RECOMMENDED AS WEIRD: VISIONEERS (2008)

Recommended

DIRECTED BY: Jared Drake

FEATURING: Zach Galifianakis, , Mía Maestro, Missi Pyle, Chris Coppola

PLOT: Repressed corporate employees the world over are literally bursting apart from frustration. Innocuous worker George Winsterhammerman must deal with his huge corporate employer’s misguided and demeaning attempts to remedy the malady. But could the source of the problem be the perpetual brain-numbing proselytizing of the very corporations themselves?

Still from Visioneers (2008)


WHY IT SHOULD MAKE THE LIST: Visioneers is an unconventional metaphor about the illogic of artificial business and social constructs.

COMMENTS: Set in the not so distant future, Visioneers is a satirical black comedy about the absurdity of corporate culture, futile optimism, and the ridiculous nature of self-help schemes. George Washington Winsterhammerman works for the fictitious Jeffers Corporation, a giant corporate bureaucracy. His mid-level workaday job is mundane and unfulfilling. The PA system bombards him hourly with optimistic corporate pep talk encouraging productivity.

Everything is business as usual until George and his personal office staff are made aware that around the world, people are spontaneously exploding—literally. The root of the problem stems from lives of quiet desperation and repression. It seems that everywhere, people are being forced to pay lip service to falsely optimistic corporate culture and to suppress human emotion and rational thought.

The constant denial of emotions, the enforced phony business visages, and the frustration of coping with senseless bureaucracies takes its toll. The pent-up stress and officially-enforced anal-retentiveness is causing employees everywhere to literally burst apart into a spray of atomized blood and body parts as surely as if a fuse had been lit to a rectally embedded stick of dynamite. The Jeffers Corporation frantically imposes an endless series of misguided remedies, accompanying them with futile reassurances and encouragement not to explode.

Meanwhile, George has his own worries to deal with. He and his wife are unhappy, he struggles with impotence, his ex-convict, whackjob brother founds a freedom-of-expression movement in George’s backyard, and George worries that he too will explode under all of the confusion and pressure. His employer and physician instruct him to relieve stress via a cascade of absurd quack remedies and bizarre devices, such as a “happiness hat” that comes equipped with a mobile of the solar system. Try as he might, George cannot make any of these remedies reduce his anxiety.  Finally, George has to confront the question of whether or not a lifestyle of mindless productivity, absurd Orwellian bureaucracy, and smiley-faced denial actually provides a positive, substantially meaningful conduit to reality and the human condition.

In the way it addresses the effect of irrational propaganda on the human psyche, Visioneers is reminiscent of Eugene Ionesco’s “Rhinoceros,” with human explosions stemming from modern workplace dogma replacing rhino metamorphosis from political indoctrination.

Visioneers furnishes an effective metaphor for the artificial constructs of the modern world. The film is very funny until it misses its chance to top its premise near the end, when it changes into a personal triumph of self-actualization for the protagonist. With great irony, Visioneers becomes the very thing that it condemns and satirizes; a sort of inspirational icon, akin to the posters on your bosses’ walls with the motivational messages printed at the bottom.

WHAT THE CRITICS SAY:

“…gently absurdist… quirky satire wears its influences on its dystopian sleeve, but an amiable cast and some surprising poignancy add up to Orwell that ends well.”–Michael Rechtshaffen, The Hollywood Reporter (contemporaneous)

41. I CAN SEE YOU (2008)

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“I CAN SEE YOU is a film about the thing that frightens me the most… my own mind… we as sentient human beings are completely at the mercy of an organ that we may never fully understand; an organ that, at the slightest malfunction, can throw our perception of reality into such chaos and confusion that we will never see or experience the world the same way again.”–Graham Reznick, from the Director’s Statement for I Can See You

DIRECTED BY: Graham Reznick

FEATURING: Ben Dickinson, Larry Fessenden,

PLOT:  Ben is a nearsighted, neurotic and painfully shy photographer/artist working for an advertising start-up firm looking to land a huge contract for the ClarActix corporation. The three twenty-something admen organize a camping trip to snap nature photos that can be used in the campaign.  At a campfire hootenanny, Ben meets a beautiful hippie girl he once had a crush on, and his awkward attempts to romance the free-spirited girl lead him to an internal breakdown that manifests itself in a series of unnerving surrealistic montages.

Still from I Can See You (2008)

BACKGROUND:

  • Director Graham Reznick accumulated over a dozen credits on low-budget films in the sound department before helming I Can See You, his first feature film.
  • I Can See You is the fifth in the “Scarefilx” series executive produced by Larry Fessenden (who also appears in the movie as the ClarActix spokesman).  According to its press release, the Scareflix series is “designed to exploit hungry new talent and inspire resourceful filmmakers to produce quality work through seat-of-the-pants ingenuity.”
  • Actors Ben Dickson, Christopher Ford and Duncan Styles, who play the members of the three man advertising firm in the film, are part of Waverly Films, a YouTube based comedy troupe that makes ad parodies, among other sketches.
  • Composer Jeff Grace was an assistant to Howard Shore on The Lord of the Rings films.

