled with obstacles.

COMMENTS: The classic World War II caper The Great Escape is about the daring breakout of more than 80 prisoners from a Nazi prison camp. The plan requires extraordinary levels of cleverness, craftiness, and chutzpah. Even then, the odds are against them, and (spoiler alert for 80-year-old history) only three men eventually get away.

Calamari Union is The Great Escape for idiots. A collection of 14 low-level criminals all named Frank (plus an additional traveler who speaks exclusively in English that he seems to have picked up from watching movies) join forces to escape certain doom in a bad Helsinki neighborhood. Are the cops closing in? Is some crime boss about to bring the hammer down on them? No, they just don’t fit in. Too many hills, with kids and dogs running around willy-nilly. No good can come of all that. They all agree: “A sick branch must seek a healthier tree.” They must escape to the paradise of Eira.

Trouble is, they’re all comically bad at looking out for their own best interests. Upon hijacking a subway to take them to the city center, the train driver shoots one of the Franks, an event met with only casual interest from the rest of the troupe. They all independently gravitate to the same café, despite having been warned that it’s every man for himself. They chase girls, make mildly extravagant purchases, pick fights, anything to delay actually reaching their destination. Getting to the promised land would seem to be the most urgent goal, but no one is in any particular hurry to get anywhere. Even when blessed with useful skills, such as convincing a driver to hand over their vehicle with no debate, they don’t put their talents to any particular use. That, of course, is Calamari Union’s particular breed of surrealism: no one does anything logical. It’s amusing, but as aimless as the petty crooks themselves.

Many of the actors are Finnish rock musicians, which might explain the moment when the Franks all show up for a musical interlude in Continue reading THEY CAME FROM THE READER-SUGGESTED QUEUE: CALAMARI UNION (1985) / THE CALAMARI WRESTLER (2004)

APOCRYPHA CANDIDATE: BOYS GO TO JUPITER (2024)

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Boys Go to Jupiter is currently available for purchase or rental on video-on-demand.

DIRECTED BY:

FEATURING: Voices of Jack Corbett, Grace Kuhlenschmidt, , Tavi Gevinson, Julio Torres

PLOT: It’s winter break in Florida, and teenage dropout Billy 5000 is gigging to get five grand, but instead finds a donut-shaped alien creature.

WHY IT MIGHT JOIN THE APOCRYPHA: Mid-’90s-style computer-animation visuals in a mid-’00s-style slacker dramedy with a mid-’10s-style soundtrack make Boys Go to Jupiter something of a disorienting experience. Also: a dozen or so odd little aliens, a hyper-intelligent dolphin running a juice concern, and a Spanish-speaking mini-golf dinosaur skeleton.

COMMENTS: Too smart for school, but not mature enough to succeed as an adult, Billy 5000 also suffers from a strange last name, a misguided sense of purpose, and the weight of an impending technical correction crushing down on him. He seems all right, though, being one of those lucky teens: laid-back, sensible, and at least subconsciously accepting that life is stacked against him. Besides, he’s about to happen upon a singular opportunity for personal growth—it just won’t be the “Moolah” variety proselytized by the influencer he follows, or by rocking his Grubster™ gig.

Julian Glander has concocted (programmed? certainly directed) an unusual bildungsroman here, which could have so easily been drab and charmless had its pieces not been this selectively chosen and particularly assembled. The vibe from the simple 3-D animation isn’t uncanny so much as dreamlike, an element heightened by the prudent use of narrative pop songs. Billy flies above his delivery route, musing on life and wondering why everything feels so heavy… only to ground the scene with the realization he’s been carrying a sack of golf balls in his insulated delivery bag. (Freckles, the protagonist’s slightly younger—and far frecklier—friend starts as an aspiring hip-hop artist before deciding that the acoustic guitar is much more his thing: his grunge-style power ballad about different ways to eat eggs is a credit to the genre.)

The casual inclusion of outright surreal imagery is rattling, in a cute kind of way: simple faces may take up entire window frames, and, as hinted above, a Brontosaurus skeleton at a miniature golf course offers words of solace to its proprietor. Coupling the animation and the absurdity with an indie-drama vibe pays off handsomely, and that’s before we even get into the alien podcasters and dolphin machinations. Boys Go to Jupiter is both very strange and very laid-back, and zaps you for almost an hour and a half; a slice of life served up as exotic cocktail.

WHAT THE CRITICS SAY:

“…a movie notably unafraid to manifest the weirdest of the weird…”–Natalia Winkleman, The New York Times (contemporaneous)

POD 366, EP. 131: THE TRAGEDY OF VAMPIRE JIMMY AND THE TOXIC PRINCE EDDINGTON

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Audio link (Spotify)

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Discussed in this episode:

Citizen Toxie: The Toxic Avenger 4 (2000): Read Gregory J. Smalley’s review. The last of the Toxie sequels gets the same deluxe treatment as the rest of the series, infra. Buy Citizen Toxie: The Toxic Avenger 4.

Eddington (2025): Read Gregory J. Smalley’s review. Not a weird movie, but a recommended one that fans owe it to themselves to check out. Buy or rent Eddington (premium pricing).

Jimmy and Stiggs (2024): A drug addict (who might be hallucinating?) is abducted by aliens, then fights them off when they return to his apartment. The in-your-face violence of this metal, neon-soaked offering from attempts to evoke comparisons to carnage classics like Evil Dead and Dead Alive. Jimmy and Stiggs official site.

WARNING: Trailer above is NSFW (profanity and neon alien carnage)

Prince of Darkness (1987): Read Gregory J. Smalley’s review. Shout! Factory’s 4K UHD Steelbook version of ‘s strange quantum/occult horror film; contains numerous seen-before bonus features. Buy Prince of Darkness.

The Toxic Avenger (1984): Read Gregory J. Smalley’s review. The movie that put on the map is being re-released in 4K (UHD and Blu-ray) ahead of of the Peter Dinklage-led remake that will be dropping in a few weeks.  Buy The Toxic Avenger.

The Toxic Avenger Part II (1989): Read Gregory J. Smalley’s review. The first sequel leans even further into absurdity, which would be the hallmark of the series (and Troma’s output generally) going forward. Buy The Toxic Avenger Part II.

The Toxic Avenger Part III: The Last Temptation of Toxie (1989): Read Gregory J. Smalley’s review. For completeness’ sake. Buy The Toxic Avenger Part III: The Last Temptation of Toxie.

The Tragedy of Man (2011): After the fall, Lucifer guides Adam through a preview of mankind’s coming atrocities. A truly monumental release from Son of the White Mare‘s Marcell Jankovics, this era- (and animation style-) spanning epic is based on a 1861 play and took almost 25 years to complete.  Buy The Tragedy of Man.

Vampire Hunter D (1985): Read Giles Edwards’ review. Surprisingly, the original post-apocalyptic vampire OVA had never had a Blu-ray release until this year. Here it is. Buy Vampire Hunter D.

WHAT’S IN THE PIPELINE:

No guest firmly scheduled for next week’s Pod 366, although we are negotiating a date for a surprise interview. In any case, Giles will return to discuss the week’s news and new releases with Greg. In written content, Shane Wilson brings you an appetizing double feature of Calamari Union (1985) and Calamari Wrestler (2004), Giles Edwards returns with a look at the new animation Boys Go to Jupiter, and Gregory J. Smalley finally delivers on his promise to add ‘s semi-finished sci-fi epic On the Silver Globe (1988) to our Apocryphally Weird list. Onward and weirdward!

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!