“I passed the summer of 1816 in the environs of Geneva. The season was cold and rainy, and in the evenings we crowded around a blazing wood fire, and occasionally amused ourselves with some German stories of ghosts, which happened to fall into our hands. These tales excited in us a playful desire of imitation. Two other friends (a tale from the pen of one of whom would be far more acceptable to the public than anything I can ever hope to produce) and myself agreed to write each a story founded on some supernatural occurrence. The weather, however, suddenly became serene; and my two friends left me on a journey among the Alps, and lost, in the magnificent scenes which they present, all memory of their ghostly visions. The following tale is the only one which has been completed.”–Mary Shelley, preface to Frankenstein
DIRECTED BY: Ken Russell
PLOT: Romantic poet Percy Shelley takes his lover, Mary, and her stepsister Claire to visit Lord Byron and his biographer, Dr. Polidori, at the poet’s sprawling Swiss estate. The fivesome spend the evening playing games and drinking laudanum, until the topic of conversation turns to ghost stories. They decide to hold a seance to materialize their worst fear, with unanticipated success: or, are they just having a group hallucination?
- The meeting in the film between Percy Shelley, Byron, Mary Godwin Shelley, Dr. Polidori and Claire Clairmont did take place, though the party actually spent the entire summer of 1816 together, not just a single night. Mary Shelley (then Mary Godwin) did conceive the idea for her novel Frankenstein there, after Byron suggested that each member of the party write their own supernatural tale. Many other details of the character’s backstories are accurate: Byron did impregnate Claire, and Mary did bear a stillborn child by Percy.
- The story of Frankenstein‘s genesis was mentioned in the prologue to The Bride of Frankenstein, and similar stories of the meeting between Byron and the Shelleys were told in the movies The Haunted Summer (1988) and Rowing in the Wind (1988).
- The painting which hangs over the mantelpiece in the guest bedroom, which is recreated in live action in a dream sequence, in is based on John Henry Fuseli’s “The Nightmare.”
- The movie was the first major feature produced by a division of Virgin Media (known for producing and distributing their pop music). Many of the technical crew had a music video background. Virgin shut down its motion picture production and distribution operations after 1990.
- Julian Sands came to Gothic fresh off a prominent role in Merchant-Ivory’s Oscar-winning A Room with a View. After this role he wound up specializing in horror films like Warlock (1989) and its sequels.
INDELIBLE IMAGE: Breasts with eyes.
WHAT MAKES IT WEIRD: After setting up its premise, Gothic becomes a series of
Trailer for Gothic
phantasmagorical set pieces that allow Ken Russell to indulge his penchant for perverse visuals and excessive Freudian symbolism.
COMMENTS: For better and worse, Gothic‘s hallucinatory structure allows director Ken Continue reading 50. GOTHIC (1986)