INDELIBLE IMAGE:  Relying as it does on the montage style for its unsettling effect, I Can See You is filled with memorable imagery.  The briefly seen double-image of Ben is sublimely creepy, so much so that a variation of it was used for the original movie poster (unhappily abandoned in favor of a forgettable still of Ben shaving for the DVD release).  It’s Ben’s unfinished, faceless portrait of his father, however, which recurs several times in different contexts, that is the film’s most important visual symbol.  If you stare at the painting long enough you can make out tiny indications of eyes and a mouth, which makes the picture even more uncanny than pure blank flesh would be.

WHAT MAKES IT WEIRD:  I Can See You is one of the trippiest, druggiest movies to come down the pike since the psychedelic Sixties; the last sequence plays like a twenty-minute, long-take hallucination shot on location inside Ben’s splintered mind.

Official trailer for I Can See You

COMMENTS: I Can See You‘s strategy is to slowly build up a storehouse of images, then Continue reading 41. I CAN SEE YOU (2008) →

CAPSULE: S. DARKO (2009)

DIRECTED BY: Chris Fisher

FEATURING: , Briana Evigan, Ed Westwick

PLOT: Samantha Darko goes on a cross-country road trip and learns along the way that, once again, the world will end at a predetermined time unless she figures out a way to stop it. Where’s Jake Gyllenhaal when you need him?

Still from S. Darko (2009)

WHY IT WON’T MAKE THE LIST: In a way, S. Darko is an oddity itself; its very existence is questionable to anyone who has ever seen the original. But the only weird thing about this movie is how much it missed the mark. It’s a cheap teen thriller looking for a quick direct-to-DVD freak-show buck, not a captivating look at angry youth, mental illness, and time travel.

COMMENTS:  In this direct sequel to Donnie Darko, a movie that couldn’t have needed a sequel any less, we follow the exploits of Samantha Darko, Donnie’s little sister, who lost interest in the preteen dance group Sparkle Motion and went about growing up. She decides, or perhaps her BFF Corey decides for her, that she wants to become a professional dancer. They take a road trip from Virginia to California seeking this lofty goal, but their car peters out in rinky-dink 90s Utah. From there, they meet a couple locals, and everything seems peachy until BAM! time travel stuff happens again; not because of some real world-shattering drama, but through the power of friendship (???) The whole concept is somehow more bogus than before, and the suspension of disbelief is infinitely harder to maintain. It’s a bland pastiche of ideas presented in the first film blended together with sexy ladies and 90s slang that weakly mimics Richard Kelly’s original like a parrot without a beak. There’s none of the spirit of Donnie Darko to be found here that would even qualify this movie as a spiritual successor. S. Darko has a hollow concept that could have been designed to boot up a franchise involving time traveling teens with washboard abs. I’m not a slavish follower of the original, but Kelly had inspiration, and at least a vague idea of where to place a camera to make the most of a scene. S. Darko is all textbook pap, and while I don’t think I would travel back in time to un-watch this movie (as that is the single lamest reason to time travel ever) I won’t look back on it fondly, to say the least.

WHAT THE CRITICS SAY:

“S. DARKO is intriguing, and its actors come off well, but there’s no way of escaping comparisons to DONNIE, a truly special film…While you can tell it’s trying as hard as it can, and takes things a little further and into weirder territory in the process, the soul just isn’t there.”–Samuel Zimmerman, Fangoria

CAPSULE: WHERE THE WILD THINGS ARE (2009)

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DIRECTED BY:  Spike Jonze

FEATURING: Max Records, voices of , Lauren Ambrose,

PLOT: A troubled, rambunctious boy travels to a land where wild beasts anoint him their king, but discovers that socialization is a struggle even in his imagination.

STill from Where the Wild Things Are (2009)

WHY IT WON’T MAKE THE LIST: Jonze slips a couple of odd visions into this ersatz kiddie fare; watch for the giant dog on the horizon, the friendly stoning of a few owls in flight, and a surprising limb-rending scene. The director fills the frame with scattered cuddly monsters of childhood psychology, but there’s not enough of the frantically irrational here to justify a weird rating.

COMMENTS:  It’s been only a few weeks since Where the Wild Things Are‘s release, and the movie already comes with its own critical cliche: this isn’t a children’s movie, it’s a movie about childhood. Like most cliches, there’s truth in the observation, and I have empirical evidence to back it up: I saw the film in the company of a 9 and an 11 year old, and they found it boring. As a boy, I would have found it boring too; there’s not much narrative thrust to the film, and its conflicts are complicated and interpersonal. To a kid, the tale itself is a mundane series of playground antics played out in an exotic setting—Max and his monster pals build a fort, engage in a dirt clod war, and favoritism and hurt feelings take over until someone decides to take their ball and go home—not a magical adventure they can get lost in. They’ll take some delight in beasts themselves, who are attractive and tactile with surprisingly expressive CGI faces: Muppets from the id. But the complex childhood psychology, while fascinating to nostalgic adults, will go right over their heads, the omnipresent womb imagery won’t make a dent in their little psyches, and the melancholy moral about accepting one’s limitations will be hard to absorb.

