Category Archives: Miscellanea

WEIRD HORIZON FOR THE WEEK OF 12/4/2020

366 Weird Movies may earn commissions from purchases made through product links.

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs and Blu-rays (and hot off the server VODs), and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

IN THEATERS (LIMITED RELEASE):

Black Bear: A couple host a filmmaker at their lakeside retreat; drama and mind games ensue. Producers are keeping the plot details obscure, but it’s been described as “mind-bending.” In theaters somewhere, but due to the pandemic, expect VOD to be the main venue. Black Bear official site.

FILM FESTIVALS – Slamdance (Online, Feb. 12-25, 2021):

While we await announcement of the 2021 Sundance lineup (which will be held virtually and at scattered venues across the USA), Slamdance, Park City’s younger, punkier counterpart that’s restricted to films with budgets under $1 million, has finalized its plans. This year’s festival will be held largely online, with a couple of drive-in debuts at Joshua Tree and Los Angeles. But the best part is, it’s free to the public—if you sign up before December 31. (It’s $10 for an online festival pass thereafter).

As usual, it can be hard to tell what might be weird based on just the one-sentence synopsis, but we hold out some hope for the following entries:

    • Hurrah, we are still alive! – An artistic commune of filmmakers awaits the return of the Director, who disappeared without a trace, despite his absence, the Director seems to control all of the troupe’s actions
    • Man Under Table – In an anachronistic dystopian landscape, a beleaguered young man attempts to navigate his way through the indie film scene in LA.

Slamdance official home page.

IN DEVELOPMENT:

“Wisteria” (2021?): That’s the working title for a new series to screen on Netflix. There are basically no other details than this—not enough for solid speculation, at least. It’s probably not a new season of “Twin Peaks,” as Mark Frost has denied any participation in the project. We’ll just have to wait and see. A few more details at What’s on Netflix.

NEW ON HOME VIDEO:

Crash (1996): Read Shane Wilson’s apocrypha candidate review! The Criterion Collection adds ‘s tale of sex and car crashes to its catalog, on DVD or Blu-ray. Buy Crash.

The Fifth Element (1997): Read our review. Testifying to its continued power and popularity, ‘s wildly overstuffed sci-fi cult film is now released on 4K Ultra disc (with a standard Blu-ray included). Buy The Fifth Element.

Greatland (2020): A timely, low budget psychedelic satire pitching itself as “the most WTF film of 2020,” starring an (unrecognizable) Eric Roberts. The trailer got almost half-a-million views, but it just recently showed up on Amazon Prime (free to subscribers) with no fanfare. Watch or rent Greatland.

CANONICALLY WEIRD ONLINE SCREENINGS:

The Cabinet of Dr. Caligari (1920): Featuring the 2020 electro-acoustic score by the Invincible Czars. Half of the proceeds benefit Tuscon’s Loft Cinema. Carried over from last week. Buy tickets for online screening of The Cabinet of Dr. Caligari.

CANONICALLY WEIRD (AND OTHER) REPERTORY SCREENINGS:

Theaters across North America are shuttering-up again as a new wave of coronavirus hits, and we’re down to a single canonically weird drive-in screening to report. If things don’t get worse, they’ll get better next week.

FREE MOVIES ON TUBI.TV:

Akira (1988): Read the canonically weird entry! The seminal weird anime export about a telekinetic maniac wrecking neo-Tokyo. Dubbed version only, and not from the newly restored print, unfortunately. Listed as “leaving soon.” Watch Akira free on Tubi.tv.

WHAT’S IN THE PIPELINE: As you hopefully already read, our 2020 Yearbook is now out—on Kindle only. (The print version should be ready next week, and hopefully/possibly as early as this weekend.) You can read more about it in our announcement post, or if you’d like to purchase the Kindle version immediately and without further thought you can do so through this link.

Also, you have until Sunday to nominate a film for our December Netflix watch party. You can do so here.

With the Yearbook out of the way, next week we’ll be returning to a full lineup of reviews. Pete Trbovich catches us up on one of the classics we have yet to cover, Nausicaä of the Valley of the Wind (1984). Giles Edwards can’t resist anything with , so he jumps at the chance to review the jejune Jiu Jitsu (2020). And will dip into the long-neglected reader-suggested review queue for a peek at the 2004 serial killer comedy (?), Lucky. Onward and weirdward!

What are you looking forward to? If you have any weird movie leads that we have overlooked, feel free to leave them in the COMMENTS section.

THE 2020 YEARBOOK IS HERE (KINDLE EDITION)

Last year, for the first time ever, we actually debuted our annual Yearbook before the middle of the following year. (We changed our calendar year to run from November to November—December is usually a light month for weird movies anyway.)

366 Weird Movies 2020 Yearbook (Kindle )This year, we’re keeping pace.  In fact, the Kindle version debuted yesterday, and the print version should be ready in just a few days. If you can’t wait for print, here’s a link to buy our Kindle.

