WHAT’S IN THE PIPELINE

Next week, we plan to get out reviews of the mystical French sex film À l’aventure (2009), the currently-in-theaters Shutter Island, and the Coen brothers’ writer’s block nightmare Barton Fink (1991).  Also in the pipeline is a review of the 1990 post-apocalyptic film Hardware.

When selecting the weirdest search term used to locate the site last week, sometimes the search terms are fine, but the phrasing makes us wonder.  Such is the case with this week’s selection, “whilst we are on the subject of weird short films,” we makes it sound like the site was having a discussion with Lord Finklebottom over tea and crumpets.

Some notes on the reader-suggested review queue: we’ve acquired copies of Santa Sangre and The Abominable Dr. Phibes, so reviews should appear in the next couple weeks. We are officially giving up for the time being on Tabu’s Monday, as we haven’t been able to locate an English-language translation. We keep a separate wishlist of out-of-print titles, and we will keep an eye out for a re-release. The rest of the queue looks like this: Barton Fink (next week); Santa Sangre; The Abominable Dr. Phibes; What? (Diary of Forbidden Dreams); Meatball Machine; Xtro; Basket Case; Suicide Club; O Lucky Man!; Trash Humpers (when/if released); Gozu; Tales of Ordinary Madness; The Wayward Cloud; Kwaidan; Six-String Samurai; Andy Warhol’s Trash; Altered States; Memento; Nightmare Before Christmas/Vincent/Frankenweenie; The Science of Sleep; Gothic (jumping in line to come out next week!); The Attic Expeditions; After Last Season; Getting Any?; Performance; Being John Malkovich; The Apple; Southland Tales; Arizona Dream; Spider (2002); Songs From The Second Floor; Singapore Sling; Alice [Neco z Alenky]; Necromania (1971, Ed Wood); Hour of the Wolf; MirrorMask; Possession; Suspiria; Mary and Max; Wild Zero; 4; Nothing (2003); The Peanut Butter Solution; Ninja Scroll; Perfume: The Story of a Murderer; Danger: Diabolik; Faust; Sublime; Battle Royale; Pink Floyd: The Wall; Escanaba In Da Moonlight; Jesus Christ, Vampire Hunter; Zardoz; The Films of Suzan Pitt; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; 964 Pinocchio; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel; Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; and Dead Leaves.

SATURDAY SHORT: [USER ASSUMES RISK] JUNE 18, 2008

If there’s one thing we like more than a talented, unconventional film director, it’s one who also writes extraordinary music.  John R. Hand is one of these talented artists. His band, User Assumes Risk, mixes their disturbing electronic music with horrifying, gruesome images for a live performance that would make Marilyn Manson envious. CORRECTION: Although Hand is also a composer, the music in this video was actually written by Lemmie Crew.

WEIRD HORIZON FOR THE WEEK OF 2/26/2010

A look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

A Prophet [Un prohète] (2009): A huge stretch for weird interest, but since there’s nothing else in theaters you may want to go see this, the French nominee for “Best Foreign Language Film” Oscar.  It’s a gangster drama about the rise of an North African within an organized crime gang operating from inside the walls of a French prison, and it reportedly contains a few dream sequences.  Winner of the Grand Prix at Cannes. A Prophet official site (English).

SCREENINGS – NEW YORK CITY:

ODDSAC (2010): A 53-minute “visual album” matching experimental visuals to the equally experimental music of Animal Collective. The trailer will verify that the visuals and audio are both definitely trippy. Playing at the Visual Arts Theater March 2 & 3; the official website indicates that both screenings are sold out. Screenings are taking place throughout March in Chicago, Los Angeles, San Francisco and Portland, Oregon, ahead of a June DVD release.  We’ll remind you of screenings in your area, or you can check ODDSAC‘s homepage for future dates.

NEW ON DVD:

$9.99 (2008): Read our review.  Claymation adaptation of the absurdist short stories of Etgar Keret, including one about a young man who buys a book that promises to give him the meaning of life for $9.99 cash. Definitely weird at times, at other times flatly dramatic; as a whole, the movie has difficulty finding a workable tone. Buy $9.99.

The Box (2009): Read our review.  Opinions were split (even in-house) on the merits of Richard Kelly‘s mystifying sci-fi parable about a box offering moral dilemmas; if you missed it in theaters, now is your chance to weigh in on one side or the other. Buy The Box.

Dead Snow (2009): The Norwegian Nazi zombie movie.  Gory zombie comedies once seemed weird, but they’re fast becoming mainstream—even derivative. Buy Dead Snow .

NEW ON BLU-RAY:

The Box (2009): See entry in DVD above. Buy The Box [Blu-ray].

Dead Snow (2009): See entry in DVD above. Buy Dead Snow [Blu-ray].

Ichi the Killer (2001): Back in August, we prematurely announced this was coming to Blu-ray. This time we mean it! This perverted and extreme sadomasochistic classic from weird director Takashi Miike finally gets the Blu-ray treatment. No longer will viewers have to suffer the agonies of low-definition arterial spray! Ichi the Killer [Blu-ray].

Poutrygeist: Night of the Chicken Dead (2007): More Troma madness. Zombie chickens arise from the grave when a fast food franchise is built on an Indian burial ground. Buy Poultrygeist: Night of the Chicken Dead [Blu-ray].

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

REVIEW WRITING CONTEST #2: WIN A COPY OF “FRANKENSTEIN’S BLOODY NIGHTMARE”

Review Writing Contest #2 prize: Frankensteins Bloody Nightmare Well, our first review writing contest went fabulously: we landed Pamela de Graff, who’s turned into a valuable contributor for the site.  So, we feel it’s time to trot out a second review-writing contest.

Now, multiple people have contacted us with offers to write reviews, but haven’t followed through.   If you’re one of them, here’s your chance to write that review and get a some swag for your trouble!