Each of the wild things Max encounters in his flight of fantasy represents some childhood preoccupation of his, and although it’s easy to see connections between the individual beasties and his real life, the symbolism is complex and mixed-up, just the way a real child’s dreams would be. There isn’t a simple one-to-one correspondence between each beast and a real life character.  Carol, who’s creative (and, like our hero, intensely destructive whenever he feels his creativity is being impinged upon), is Max’s main alter ego, but Carol also seems to represent Max’s absent father. KW, who is drifting away from the family unit to make new friends of her own, is simultaneously Max’s teenage sister and his mom, who has a new boyfriend. Other wild things represent various facets of childhood experience—there’s a goatlike being who complains he’s constantly being ignored, and the cynical horned woman who champions the defeatist voice inside us all. Getting along with these competing aspects of himself proves as difficult to Max as getting along with playmates and family in the real world. It ends as a sort of Jungian tragedy, as Max fails to integrate and harmonize the competing aspects of himself. The closest thing to an epiphany Max achieves is his disillusionment when he abdicates, admitting he’s been lying to these beasts he sought to rule. He’s not a king, or even a great explorer: “I’m just Max.” “Well, that’s not very much, is it?” shoots back his disappointed monster alter-ego, Carol, who longed for a monarch to bring order to their disintegrating fantasyland. Max has no answer to this self-riposte. His only solace is that he has a lifetime left to devise a comeback.

The grapevine says that Warner Brothers pressured Jonze to do some serious reshooting after his initial, even darker cut had tykes in tears at test screenings. It will be interesting to see if the inevitable director’s cut delivers something even more idiosyncratic and uncompromising, maybe even a tad weird.

WHAT THE CRITICS SAY:

“Max’s dilemma and emotions are distilled to their essence, so the way his real-life suffering informs his dreamscapes becomes unmistakable… more than just a visual feast; it’s a blissful evocation of imagining as a process of spiritual maturation.”–Ed Gonzalez, Slant Magazine

WHAT’S IN THE PIPELINE

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Finally, we have an early frontrunner for weirdest movie of 2009! But what is it?  Spike (Adaptation) Jonze’s Where the Wild Things Are?  The independent twentysomethings-get-slaughtered-in-the woods horror film I Can See You?  Or are we contrarians who actually liked the widely despised Donnie Darko direct-to-DVD sequel, S. Darko? Check this space in next week to find out the shocking answer!

For our “weirdest search term used to locate the site” pick of the week, we’re dipping back into the overflowing “disturbing” file for “watch free rape nuns movies in the farms.”  We find this request both disquieting and encouraging.  The weird specificity of the search: not only “nuns,” but nuns “in the farms”—sets it apart from the generic sordid “watch free rape movies” garbage we get all the time.

But why in the world would we find a rape search encouraging?  Because it came from the Islamic Republic of Egypt.  I say this more than half-seriously: porn will destroy Islamic fundamentalism.  By pumping free porn behind enemy lines via broadband, we teach them the true value of freedom.  It may be a NeoCon myth that the huddled masses out there all yearn to be free, but they most certainly yearn to masturbate to freaky porn.  Show them a vision of a land overflowing with free rape movies, and they will eventually demand their governments give them the same freedom.  Worldwide democracy and an unprecedented era of global peace will inevitably follow.

On a more pleasant note, we finally have a Miss Weird Movie 2009!  Her name is Lola, and her favorite site is http://366weirdmovies.com!

missweirdmovies2009

Much thanks to the anonymous webmaster who spammed our server logs with this autogenerated image in order to promote some service or other, I forgot what it was.

Thanks to our decision to focus on 2009 releases, the reader-suggested review queue is growing quite unruly: Greaser’s Palace (substituted for Institute Benjamenta), Waking Life, Survive Style 5+, The Dark Backward, The Short Films of David Lynch, Santa Sangre, Dead Man, Inland Empire, Monday (assuming I can find an English language version), The Abominable Dr. Phibes, Barton Fink, What? (Diary of Forbidden Dreams), Meatball Machine, Xtro, Basket Case, Suicide Club, O Lucky Man! , Harmony Korine’s Trash Humpers (if it’s released), Takashi Miike’s Gozu, Tales of Ordinary Madness, The Wayward Cloud, Kwaidan, Six-String Samurai, Andy Warhol’s Trash, Altered States, Memento, Nightmare Before Christmas/Vincent/Frankenweenie, Johnny Got His Gun, and The Science of Sleep.  Although we’re focusing on 2009 release at the moment, Johnny Got His Gun is likely to jump the line due to the fact that this long-unavailable movie finally got a DVD release this year.

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