Besides being out on time, we’re continuing the format changes from last year’s edition of the Yearbook, which will hopefully increase the already inestimable pleasure you take from each annual:

  • An advance peek at the top 10 weird movies of 2020, before the year is even over!
  • 70+ reviews of 2020 releases and re-releases, plus coverage of innumerable (that means we didn’t bother to count them, right?) film festival favorites (and less-than-favorites).
  • A new never before published bonus review.
  • Previously unprinted transcript of our interview with Jesus Shows You the Way to the Highway writer/director

All profits derived from your kind purchase will go towards paying our hosting costs. As always, any leftover monies will be wasted on our staff’s relentless and desperate pursuit of hedonistic excess. And, since it’s 2020, on toilet paper.

It’s been a crappy year. Buy this and make it just a little less crappy for both of us.

DECEMBER NETFLIX PARTY NOMINATIONS

We’re currently sticking to our plan of one Netflix and one Amazon Prime watch party per month. It’s Netflix’s turn.

We’re open to suggestions for different starting times, dates, or methods of propagating the watch link.

Our next Netflix Party will be scheduled for Saturday, Dec. 12 at 10:15 PM. We’ll take nominations for movies to screen in the comments on this post up until next Sunday (Dec. 6), then put up a voting poll.

The Canonically Weird movies on Netflix that we haven’t yet screened yet are Being John Malkovich (1999), A Clockwork Orange (1971), Eternal Sunshine of the Spotless Mind (2004), Kung Fu Hustle (2004),  Neon Genesis Evangelion: The End of Evangelion (1997), Pan’s Labyrinth (2006), Scott Pilgrim vs. the World (2010), A Serious Man (2009), and Swiss Army Man (2016). Feel free to nominate any of these, or ignore them in favor of other selections. You can nominate something you nominated before, but not something we watched in a previous party: so no The Platform, April and the Extraordinary World, The Bad Batch, Skins [Pieles], Under the Skin, The Killing of a Sacred Deer, Enemy, A Ghost Story, Escape from the ‘Liberty’ Cinema, Between Worlds, Buster’s Mal Heart, The Aerial [La Antena], The Endless, The Wicker Man (1973),  Murder Party (2007), I Lost My Body (2019), I’m Thinking of Ending Things (2020), We Have Always Lived in the Castle (2018), or Cadaver (2020).

To participate, you’ll need a U.S. Netflix account, a Chrome-based browser, and the Netflix Party (now TeleParty) extension.

Make your nominations in the comments below.

WEIRD HORIZON FOR THE WEEK OF 11/27/2020

366 Weird Movies may earn commissions from purchases made through product links.

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs and Blu-rays (and hot off the server VODs), and on more distant horizons…

Trailers of new release movies are generally available at the official site links.

NEW ON HOME VIDEO:

“Essential Fellini”: A Blu-ray box set release of fourteen films, including all four of his canonically weird titles: 8 1/2, Fellini Satyricon, Roma, and Amarcord. Eleven of the movies are newly restored and the box includes “Toby Dammit” along with hours of documentaries and interviews. Obviously positioned to be the jewel under the Xmas tree for the sophisticated cinephile in your life. Buy “Essential Fellini”.

She Mob (1968)/The Girl from Pussycat (1969): In She Mob, a gang of lesbians (including a leader in the most outrageously impractical steel cone bra you’ve ever seen) kidnap a gigolo; The Girl from Pussycat, meanwhile, plans a bank robbery between lesbian orgies. AFGA cites , , (!), and as points of reference; we suspect that last listed director is the most appropriate comparison, by a wide margin. A Blu-ray double feature. Buy She Mob/The Girl from Pussycat.

Tourist Trap (1979): A man menaces tourists with telekinetically controlled mannequins; weird enough, at least, that a reader suggested it for review. The set in question is a “VHS Retro Big Box Collection,” which means a DVD and a Blu-ray in a VHS style box (no VCR tape). The box may contain a surprise. A standalone Blu-ray edition is scheduled for early 2021. This edition was listed as “out of stock” when we went to virtual press, but you may find it on Full Moon’s official site. Buy “Tourist Trap: VHS Retro Big Box Collection”.

CANONICALLY WEIRD ONLINE SCREENINGS:

The Cabinet of Dr. Caligari (1920): Featuring the 2020 electro-acoustic score by the Invincible Czars. Half of the proceeds benefit Tuscon’s Loft Cinema. Buy tickets for online screening of The Cabinet of Dr. Caligari.

CANONICALLY WEIRD (AND OTHER) REPERTORY SCREENINGS:

Theaters across North America are shuttering-up again as a new wave of coronavirus hits. While a few venues remain open—and there’s always drive-ins, where that option exists—it’s up to you to decide if you think it’s safe to go to movie theaters at this time.

WHAT’S IN THE PIPELINE: If you have an Amazon Prime account, join us tomorrow, Saturday November 28, at 10:15 PM (ET) for ‘s trippy dance movie Climax (2019) . As always, the link to join and chat with the group will appear on our homepage, our Facebook page, and our Twitter page around 10 PM ET.

