Rokugatsu No Hebi
PLOT: A sexually repressed woman is blackmailed into living out her erotic fantasies by a stalker.
WHY IT MIGHT MAKE THE LIST: Done in a sleazier and more straightforward style, the script’s voyeuristic hook might have led us into “erotic thriller” territory, resulting in a film destined to play “Cinemax After Dark” at 2:30 AM. But Snake is a fever dream of outsider auteur
COMMENTS: The first half of A Snake of June is fairly conventional (at least, by our standards). Mousy Rinko answers calls at a suicide hotline. Her husband, the older Shigehiko, is a salaryman with a cleaning fetish and little time for romance. Iguchi is a depressed photographer who only takes pictures of household objects: blenders, or waffle irons. When Iguchi calls Rinko and she talks him down off the metaphorical ledge, he decides to reward her by forcing her to live out her sexual fantasies: he stalks her, takes pictures of her masturbating, and then threatens to make them public if she doesn’t dress up in a microskirt with no underwear and wander through a busy marketplace. Although the scenario seems skeevy, it shows character development on Iguchi’s part—he’s shifted his interest from inert objects to people. He is stalking and manipulating the woman but he is not treating Rinko as an object—he fully acknowledges her humanity as he puts her through erotic exercises he genuinely believes will make her into the happier person she deserves to be.
Although we have tagged this movie with “black and white,” it should be noted that it the film is actually tinted a shade of blue-gray that suggests the perpetually overcast skies of Snake‘s rain-soaked Tokyo streets. Dividing the movie into a nearly conventional first half and a surreal second hemisphere that both advances and reconfigures the narrative is an interesting gambit. A Snake of June drags at times, and confuses frequently, but few who see it will forget it, or accuse it of playing it safe.
WHAT THE CRITICS SAY:
“This vision includes some freakishly surreal moments… The results, while uneven, do represent a journey for the audience – exhilarating, worthwhile and memorable after the event – even if, along the way, we’re never sure exactly where we’re going to end up.”–Neil Young, Neil Young’s Film Lounge (contemporaneous)