The prize is a “like new” DVD of the experimental, surreal horror movie Frankenstein’s Bloody Nightmare, which has only been previously viewed for review purposes.

Just like last time, the rules of the contest are simple:

  1. Write a review of a movie that you think should be on the List of the 366 Best Weird Movies, but that hasn’t been covered here yet.  Including the following sections: DIRECTOR, FEATURING (listing the most important actors), PLOT (a one sentence synopsis), WHY IT DESERVES TO MAKE THE LIST (a one sentence to one paragraph description of why you think the movie is weird), COMMENTS (one to two paragraphs describing the movie in more detail). If you have a suggestion for a still to represent the movie and/or a quote from a critic on the film, you can include those, but they are not required.
  2. In rare cases, a well-thought out “second opinion” on a movie that we have already considered, but that you think we got wrong (either by putting it on the List when it shouldn’t have made it, or rejecting a film that should have made it), will be an acceptable subject for a review.  We would still prefer reviews of movies we haven’t yet covered.
  3. Submit your work on our contact form. By submitting your entry on this form, you agree to allow 366weirdmovies.com to publish your work, either whole or in edited form, on this website. Your work may be selected for publication even if you are not chosen as the winner.
  4. The contest is open to anyone whose work has not previously been published on 366weirdmovies.com.  If you submitted a review to the last contest and did not win, you are still eligible to enter this contest even if we published your review.
  5. You may not write a review promoting a film which you were involved in the production of, or in which you have a financial interest.
  6. This site strives to remain “PG” rated; do not use profanity in your review.
  7. The contest will remain open for one month, until March 25, 2010, at which time the editor will select the best entry. The winner will be chosen on the basis of writing style, insight, and appropriateness of the movie chosen. The deadline may be extended, depending on the number of entries received.
  8. In order to be eligible to receive the prize, you must supply a valid email address and a valid mailing address. International addresses are acceptable. If the winning entrant does not supply a valid mailing address, or declines the prize, the DVD will be given to a randomly selected entry with a mailing address in the United States. If no entries are from the United States, then the deadline to complete the contest will be extended.

TIPS: Avoid merely summarizing the plot in your comments. Avoid giving away “spoilers” in your descriptions that might ruin the enjoyment of the film. Obscure titles are fine—in fact, they may be worth bonus points—but try to pick a film that is available on DVD, or is at least likely to be released. If you write on a film no one will be able to view or locate, the movie may be judged as inappropriate.

One final tip: don’t be scared away by thinking you have to write something profoundly insightful. Simply consider it as a chance to describe and recommend a film to that narrow audience of people who are interested in the same kind of weird movies as you are.

Have fun! The winner, and even the runners-up, may be invited to become regular contributors to the site!

50. GOTHIC (1986)

“I passed the summer of 1816 in the environs of Geneva. The season was cold and rainy, and in the evenings we crowded around a blazing wood fire, and occasionally amused ourselves with some German stories of ghosts, which happened to fall into our hands. These tales excited in us a playful desire of imitation. Two other friends (a tale from the pen of one of whom would be far more acceptable to the public than anything I can ever hope to produce) and myself agreed to write each a story founded on some supernatural occurrence.  The weather, however, suddenly became serene; and my two friends left me on a journey among the Alps, and lost, in the magnificent scenes which they present, all memory of their ghostly visions. The following tale is the only one which has been completed.”–Mary Shelley, preface to Frankenstein

DIRECTED BY: Ken Russell

FEATURING: Natasha Richardson, Gabriel Byrne, Julian Sands, Myriam Cyr, Timothy Spall

PLOT: Romantic poet Percy Shelley takes his lover, Mary, and her stepsister Claire to visit Lord Byron and his biographer, Dr. Polidori, at the poet’s sprawling Swiss estate.  The fivesome spend the evening playing games and drinking laudanum, until the topic of conversation turns to ghost stories.  They decide to hold a seance to materialize their worst fear, with unanticipated success: or, are they just having a group hallucination?

Still from Gothic (1986)

BACKGROUND:

  • The meeting in the film between Percy Shelley, Byron, Mary Godwin Shelley, Dr. Polidori and Claire Clairmont did take place, though the party actually spent the entire summer of 1816 together, not just a single night. Mary Shelley (then Mary Godwin) did conceive the idea for her novel “Frankenstein there, after Byron suggested that each member of the party write their own supernatural tale. Many other details of the character’s backstories are accurate: Byron did impregnate Claire, and Mary did bear a stillborn child by Percy.
  • The story of “Frankenstein”‘s genesis was mentioned in the prologue to The Bride of Frankenstein, and similar stories of the meeting between Byron and the Shelleys were told in the movies The Haunted Summer (1988) and Rowing in the Wind (1988).
  • The painting which hangs over the mantelpiece in the guest bedroom, which is recreated in live action in a dream sequence, in is based on John Henry Fuseli’s “The Nightmare.”
  • The movie was the first major feature produced by a division of Virgin Media (known for producing and distributing their pop music). Many of the technical crew had a music video background. Virgin shut down its motion picture production and distribution operations after 1990.
  • Julian Sands came to Gothic fresh off a prominent role in Merchant-Ivory’s Oscar-winning A Room with a View. After this role he wound up specializing in horror films like Warlock (1989) and its sequels.

INDELIBLE IMAGE: Breasts with eyes.

WHAT MAKES IT WEIRD:  After setting up its premise, Gothic becomes a series of phantasmagorical set pieces that allow Ken Russell to indulge his penchant for perverse visuals and excessive Freudian symbolism.


Trailer for Gothic

COMMENTS: For better and worse, Gothic‘s hallucinatory structure allows director Ken Continue reading 50. GOTHIC (1986)