Speaking of trip movies, next week we’ll bring you a review of the nostalgic new magic mushroom indie dramedy, Light Years. That’s it for reviews next week. There’s a reason for that; we’re devoting most of our spare time to putting the finishing touches on the 2020 Yearbook, whose imminent release should be announced on these pages next week. Are you as excited as we are? Probably not, but we’re still proud, relieved to be almost finished, and hopeful that you’ll buy a copy as a gift to that weird cinephile in your life who likes to keep up on recent movies they may have missed. Or, for yourself. Just buy the damn thing, we worked hard on it!

What are you looking forward to? If you have any weird movie leads that we have overlooked, feel free to leave them in the COMMENTS section.

“SOLID METAL NIGHTMARES”: THE SHINYA TSUKAMOTO BOX SET

is more than the sum of his parts–his cold, greased parts. During my progression through Arrow’s 2020 release of Solid Metal Nightmares, I became familiar with the director/actor/screenwriter/producer/creative designer. From his roots as a glibly nihilistic visionary, he grew into a sanguinely nihilistic storyteller. Arrow’s boxed set puts virtually all his history on display for enjoyment and dissection.

The dissection comes in the form of the many extras, some of which are bulleted below:

  • Audio commentaries on all ten features (or near-features) from Tom Mes–an expert in Japanese cinema, I am informed, but those who know me know I haven’t listened to these
  • Half-a-dozen-or-so interviews with the director from over the years, including one exclusive to the set
  • Archival featurettes, documentaries, music clips, and trailers
  • A beautiful, hard-bound book with essays about each of the films included, typically in thematic pairings
  • Reversible title sleeves for the individual Blu-ray discs
  • The requisite double-sided poster (alas, no “postcards” for this; I’d have loved them to send notes to friends and loved ones)
  • And a box

I knew “Solid Metal Nightmares” would soon become a collector’s item, even beyond its designated collector status. I ordered this set back when it was new (I paid some sixty bucks for it new; it now fetches close to two hundred on the secondary market), and the box I received showed up  a bit damaged. I felt the damage was appropriate to the collection, however: every hero and heroine Tsukamoto puts to screen is irrevocably damaged in some way. I’m thinking of sending the package back to the director for him to spruce up with some bolts and metal filings.

Still from Tetsuo the Iron Man (1989)
Tetsue: The Iron Man

These past months a number of you will have noticed random Tsukamoto reviews cropping up on the site, giving a rough timeline of my journey. As I feel is always the case, the movie is the thing to judge—how it’s transferred visually, how the audio feels on the eardrums, and whether the framing integrity is maintained. Rest assured, dear reader, that all the films—Tetsuo: the Iron Man, Tetsuo II: Body Hammer, The Adventure of Denchu-Kozo, Tokyo Fist, Bullet Ballet, Haze, A Snake of June, Vital, Kotoko, and Killing—look and feel as close to Tsukamoto’s celluloid (and later, digital) dreams as possible. Nothing is too crisp (I’m looking at you, Tetsuo), nothing is washed-out, and every clink, slam, kachunk, sigh, scream, whisper, and driving soundtrack blasts—or not—as appropriate.

Just about every film included is at least recommendable, but I cannot help raise an eyebrow at one exclusion and one inclusion. The exclusion first: for reasons beyond my understanding, Tsukamoto’s early (and color!) short film, Futsû saizu no kaijin, is nowhere to be seen—which is a pity, as it laid the ground work for the more expansive Tetsuo: the Iron Man that followed a few years later. Ah well.

The odd inclusion—which I was more than happy enough to watch, mind you—is his latest film, Killing. This movie does have some “metal” in it, albeit only in the opening scene where we witness a katana being forged. However, it is a contemplative period drama set in the late Edo period, and tonally is a very calm (albeit rather depressing) vision of Imperial decline. It is a good movie, to be certain, and watching Shinya Tsukamoto as an aging ronin is a treat. But as the finale in a collection dubbed “Solid Metal Nightmares,” it’s a bit incongruous.

Fans of Shinya Tsukamoto who don’t already own this are probably few and far between. To those who didn’t have the good luck of snapping this up on pre-order, I would still argue that the current $200 price tag is well worth the outlay. With a little luck, the folks at Arrow will re-release this, and then put together a set of the director’s other features. (May I suggest “Solid Metal Daydreams”?)

WHAT THE CRITICS SAY:

“A wholly original moviemaking genius who most certainly paved the way for the outlaw likes of Takashi Miike or Sion Sono, his films often took a surreal, hyperkinetic audiovisual approach to his visceral character studies.  Frequently ultraviolent, psychosexual and dripping with physicality, Tsukamoto’s work resembles nothing which came before in the annals of Japanese cinema.”–Andrew Kotwicki, The Movie Sleuth (box set)