57. GOZU (2003)

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AKA Gokudô kyôfu dai-gekijô: Gozu (full Japanese title)

INDIEWIRE INTERVIEWER: Are there any themes or images you find too upsetting or disturbing to show?

MIIKE: Normal things.”

RecommendedWeirdest!

DIRECTED BY: Takashi Miike

FEATURING: Yûta Sone, , Kimika Yoshino

PLOT:  Minami is a journeyman yakuza whose boss Ozaki is going insane, and who has been ordered by higher-ups to see to it that he is killed.  Since Ozaki once saved his life, Minami is conflicted about the assignment; but fortunately, an accident seems to take care of the problem for him.  That is, until the presumptive corpse disappears while he is stopped in a strange town outside of Nagoya, and Minami launches a desperate search for his boss that leads him into a surreal labyrinth of malleable identities.

Still from Gozu (2003)
BACKGROUND:

  • Gozu was one of five movies the prolific Miike made in 2003.
  • “Gozu” means cow’s head, and the full Japanese title translates literally as Grand Theatre of Perversion and Fear: Cow’s Head (sometimes translated as Yakuza Horror Theater).
  • Like many of Miike’s films, Gozu was originally intended as a direct-to-video release.  A successful Cannes screening got the movie noticed, and it was able to get wider theatrical distribution.
  • Harumi Sone, who plays the small role of the Inkeepers Brother, is the father of star Yûta Sone, and the executive producer of the film.  He brought the idea of casting his son in a yakuza film to Miike, though it’s reasonable to suspect he had a more traditional film in mind.

INDELIBLE IMAGE: In a film full of shocking imagery, the obscenely drooling cow-headed man who slowly approaches Minami to lick his face stands out.

WHAT MAKES IT WEIRDGozu may be the culmination of Miike’s “weird and perverted” phase, loaded with his particular fetishes and combining the two genres he works best in: horror and the yakuza (mobster) film. With its Eraserhead-like aura of personal alienation and fearsome psycho-sexual nightmares, bizarre identity shifts, and a cow-headed man as a mascot, Gozu‘s weirdness is never in doubt.

Japanese trailer for Gozu

COMMENTS:  Sexual repression always makes a good base for a weird movie.  Our libidos Continue reading 57. GOZU (2003)

WHAT’S IN THE PIPELINE

First off, apologies for the advertising creeping onto the site.  It’s only going to get worse in the coming weeks and months, as we try to reach the level where the site can pay for its own hosting fees, but I will always try to keep it as unobtrusive and relevant as possible.

Next week, you can expect to see reviews of Takashi Miike‘s Gozu, and a reader review of Big Man Japan.  We’re hoping (no promises yet) to add a review of Suicide Club for an (almost) all “weird Japan” week—that is, until Thursday, when Alfred brings us another in his ongoing survey of the offbeat world of B-Westerns.

As for the weirdest search term used to locate the site this week, we had the usual string of fetish porn requests, including (among the printable and least disturbing ones) “penis weird movies” (a legitimate quest to find Taxidermia?)  We’ll go in a more PG related direction, however, and select “Dracula eye trick”: was the searcher looking for info on how they lit Bela Lugosi’s eyes, or advice on how to hypnotize potential victims just by looking at them?

The reader suggested review queue looks like this: Suicide Club (hopefully next week);  Gozu (next week); Trash Humpers (DVD release is imminent, but this will probably be pushed back while we wait for it); Tales of Ordinary Madness; The Wayward Cloud; Kwaidan; Six-String Samurai; Andy Warhol’s Trash; Altered States; Memento; Nightmare Before Christmas/Vincent/Frankenweenie; The Science of Sleep; The Attic Expeditions; After Last Season; Getting Any?; Performance; Being John Malkovich; The Apple; Southland Tales; Arizona Dream; Spider (2002); Songs From The Second Floor; Singapore Sling; Alice [Neco z Alenky]; Necromentia; Hour of the Wolf; MirrorMask; Possession; Suspiria; Mary and Max; Wild Zero; 4; Nothing (2003); The Peanut Butter Solution; Ninja Scroll; Perfume: The Story of a Murderer; Danger: Diabolik; Faust; Sublime; Battle Royale; Pink Floyd: The Wall; Escanaba In Da Moonlight; Jesus Christ, Vampire Hunter; Zardoz; The Films of Suzan Pitt; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; 964 Pinocchio; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel; Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; Primer; Maniac (1934); Hausu; A Boy and His Dog; 200 Motels; Walkabout; Private Parts (1972); Possession; Saddest Music in the World; Mulholland Drive; The American Astronaut; Blood Tea and Red Strings; Malice in Wonderland; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Chocolate Factory ; The Bride of Frank; La Grande Bouffe; Uzumaki [Spiral]; Hedwig and the Angry Inch; Even Dwarves Started Small; Bunny & the Bull; “I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney” (assuming I can find it); Cinema 16: European Short Films; Freaked; Session 9; Schizopolis; Strings; Dellamorte Dellamore [AKA Cemetery Man]; The Hour-glass Sanatorium [Saanatorium pod klepsidra]; The Addiction; Liquid Sky; The Quiet; Shock Treatment; Tuvalu; “Zombie Jesus” (if we can locate it); 3 Dev Adam; Fantastic Planet; “Twin Peaks” (TV series); Society; May; The Adventures of Buckaroo Banzai Across the 8th Dimension; Little Otik; Final Programme; Careful; Sweet Movie; The Triplets of Belleville; “Foutaises” (short); Johnny Suede; and “Jam” (TV, UK, 2000).

