CAPSULE: THEY SAVED HITLER’S BRAIN (1963/197?)

Beware

DIRECTED BY: David Bradley/an uncredited director

FEATURING: Walter Stocker, Audrey Caire, Carlos Rivas, Dani Lynn, Bill Freed

PLOT: They (renegade Nazis in South America) saved Hitler’s brain (actually, his entire head).

Still from They Saved Hitler's Brain

WHY IT WON’T MAKE THE LIST:  They Saved Hitler’s Brain is awfully strange, and strangely awful, but it has one huge strike against it: most people would rather cut off their own head than wade through the nonsensical plot just to see a few brief moments of a Hitler impersonator in a pickle jar.

COMMENTS: If you pick up Hitler’s Brain on a lark because of the title and pop it into the DVD player without any sort of background information, you’re going to be terribly confused.  In one scene, some dull-witted secret agents in miniskirts and bushy Nixon-era haircuts are lackadaisically investigating a research scientist’s assassination; then, in the next scene, men in starched suits with narrow lapels and sturdy Eisenhower-era ‘dos are sitting in at a no-dames-allowed intelligence briefing. We watch people we don’t know get abducted by gunmen in sedans while the female agent calmly watches, then follows from her Volkswagen bug, taking care to stay out of the same shot with the kidnappers.  It’s almost as if someone took two separate movies and slapped them together to make one longer feature (and that impression grows even stronger during a chase scene when the prey is fleeing at night, but the pursuers are chasing him during broad daylight).  In fact, that’s exactly what happened: by all accounts, Hitler’s Brain was the result of persons unknown shooting 20-30 minutes of additional footage to add to a ten-year-old B-movie titled Madmen of Mandoras so that it would be long enough to fill a two-hour television time slot.  The newcomers made little attempt to match the film stock or wardrobes of their additions to the style of the older movie. The main dramatic effect of the added chapter is that, one third of the way through the movie, the lives of the people we assumed to be the hero and heroine are senselessly wasted in what turns out to be a meaningless subplot.  The original Madmen of Mandoras footage is more enjoyable than the newly shot scenes, in the same way that herpes simplex I is more enjoyable than herpes simplex II.  The entire plot, of course, is completely absurd (there’s not even an attempt to explain why Hitler thought it necessary to cut off his own head in order to escape the Allies), and while the movie never quite rises to the level of the truly weird, there are plenty of odd, ridiculous moments: the casual stuffing of a dead body into a phone booth, fact the Mandoran operative insists on calling Hitler by the pet nickname “Mr. H,” and a beatnik chick with a crazy made-up hepcat lingo (“never glum a pony in the tonsils!”)  There’s also the occasional strangely evocative, expressionist shot—as when Nazi soldiers appear in a doorway framed so that their heads are missing—to remind you that filmmaker David Bradley (whose first movie credit was directing Charlton Heston in an adaptation of Peer Gynt) isn’t a complete hack.  Those flashes of talent make the existence of this incompetently plotted movie even more mysterious. Of course, the movie’s chief attraction is the bodyless head man, and Hitler’s brain—er, head—indeed steals every scene he’s in.  The Nazi noggin (played in equal parts by actor Bill Freed and a wax sculpture) only remembers two words of German (“macht schnell!”) but is capable of conveying ludicrous emotions with the body parts he has left, grinning evilly when his henchmen are shot and darting his eyes from side to side nervously when danger approaches.  Still, the pleasures of this film are few and far between; it’s more a movie to watch just to brag that you’ve seen it, rather than something to check out for actual entertainment purposes.  It’s not impossible to enjoy Hitler’s Brain, but to do so will probably require a small group of quick-witted friends ready with quips locked and loaded, and a large supply of adult beverages for anesthetizing your own brain.

We don’t usually link to these kinds of comedic reviews, but this guy’s badmovies.org synopsis/review is worth reading, if overlong and over-sarcastic. They Saved Hitler’s Brain is frequently packaged together with other el-cheapo drive-in films and is available as part of several different collections, including Drive-In Cult Classics, Vol. 2 (8 movies, including the original uncut Madmen of Mandoras for comparison purposes) and Mill Creek’s Pure Terror 50 Movie Pack (where it plays alongside Manos and Horror Rises from the Tomb).

WHAT THE CRITICS SAY:

“[The added prologue] only adds confusion and a sense of weirdness, as it is patently obvious that the new footage does not match the footage of MANDORAS in any way… [the movie] really only has a great bad title and a couple of campy scenes that entertain; the rest is snoozefest incarnate.”–Dave Sindelar, Fantastic Movie Musings and Ramblings (DVD)

WHAT’S IN THE PIPELINE

Next week, we’ll have reviews of the “classic” title They Saved Hitler’s Brain (a movie that’s probably better read about than seen), Alfred will finish up his series on the films of Tod Browning with the offbeat auteur’s final film, Miracles for Sale (1939), and we’ll take a second look (long-time readers will realize what that means) at what may be the weirdest movie ever to win a major Oscar, Black Swan.

As a special bonus, we’re working on a mini-guide to Mosfilm’s free English-subtitled movies on YouTube.  Some of you may know that the venerable Soviet studio dumped a bonanza of films onto YouTube—a fantastic service to lovers of world cinema, right?  The only catch is they listed all the titles and descriptions in Russian, with no indication of which movies are subtitled in English (many are).  Thanks to friend-of-366 Irene Goncharova, who’s previously given us the lowdown on Russian cult director Rustam Khamdamov, we’ll be able to at least provide you with some titles, guidelines and recommendations to exploring the musty archives of Soviet films—there are some real treasures hidden there (the classic horror film Viy, for example).

Turning to our weekly recap of weird search terms used to locate the site: we took note of the request for some “bizarre necrophilia” only because of the implication that the searcher didn’t want to be bothered with any of that ho-hum, boring, overexposed necrophilia we average folks encounter everyday.   We’re not sure whether or not we had the answers for the pers0n who came here looking for “movies that freaks would like,” but we sincerely hope we could be of service.  We award the runner-up trophy for weirdest search term of the week to “bigman grrrrrr,” one of those search terms that makes us go, “huh”?  But our winner this week goes to the phrase “we must whup tooth decay.”  We endorse the sentiment, but we’re not sure exactly why the searcher thought we could help… well, whupping tooth decay is a good cause, and any publicity is good publicity.

Here’s that comically long reader-suggested review queue (more titles after the break per usual): Perfume: The Story of a Murderer; Lunacy [Sílení]; Inmortel (2004); Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; Primer;  A Boy and His Dog; 200 Motels; Private Parts (1972); Saddest Music in the World; Continue reading WHAT’S IN THE PIPELINE →

366 UNDERGOUND: SLIMED (2010)

366 Underground is an occasional feature that looks at the weird world of contemporary low- and micro-budget cinema, the underbelly of independent film.

DIRECTED BY: Eric Manche and Jeff Nitzberg

FEATURING:  Jordan Lee, Dustin Triplett, Jessica Borusky, Chris Gorges, Mewgen, Ben Powell

PLOT: Atheist park ranger Rock Rockerson is forced into an unlikely partnership with Bible

Still from Slimed (2011)

salesman PePe in an attempt to save his beloved national park, but they both accidentally discover a sinister and slimey conspiracy that threatens the entire world.

COMMENTS: This did not turn out anything like I expected.  What I expected was another clone of the Evil Dead 2/Troma-esque type of low-budget film, with nudity and pointless gore. Fortunately, Slimed turned out to be much lighter than that.  As a student project/calling card, it’s pretty OK, although at 60 minutes long it would be a much more effective film if it was either shorn about 2/3 of its running time, or had just gone for broke and added 15 more minutes or so to make a full feature.  A good portion of the film’s midsection (where the super-villain and his plan are revealed, leading to an escape and battle with child minions) goes on for far too long, time which could’ve been spent in more escapades with the main characters.

The highlights in terms of weirdness: there’s a magical gateway to a corporation guarded by a depressed wizard cat, the evil super-villain is a puppet mouse who believes he’s human, and his corporate minions are children who have the ability to fly like bats and who explode upon impact.  Additionally, the performances are deliberately skewed and exaggerated, but it comes from trying too hard, rather than any sort of intrinsic weirdness.  It’s like a would-be cult film looking for its cult members, but it’s definitely on the borderline of being a weird film.

Slimed official site

WEIRD HORIZON FOR THE WEEK OF 6/16/2011

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Summer blockbuster season is upon us; there’s nothing really weird in theaters right now (unless you find movies about a telepath and a shapeshifter teaming up with the CIA to recruit a squad of teenage mutants in order to head off the Cuban missile crisis “weird”—we don’t). That’s no surprise, considering the season, but there’s an unusual drought in offbeat video releases this week, too.  Don’t panic; there’s good stuff coming in the near future, we swear…

SCREENINGS (West Hollywood, CA, Laemmle Sunset 5, June 24):

Butterfly (2010): A deranged fan kidnaps a direct-to-DVD horror auteur to show him her line of avant-garde snuff films.  It looks like this will play the same theater again on 7/29 and 8/26, but we have no further information on future screenings or a DVD release.

NEW ON DVD:

Insignificance (1985):  In a week where we’re struggling to find weird things to watch, we may have to settle for Nic Roeg‘s 1985 adaptation of a play about an imaginary meeting between Albert Einstein, Marilyn Monroe, Joe DiMaggio and Senator Joe McCarthy.  Not too bizarre, but Roeg certainly has his weird fans—and it’s from Criterion, which is a plus.  Buy Insignificance [Criterion Collection].

NEW ON BLU-RAY:

Heavy Metal (1981):  Eight animated tales involving busty spacewomen, loosely revolving around an evil glowing green rock.  Naughty, nerdy science fantasy animation set to a hard rock soundtrack, unapologetically aimed at young males; this piece of 1980s nostalgia is a guilty pleasure for many and a cult movie in the purest sense.  Buy Heavy Metal [Blu-ray].

Insignificance (1985): See description in DVD above. Buy Insignificance [The Criterion Collection Blu-ray].

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE:

The Thirteenth Floor (1999): A scientist must enter a computer-simulation of 1930s Los Angeles to discover the truth about a murder in this recursive virtual reality thriller that was overshadowed by The Matrix on release. The Detroit News called it “a film about deeply confused people that seems likely to put viewers in a state of deep confusion for most of its running time.” Watch The Thirteenth Floor free on YouTube.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!