SATURDAY SHORT: THE FOX AND THE RABBIT (2006)

The band Xiu Xiu (named after the award-winning Chinese film, Xiu Xiu: The Sent Down Girl) is anything but conventional, so it’s only fitting that the strange and innovative Cam Archer should direct the cinematography for their song, “The Fox and the Rabbit”.  Instruments, lyrics, imagery: everything comes together in this short to create an experience you won’t take lightly. “When the fox hears the rabbit cry, he comes running… but not to help.”

WEIRD HORIZON FOR THE WEEK OF 5/7/10

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Trash Humpers (2010): Harmony Korine’s latest follows a gang of elderly Peeping Toms around in low-grade video as they engage in trash humping and other activities.  Reviews have been on the poor side of divided, but then the critics (including us) didn’t “get” Gummo, either.  Opens in NYC next week, with scattered showings across major U.S. cities through the summer.  We’re probably going to have to wait for DVD.  Trash Humpers official site.

SCREENINGS (ANTHOLOGY ARCHIVES, NYC)

DDR/DDR (2010): Descriptions of this collage-style documentary on the vanished East and West Germany sound like first drafts of a masters’ thesis, full of terms like “propositional” and phrases like “a self-reflexive inquiry into non-fiction film.”  It’s a “dreamlike” “ciné-constellation,” but jargon aside, the idea of a free-association visual essay mixing up historical surveillance footage with interviews with a group of German “‘Redskin’ Indian hobbyists” has real potential to weird-up the reality-bound documentary genre.  DDR/DDR official site.

NEW ON DVD:

Nine (2009):  Read our capsule review.  Adapting Federico Fellini’s relationship problems into a musical is a “small-w” weird concept, but with Oscar aspirations, the movie succeeds in being as conventional as it can. Buy Nine.

NEW ON BLU-RAY:

Nine (2009): See entry in DVD above. Buy Nine [Blu-ray].

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE

Fantasy Mission Force (1982): This is a great, crazed, weird kung-fu comedy about a gang of misfits (including a young Jackie Chan) who brave a haunted house and fight Amazons, among other obstacles, in their quest to rescue Abraham Lincoln from the Soviets. That description barely scratches the surface of the lunacy of this movie, which also mixes in musical numbers and violent, epic gun battles. The legitimacy of this release is questionable, but as long as YouTube is OK with it, we’ll give them the benefit of the doubt. This may disappear soon. Watch Fantasy Mission Force free on YouTube.

Hamlet (2007): A surrealistic rendition of the Shakespeare tale focusing on the supernatural elements with minimalist sets. Very few people have seen this, including us. Watch Hamlet free on YouTube.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

MYSTERY RANCH (1932) & MYSTERY RANCH (1934)

Two B westerns, two years apart with the same title.  Both are off the beaten path and good in their own way.

First is the 1932 Mystery Ranch, atmospherically directed by David Howard and starring George O’ Brien.  This Ranch might be aptly described as a Gothic western, often looking more like an early thirties horror film than a western.  Charles Middleton is a tyrannical land baron and a piano playing, manipulative sadist who is holding his dead partner’s daughter, Cecilia Parker, hostage in order to force her into marriage and seize control of the Arizona valley.  Middleton is so chilling, so slimy that he leaves a trail and, in the process, steals every scene he is in.  Joseph August’s expressionistic camerawork certainly helps when the villain is so moodily lit.  You know from that outset that any villain who would stoop to bullwhipping a deaf-mute native American henchman is going to mean trouble for O’Brien, and our hero has his hands full trying to save the fair maiden from her evil guardian.

Mystery Ranch (1932) is suspenseful to the nail-biting level, has a great action sequence, is aptly scored, and climaxes with a great end for the villain.  Many of O’ Brien’s westerns were a notch above (of course, quite a few were several notches below) and the star holds his own with Middleton.  The scene in which the two are riding side by side, playing a suave cat & mouse dialogue until Middleton lays it all down, has a quality similar to the best James Bond/villain scenes.

At the opposite end of the spectrum is Mystery Ranch (1934), directed by B.B. Ray and Starring perennial “B” favorite Tom Tyler (who also played a strange Mummy in Universal’s The Mummy’s Hand).

This Mystery Ranch opens with a bizarre scene in grotesque, high melodramatic, grand stand vaudeville style.  The added-on, delivered dialogue is just as flowery and absurdly theatrical.  It turns out that it’s just a scene from the latest book of pulp novelist Tom Tyler.  Tom’s daddy lectures his son for trivializing the west.  Soon, an opportunity comes, in the form of a invitation by letter, for Tom to get a glimpse of the real west.  Tom goes to visit The Mystery Ranch.  Only, it’s a scam to get some publicity for the ranchers, who, at first see Tom merely as a hack dime western novelist.  They stage a fake lynching, hold-ups, and a duel.  Tom gets wise and decides to turn the tables on his pranksters.  Of course, a real hold-up takes place and it’s a case of “the boy who cried wolf.”  The real hold-up scenario gets mixed up with Tom’s fake hold-up, which in turn gets another “one good gag deserves another good gag” gag.  One halfway expects Tom to shout out, “Let’s go play hide and seek!”

This film plays, at time, like an unintentionally surreal sitcom comedy filtered through B-western sensibilities. Of course there is a pretty girl and the obligatory fight between the real bad guys and Tom, in tight jeans,over some stolen gold bullion. There is even a spanking and, of course, a happy ending, with Tom proudly proclaiming “Now I have a great idea for new story,” getting the pretty girl and a last line of comedy relief.  A real curio.

Opening to Mystery Ranch (1934)

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